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Friday, March 18, 2016

Postcolonial Interventions
Call for Papers

Vol. I, Issue 2 (June 2016)



DEADLINE EXTENDED till 15th April 2016




2016 marks the quartercentenary of Shakespeare’s death and the upcoming issue of Postcolonial Interventions will focus on the continued relevance of multiple Shakespeares in the culture-scape of the postcolonial world. Not only were Shakespearean plays shaped in many ways by colonial discourses, especially discourses of racial difference, but Shakespearean plays also initially functioned as those “signs taken for wonders” through which the colonial administrators sought to consolidate imperial hegemony, as evident from such critical works as Post-Colonial Shakespeares (1999). However, subsequent ages witnessed translation and localization as well as adaptation and transformation which contributed to manifold forms of appropriation, conditioned by differing contextual pressures and shifting equations of power, as illustrated by later works like Re-playing Shakespeare in Asia (2010). Quite naturally therefore, from Aimé Césaire’s adaptation of The Tempest, to Kalyan Ray’s novel Eastwords to Vishal Bhardwaj’s trilogy of films based on Shakespearean tragedies, the realm of postcolonial cultures has witnessed a variety of Shakespearean representations across several genres and media which have functioned as multifaceted interventions, endowed with diverse connotations. As Craig Dionne and Parmita Kapadia inform us in the introduction to Native Shakespeares,
… every spring, groups of women on the Caribbean island of Carriacou prepare elaborate costumes for their boyfriends, husbands, and sons, who will wear the regalia in the long- standing annual ritual known as the Carriacou Mas, a contest in which local men dance and deliver famous passages from Shakespeare’s Julius Caesar. The contemporary Sudanese novelist Tayeb Salih pauses over page while writing Season of Migration to the North to consider the vexed experience of expressing an Arab nationalism, and what comes to mind is the face of Shakespeare’s Othello, the Sudanese experience of expressing an Arab identity fixed and localized through the tragic hero’s story of betrayal. The Maori broadcasting agency Te Mangai Paho chooses its first film to promote the New Zealand language te reo, Te Tangata Whai Rawa O Weneti [The Maori Merchant of Venice] using Shakespeare’s romantic comedy to resurrect a native language.
Moving away from a rather unhealthy obsession with Shakespeare’s biography in various academic quarters, such global appropriations have created opportunities of multicultural negotiations, anti-colonial critiques, political contestations based on class, gender or race, formal experiments of diverse kinds and even critical discourses of varied theoretical orientations. In the process, the postcolonial world has testified, with a thousand different voices, to the veracity of the Bard’s own prophetic pronouncements on his dramatic art:
How many ages hence
Shall this our lofty scene be acted over
In states unborn and accents yet unknown!

The next issue of Postcolonial Interventions invites scholarly articles which would analyse the continued and seemingly inexhaustible significances of Shakespeare in postcolonial cultures, not just in terms of rewriting or dramatic performances or cinematic adaptations but also by focusing on the continued presence of Shakespeare in other forms of popular culture, education and iconography. Topics may include but are not limited to:

• Political Shakespeares: critiques of race, class and gender
• Anti-colonial Shakespeares: marshalling the Bard against Empire
• Multicultural and Multilingual Shakespeares
• Shakespeare in Education
• Postcolonial Shakespearean Criticism
• Shakespeare in other media: from films to graphic novels
• Shakespearean Theatre Festivals and the Politics of Representation
• Shakespeare in Non-Western performance traditions
• Translations, Adaptations and Transcreations of Shakespeare


Submissions should be sent to the postcolonialinterventions@gmail.com by 15th March, 2016.

Submissions Guidelines:
1. Articles must be original and unpublished. Submission will imply that it is not being considered for publication elsewhere.
2. Written in Times New Roman 12, double spaced with 1″ margin on all sides
3. Between 4000-7000 words, inclusive of all citations.
4. With parenthetic citations and a Works Cited list complying with MLA format
5. Without footnotes; endnotes only if absolutely unavoidable
6. A separate cover page should include the author’s name, designation and an abstract of 250 words with a maximum of 5 keywords
7. The main article should not in any way contain the author’s name. Otherwise the article will not be considered.
8. The contributors are responsible for obtaining permission to reproduce any material, including photographs and illustrations for which they do not hold copyright.

Postcolonial Interventions

Call for Papers

Vol. 1, Issue 1 (January 2016)

For more than a decade, discussions about the purported death of postcolonialism as a discipline have been rife (see, for example Hamid Dabashi’s The Arab Spring: The End of Postcolonialism; E. San Juan Jr’s After Postcolonialism). Such declarations of the discipline’s demise suggest that it has outlived its utility and that ongoing global socio-economic and politico-military changes require a newer intellectual paradigm which would be capable of grasping the ever-growing complexities of our contemporary world with its divergent and often chaotic changes. However, alongside this cacophony of naysayers there has also existed an equally potent strand of academic discourse which has continuously sought to proclaim the abiding relevance of postcolonial thought, especially in the face of the dominance of neocolonial and neoliberal practices on the one hand and various episodes of imperialist, military intrusions on the other. More importantly, in spite of such debates, scholars in various fields have been relentlessly applying the insights of postcolonial studies to newer fields of study (life narratives, Biblical readings, queer narratives, medieval romances, Foucault’s Biopolitics, the icon of the ‘pirate’ to name a few) and have also been seeking to consolidate the theoretical paradigm of postcolonial studies by fusing it with various emerging theoretical insights. Many of these developments have been governed by the belief that although empires and colonies have ceased to exist in the sense they used to before, the former colonies are still suffering from various lingering effects of the past and are troubled by new-born internal hierarchies, inequalities and global politico-economic forces which continue to thwart their quest for dreams which anti-colonial movements had once generated.
Such theoretical developments are testament to the persistent relevance of postcolonial studies for the present and the future. Postcolonialism is an emancipatory discourse – a discourse focused on “strategic interventions in the name of our future” (Young: 2001), a discourse marked by its “intention towards [a] possibility that has still not become” (Bloch: 1986) a discourse marked by its articulation of multidimensional forms of resistance – and it is as necessary as ever. The need for such an emancipatory discourse is evident in light of the growing imbalance of resources between the global North and the global South, or between national elites and impoverished multitudes, in light of rising forms of xenophobia and anti-immigration rhetoric across the West, specters of religious fundamentalism and terrorism in different parts of Asia and Africa, fissures within nation-states owing to victimization of minorities, weak democratic structures incapable of ensuring basic rights or access to fundamental amenities, and the imbrication of cultural representations/apparatuses within these processes. Taking the Indian subcontinent as a case in point, the necessity of an evolving and multifaceted theory to address the complex political scenario is evident, when faced with ongoing conflicts in Kashmir that remain a constant reminder of colonial rule and Partition, successive murders of secular bloggers in Bangladesh and rationalists in India, the precarious existence of the Rohingyas in Myanmar, the terror modules operating across Bangladesh, Pakistan and Afghanistan, ever-growing reports of rise in crimes against women, honour killings and ‘khap’ diktats, the continued criminalization of homosexuality in India, marginalization of minorities of different ethnicity or religion, predicaments of migrant labourers in the Middle-East, impoverishment of small farmers and industrial workers under the aegis of neo-liberal policies and so on.
Therefore the maiden issue of Postcolonial Interventions invites scholarly articles that would highlight not only the ways in which postcolonial studies have been evolving to create theoretical frameworks suited to the multiple challenges of the present, but also the ways in which cultural representations are responding both to the discontents of the present and the resistances that are simultaneously taking shape. Topics may include but are not limited to:

 Neocolonial/neoliberal practices and resultant subalternization
 Fissures in nation states
 Utopian imaginings in times of despair
 Transnational flows and emergent subjectivities
 Islamophobia in the post 9/11 world
 Democracies in crisis
 Evolving configurations of race, class, caste and gender
 Rising fundamentalism and the threat of ISIS
 Reconstituting canons for the 21st century
 Postcolonial aesthetics
 Comprador elites and global capital
 Insurgent movements: past and present

Submissions should be sent to postcolonialinterventions@gmail.com within 10th November, 2015.

Submission Guidelines:
1. Articles must be original and unpublished. Submission will imply that it is not being considered for publication elsewhere.
2. Written in Times New Roman 12, double spaced with 1″ margin on all sides
3. Between 4000-7000 words, inclusive of all citations.
4. With parenthetic citations and a Works Cited list complying with MLA format
5. Without footnotes; endnotes only if absolutely unavoidable
6. A separate cover page should include the author’s name, designation and an abstract of 250 words with a maximum of 5 keywords
7. The main article should not in any way contain the author’s name. Otherwise the article will not be considered.
8. The contributors are responsible for obtaining permission to reproduce any material, including photographs and illustrations for which they do not hold copyright.



For further details, refer to

Tuesday, March 15, 2016


The Asian Conference on Cultural Studies 2016

ACCS2016

Art Center of Kobe, Kobe, Japan
Thursday, June 2 - Sunday, June 5, 2016





Abstract Submission Deadline: April 1, 2016
Registration Deadline for Presenters: May 1, 2016





Publish before a global audience. Present in a supportive environment. Network and create new relationships. Hear the latest research. Experience Japan. Join a global academic community.


This international and interdisciplinary conference will again bring together a range of academics and practitioners to discuss new directions of research and discovery in education. As with IAFOR’s other events, ACCS2016 will afford the opportunity for renewing old acquaintances, making new contacts, and networking across higher education and beyond.


The Asian Conference on Cultural Studies will be held alongside The Asian Conference on Asian Studies and The International Conference on Japan and Japan Studies. Registration for one of these conferences will allow attendees to attend sessions in the others.







ACCS2016 Conference Theme: “Cultural Struggle and Praxis: Negotiating Power and the Everyday”







In this conference participants are invited to explore and question the ways in which cultural struggle characterises our present times. Given that culture is the fabric of meaning making, understanding its relationship to politics and society is crucial. Cultural struggle, for instance, alerts us to the political dynamics of how meaning making is controlled, contested and communicated through the core institutions of society such as media, education, law, medicine, government, the family, religion, the market and so on – all of which impact upon and influence everyday life.


Nowhere is the cultural struggle more evident than in questions of belonging, identity and mobility; refuge, exile and community. In the convergence of culture and narrative, the contemporary and historical story of the human condition is particularly marked by how power and the everyday are negotiated through the experience of displacement and dispossession or privilege and status. Culture, expressed, articulated and represented through sites and locales, practices, actions and values, identities and forms, histories and memories, myths and traditions, is a pivotal lens through which we are able to understand and interpret the way society works, and to see how power and the everyday intersect.


We hope and expect the 2016 conference theme to inspire a number of research avenues, and look forward to discussing ideas, findings and synergies, in this international academic forum.


We hope to see you at ACCS2016!
More information on our conference theme and sub-themes.
Abstract Submission Process




In order to present at the conference, your abstract must first pass a double blind peer review. Upon payment of registration fees, your presentation will be confirmed. Learn more about conference streams.

Deadlines
Abstracts submission: Extended to April 1, 2016
Results of abstract reviews returned to authors: Usually within two weeks of submission
Full conference registration payment for all presenters: May 1, 2016
Full paper submission: July 5, 2016
How to Submit
Register with our online submission system.

Create your account. Your email address will be used as your username and you will be asked to submit a password.
Submit your abstract of no more than 250 words, choosing from the presentation formats listed below (Individual, Poster or Virtual).
Submit well before the submission deadline in order to benefit from Early Bird rates.
Your proposal will normally be reviewed within two to three weeks after undergoing a double blind peer review. Those who submit near the extended deadline will usually receive results by April 15, 2016.
If your proposal is accepted you will be invited to register for the conference. Upon payment of the registration fee, you will be sent a confirmation email receipt.
Status of Submission
The status of your abstract can be checked by logging in to the online submission system. The status will be displayed in the "Your Submissions" area. If your paper is accepted, a notification email will be sent to the registered email address. If you do not receive this email, please contact us at accs@iafor.org.

You can return to the system at any time using your username and password to edit your personal information. If you wish your paper to be published in the conference proceedings, please ensure that a paper is uploaded through the online system by July 5, 2016.



Ways to Present

Oral Presentation (25 minutes)

The standard format for presentation. Oral presentations are 25 minutes in length.
Poster Presentation (90 minutes)

Poster presentations allow presenters to reach a large audience and engage interested participants directly. These sessions give participants a chance to network with other delegates who may be interested in similar research or other disciplines.
Virtual Presentation

Virtual presentations afford authors the opportunity to present their research to IAFOR’s far-reaching and international online audience, without time restrictions, distractions or the need to travel. Presenters are invited to create a video of their presentation which will be uploaded to the official IAFOR Vimeo channel, and will remain online indefinitely. This is a valuable and impactful way of presenting in its own right, but also an alternative means for those delegates who may be unable to travel to the conference due to financial or political restrictions. The same publishing opportunities apply to virtual presenters, with final papers being included in Conference Proceedings.
Following the conference, virtual presenters will be mailed a conference pack, including receipt of payment, certificate of participation and a printed copy of the Conference Programme.
The Vimeo channel will be referenced on all conference materials.
There is no limit to length or style but certain restrictions apply to files size and music selection. Guidelines and further information on creating the video will be sent following registration.
Please note that video presentations are to be created by the author. IAFOR does not permit live video conferencing.

We do not allow presentations by video-conferencing but presenters have the opportunity to submit a video of their presentation, which will be placed on the official video channel. Information on how to do this will be sent following registration.
Workshop Presentation (60 to 90 minutes)


A workshop is a brief, intensive course, lasting 60 to 90 minutes, which is led by an experienced practitioner, usually with a Ph.D. It facilitates group interaction and the exchange of information amongst a smaller number of participants than is usual at a plenary session.


Often a workshop involves problem solving, skills training, or the dissemination of new content or disciplinary approaches. Conference workshops are typically more instructional and interactive in nature than oral presentations and involve participants working with the workshop leader on a particular topical issue.
Panel Presentation (90 minutes)

As the organiser of a proposed panel, submit a proposal for the panel through the online system.
Panels must have at least four participants (including the chair).
All the panel participants must be listed in the submission, with the chair leader as the primary author, and the other presenters as co-authors.
If your proposal is accepted, you will be invited to register for the conference. Please ensure that you send the submission reference number to the other members of your panel and have them register in a timely fashion. Upon payment of the registration fee of all participants, your panel will be scheduled in the conference programme.
If you, as the panel chair, wish to publish a joint paper associated with the panel in the conference proceedings, please upload one through the online system.
If you and your panel members wish to publish separate papers, they may register individually and submit their proposals for review.


Review System and Scheduling Requests


Authors as Reviewers: A Reciprocal System

Our academic events would not be what they are without a commitment to ensuring adherence to international norms of abstract peer review. IAFOR relies on a large number of international scholars from around the world to contribute to a shared vision of promoting and engaging in international, intercultural and interdisciplinary dialogue, and if you are taking part in an IAFOR event, then that means you. Authors may be asked to review up to five abstracts for the conference. You are under no obligation to participate in this reciprocal system, but if you are selected to review, and undertake this task of grading abstracts for the the conference you will be credited in the conference programme.
Scheduling Requests


Requests for specific times and days for presentations are not usually alloweddue to the large number of participants. We ask that you reserve requests for religious reasons or other exceptional and unavoidable circumstances.


We hope that participants attend each day in order to have a rewarding conference experience. If you must put in a scheduling request, you may only request one black-out day -- one day to not present at the conference. Requests for specific days or times will not be accepted.


Scheduling requests will not be accepted after the registration deadline.


Conference Theme and Streams

Conference Theme: "Cultural Struggle and Praxis: Negotiating Power and the Everyday"


The conference theme for ACCS2016 is "Cultural Struggle and Praxis: Negotiating Power and the Everyday", and the organisers encourage submissions that approach this theme from a variety of perspectives. However, the submission of other topics for consideration is welcome and we also encourage sessions across a variety of interdisciplinary and theoretical perspectives.


Abstracts should address one or more of the streams below, identifying a relevant sub-theme:


Sub-Themes:
refuge
mobility
social praxis
disability
education and/or pedagogy
the city
the nation
human rights
social justice
minor cultures
activism
technology
terrorism
identity
internet
media
law
popular culture
the family
gender, queer and/or sexuality
religion
curation/the archive
sport
place
creative arts
the ecological
the transnational/global
the economy


Submissions are organised into the following thematic streams:
Black Feminism
Critical Legal Studies
Critical Race Theory
Cultural Geography
Cultural History
Cultural Studies
Cultural Studies Pedagogy
Education
Gender studies / Feminist Theory
Justice Studies
Linguistics, Language and Cultural Studies
Media Studies
Orientalism
Political Philosophy
Political Theory
Queer Theory
Social Criticism
Sociology
Visual Culture







Conference Proceedings


Once you have registered, you can submit your final paper via the online submission system anytime until July 5, 2016.


Final papers are only accepted in a Microsoft Word .doc format. Please download our Final Paper Template and read the Final Paper Submission Guidelines.


The Official Conference Proceedings will be published online in a PDF formatunder an ISSN issued by the National Diet Library of Japan on August 5, 2016.






Publication and Licensing Issues

Abstracts, research papers, articles, video footage, images, and other forms of print and digital media will be made available by IAFOR to the general public on an open access, online basis.




By submitting to an open access agreement under Creative Commons 4.0 Attribution Non Commercial International an author or creator is hereby granting IAFOR an exclusive license for the full period of copyright throughout the world, including the exclusive right to publish, distribute, or communicate, their original submitted work in any IAFOR publication, whether in an online, electronic or print format, be that in whole, partial or modified form.




Authors retain originating copyright of their own work but through the act of agreeing to transfer the license to IAFOR under Creative Commons Attribution 4.0 Attribution Non Commercial International conditions allow IAFOR to take measures on behalf of authors against infringement, inappropriate use of an article, libel or plagiarism of any work, materials or content attributed under this license by other parties and allows IAFOR to monitor, uphold and maintain the integrity of an abstract, paper or article and its author once refereed and accepted for publication or public exhibition.




All publications and digital media produced for the conference will be openly archived on the IAFOR research archive.

Monday, March 14, 2016

TRANSLATION AND INTERPRETING
CONVERGENCE, CONTACT, INTERACTION

TRIESTE, 26-28 MAY 2016 


The Department of Law, Language, Interpreting and Translation Studies of the University of Trieste is pleased to announce the International Conference on Translation and Interpreting: Convergence, Contact, Interaction.

The Conference will be held at the University of Trieste on 26-28 May 2016.
 


Translation and interpreting scholars often attend different conferences or different sessions within the same conference. Opportunities for contact and comparison between specialists in the two disciplines are therefore lacking, even though such specialists would have a great deal to discuss in terms of research, teaching and professional practice.

A glance at the current state of the profession reveals a varied scenario in which Translation and Interpreting often constitute two interlingual processes performed by the same person in the same communicative situation or in different situations within the same set of relations and contacts, at times inextricably linked to other competences and other knowledge, though often seen as a single entity in the eyes of the public at large.

Translation and Interpreting can thus be found in relations of overlap, hybridity and contiguity, and effected variously in professional practices, strategies and translation processes.

Considering the day-to-day situation of Translation and Interpreting and abandoning – as with the concept of Translationswissenschaft – the traditional standpoint of separation and contrast, the idea of the Trieste Conference is to create a common space for reflection based on the topic, the area, the subject or the discipline in which Translation and Interpreting are both enacted as a service to society.

Translation and Interpreting are therefore presented as a binomial (T&I) inviting experts from both disciplines to meet and propose contributions which in themselves will create a comparison between these two different yet closely connected practices on topics including:

T&I in law
T&I in economics
T&I in politics
T&I in medicine
T&I in sport
T&I in tourism
T&I in science and technology
T&I in entertainment, art and culture

In particular, the conference wishes to encourage reflection on the various themes listed above, and will explore issues including, but not limited to, the following topics: required knowledge and competence, quality, linguistic, cognitive and ethical aspects, language combinations and directionality, theoretical approaches, research methodologies, professional practice and associated constraints, the status and prestige of professionals, the use of information technology, training, …

The official languages of the conference are English and Italian. Presentations in other languages cannot be guaranteed and require approval from the organisers.

The time allotted to each presentation will be 20 minutes.



Conference dates: 26–28 May 2016

Abstract submission deadline (max 400 words references excluded): 31 January 2016

Notification of acceptance: 15 February 2016


Early Bird Registration: 31 March 2016

Deadline for registration and payment: 30 April 2016


Registration

Registration is now open.

Early bird registration (until 31 March): € 150
Late Registration (deadline 30 April): € 170
Students and PhD students: € 120

The registration fee must be transferred to the Bank account of
Dipartimento di Scienze Giuridiche, del Linguaggio, dell’Interpretazione e della Traduzione
UniCredit Banca SpA
via F. Severo 152 – Trieste

IBAN: IT52Q0200802223000000976801
BIC / SWIFT: UNCRITM10UC
 

IMPORTANT: The message field must contain the name of the participant and the words: “Transint2016 registration”


Contact


ADDRESS

Dipartimento di Scienze Giuridiche, del Linguaggio, Dell'Interpretazione e della Traduzione (IUSLIT) - Sezione di Lingue Moderne per Interpreti e Traduttori

via Fabio Filzi,14
34132 Trieste

INFO

transint2016@units.it


Audiovisual translation:
Dubbing and Subtitling in the Central European context

Call for papers
  1. Audiovisual translation: theory vs practice
  1. Tradition and innovation in AVT
  1. Communication, translation, manipulation
  1. One country – two translations
  1. Audiovisual translation: accessibility and reception
  1. Audiovisual media and translation practice in the central European context
Important dates
Conference date: 15-17 June 2016
Abstract submission (EXTENDED): 30 March 2016
Notification of acceptance: 30 March 2016
Registration and payment (to be paid after the acceptance of your abstract): 30 April 2016
Venue and location
Submission and registration
Bank account number: 7000073076/8180
Bank account name: Dary Filozofickej fakulty UKF v Nitre
Account holder: Univerzita Konštantína Filozofa v Nitre
Address: Tr. A. Hlinku 1, 949 74 Nitra
IČO: 00157716
IBAN: SK5481800000007000073076
SWIFT: SUBASKBX
PAYMENT DETAILS: AVT conference, name and surname
VARIABLE SYMBOL: 102 250
Within the last couple of decades, an increased interest in audiovisual translation (AVT) within the scope of translation studies and intercultural communication in Europe can be observed. An escalating need to reflect this specific type of translation communication has emerged from various cultural, social, geopolitical and technological changes which have taken place at both a global and local level. Because of the impact of these changes, approaches and views on media and translation practice are being modified and the demands of the translation market are becoming more salient. This influences reflection upon AVT, stimulates the emergence of new interdisciplinary approaches and defines more particular requirements in translation training. Audiovisual translation has also attracted the attention of the European Union, mainly in relation to its efforts to make the individual cultures of member states available to all EU citizens. Due to economic and technological pressures the quality of AVT has become a topical issue in the last decade as well.

Aiming to map the situation in AVT practices in the central European context, the goal of the conference is to provide an opportunity for scholars and practitioners in AVT and related areas to present their approaches, research and experience. The ambition of the organisers is to initiate a discussion on the specifics of theory, criticism, translation training and AVT practice in the defined cultural and geographical area – with respect to its translation tradition, language and cultural context as well as the demands of the translation market.
The conference will provide a platform for presentations and discussion focusing mainly at the following topics:
(history and development of AVT, theoretical approaches, translation competence and specialised training, specifics of translation practice)
(new approaches and technologies in AVT, quality standards, fansubbing and fan dubbing )
(AVT modalities, ideology in translation, meaning manipulation, censorship)
(pluricentric versions in AVT, bilingual subtitling, language diversity)
(subtitling for the deaf and hard-of-hearing, artistic interpretation into sign language, audiodescription, target audience reception)
(translation from/into languages of limited diffusion, market requirements, working conditions, legal aspects, intellectual property, translator status)

The conference will take place at Constantine the Philosopher University in Nitra, from 15 to 17 June 2016.
Applicants interested in participating are kindly asked to send a 250-300 word proposal for their paper together with a short bionote and name of their affiliate organisation by 15 March 2016 to:         avtnitraconference@gmail.com
Registration


The registration and payment (to be paid after the acceptance of your abstract) should be finalised by 30 April 2016.


Registration fees:

* Students must provide a photocopy of a valid student ID with the registration form (by e-mail)
The conference fee (+ fee for conference workshops if interested) should be paid via bank transfer using the information provided below.
Single Euro Payments Area (SEPA)
Bank name: Štátna pokladnica
If an invoice is required, please send us the complete invoice details together with the registration form. The latest date that an invoice can be requested is 10 days after we receive the payment. Otherwise a stamped confirmation of the payment can be issued at any time.
Registration fees are not refundable.
Note: All transfer charges and any other financial costs have to be paid by the sender.

Saturday, March 12, 2016


Symposium
Making Music in Film: XI. Symposium for Film Music Research



July 21 - 23, 2016 Zentrum für Populäre Kultur und Musik, Freiburg, GermanyHosted by the Zentrum für Populäre Kultur und Musik (ZPKM) Freiburg
and the Kiel Society for Film Music Research


The XI. Symposium for Film Music Research will take place at the Zentrum für Populäre Kultur und Musik (Centre for Popular Culture and Music), University of Freiburg, and will be dedicated to the filmic representation of musical performance.
Scenes and sequences that show film characters making music have always been essential attractions of cinema. What does it mean when characters break into song or start playing an instrument? Which topoi, conventions or stereotypes can we find across different musical and film genres? Which perspectives on the act of musical performance do films and TV formats offer? Which popular attitudes towards the conditions, rules and peculiarities of musical practice in their historical, economic and political contexts have shaped filmic representations?


Addressing these and other questions, the conference centers on the analysis and interpretation of scenes that show music-making. Such scenes should be examined and discussed within narratological, aesthetic, stylistic, musicological, performance and gender contexts. We welcome discussions of various film genres and TV formats beyond musical films or biopics of musicians.

Topics of interest include, but are not limited to:

a. musical performance in its narrative context
b. diegetic music in silent film
c. rehearsal and performance in stage/backstage and other diegetic settings
d. musical performances in documentaries
e. musical performance and the construction of myths and star images
f. musical performance in TV formats and series
g. performative acts and gender construction
h. virtuosity vs. amateurism
i. musical performance as communication
j. construction of collectives through performance
k. filmic and performative spaces
l. physicality of musical performances
m. spontaneous expression vs. rehearsed performance


For the open part of the conference, we welcome submissions of proposals dealing with any aspect of music in film. We particularly encourage younger scholars and PhD students to present their current research at the conference.

Please submit an abstract (max. 300 words) for a 25 min presentation, as well as a short biography (max. 100 words), to filmmusik@email.uni-kiel.de (contacts: Tarek Krohn and Willem Strank).

Submission deadline: March 31, 2016
Notification of acceptance: April 30, 2016
Conference languages are German and English.

The organizers will not be able to cover any travel costs or other fees.

Summer School


Re-Ordering Diversity: Humanitarian Assistance in the Context of Forced Migration and Displacement
4 - 8 July 2016




Eberhard Karls Universität Tübingen (Germany)

Application Deadline: 30 April 2016

Forced migration and displacement are controversially debated issues in current public and political discourse. A rhetoric of threatened order manifests itself alongside attempts to frame the situation as manageable, or even as a chance.

Considering the resulting challenges that politics and practitioners are facing, the need for a more thorough academic engagement becomes apparent. On the one hand, it is paramount to collect a corpus of data which will enable a better theorization of the issues at hand; on the other hand, academics have to take responsibility as the ‘informed consultants’ politicians and practitioners are in need of.



The Summer School will take place from 4th until 8th July 2016 at the University of Tuebingen, as a cooperation between the Collaborative Research Center (CRC) 923 “Threatened Order – Societies under Stress”, the Center for Gender and Diversity Research, and the Max Planck Institute for the Study of Religious and Ethnic Diversity (Göttingen).



We welcome applications from PhD students and early career researchers from social and cultural anthropology, sociology, political science, and related fields of cultural studies and social sciences. The aim of the Summer School is to learn about and discuss relevant topics and academic approaches through a dialogue between different agents from the field: academics, practitioners, and refugees.

*************


Both those people categorized as ‘refugees’ and the societies receiving them are extremely diverse. Due to a lack of academic expertise and theorization, this aspect has so far been only marginally acknowledged in the German-speaking context. In the field, this often results in irritations and complex conflicts between agents, in which a perceived threat against one’s own group dominates the discourse.


In collaboration with researchers from diversity studies, and taking into account the CRC’s model of ‘threatened order’, the summer school will deal with these issues and work towards finding answers to the following questions:


Which forms of diversity are articulated in the context of forced migration and displacement?


What new forms of diversity emerge?



Which mechanisms of order do involved agents and institutions apply (‘re-ordering’)?



The Summer School provides a platform for dialogue between different agents from the field (researchers, practitioners, refugees), who, together, will develop hypotheses and further questions. The goal is to find ways to theorize and frame forced migration and displacement in terms of questions of diversity, humanitarian assistance and ‘threatened order’, and especially to integrate and specify topics from ongoing and emerging research projects.

Aside from a close cooperation between the research institutes, involving practitioners and refugees has a high priority within our concept. The idea is to pursue research not about them, but collectively as a joint effort.


More/
Conditions
Apply

Contact
https://www.uni-tuebingen.de/forschung/forschungsschwerpunkte/sonderforschungsbereiche/sfb-923/veranstaltungen/summer-school.html

About the Conference

Ege University School of Foreign Languages and the British Council are proud to announce the international ELT conference that will take place on May 26-27, 2016 at Ege University Campus, İzmir, Turkey. The theme of this event has been set as Cultivation of Quality Culture in ELT in Higher Education.

The conference aims to gather a large number of scholars who seek to improve quality in higher education. The event will offer a look at the issues in the domain and provide a platform for exchanging, discussing and fostering ideas on the concept of quality culture.

We hope to host many ELT professionals from around the world here in İzmir. If you are willing to join the conference as an audience, please click here to fill in the registration form.
Conference Themes

Proposals for presentations are expected (but not limited to) on the themes below:

Cultivation of quality culture in terms of

  • curriculum,
  • continuing professional development,
  • performance evaluation,
  • learning environment,
  • learner autonomy,
  • technology use,
  • organization culture and climate,
  • educational management,
  • strategic planning,
  • assessment,
  • benchmarking.
Contributions are welcome from anyone involved in ELT. Thus, we invite you to share your research and practices around the main theme with a 20-minute oral presentation plus a 10-minute discussion section.

Call for Papers

Submission Guidelines

The conference language is English and all abstracts must bemaximum 250 words in length and must include at least 3 key wordsPapers must conform to APA style (6th edition).Abstracts must be in line with the conference theme. Submissions should also include a 30-word bio. Abstracts can only be submitted through the link below.


Selection will be carried out by a screening committee. The papers presented in the conference will be published in the conference proceedings.

Notification of accepted proposals will be declared by April 15, 2016. Presenters must register to the event by April 22, 2016latest to confirm their attendance. The registration fee is € 60. The organizing committee will assume that the presenters have decided against attending unless they register by the deadline.

Contact Information

İ. İlkay Özdemir, Sinem Tekir
pdu.ege@gmail.com


Accommodation

All guests are required to make their own transportation and accommodation arrangements.


Ege University Guest House
Located on the campus, all the rooms at the guest house have shower, air-conditioner, mini-bar, and TV set. Guesthouse is within easy reach of the Conference Venue (5 minutes walk).
E.U. Guesthouse Web site can be reached athttp://sksdb.ege.edu.tr/1661/Konukevi.html
Mail: konukevi@mail.ege.edu.tr
Phone: +90 232 3881447


Anemon Ege Hotel (****)
Located on the campus, Anemon Ege Hotel is within easy reach of the Conference Venue (10 minutes walk) and provides shuttle for its customers from and to the airport.
Phone: +90 232 373 48 62 , +90 232 339 99 93
For reservations and further enquiries, please visit the website

Hotels in downtown can be reached via
www.booking.com
www.tripadvisor.com