Concourse: 01/04/24

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Thursday, January 4, 2024

CFA: International Conference on 'AI and Society", School of Liberal Arts, Alliance University, Bangalore. Dates: 1-3 March 2024





Concept Note and Submission Details:
The blinding glare of AI makes us squint in a combination of hope and fear. We have to take pause and redirect the glare through the prisms of diverse domains and disciplines, to take advantage of the perhaps still-too-human ability to detach and reflect, immerse, and observe, both at the same time. The reflective part of the conference not only steers away from the enchantment of grand questions and grand paranoia, but invites the best combination of breadth and specificity, accessibility and depth, freedom and discipline. The immersive dimension, on the other hand, asks us to submit to the most eclectic manifestations of AI: whether it is about talking to a therapy bot, co-creating AI art, using AI mechanisms to generate historical narratives and research documents, using AI devices to encounter health and climate hazards, diving into an AI-generated metaverse, and many other aspects. Such immersions are meant to usher in new possibilities of reflection. While recent incarnations like ChatGPT force us to take stock of the disruption brought about by the generative paradigm, we will also acknowledge earlier inflections that AI brought about in recommendation systems, translation engines, image-processing, cultural understandings, socioeconomic growths, among many others. Are some of these inflections such as therapy bots and AI-driven media poised for their own respective singularities? Is there a possibility of building an intersectional alliance with AI so that the singularities do not emerge as all-pervading, imperial, and dictatorial entities around us?
What makes this collective exercise in contemplation unique is the meeting ground it offers for theorists, practitioners, critics, and enthusiasts. Located in Bangalore, which is India’s de facto AI capital, this is envisaged to be a one-of-a-kind exchange involving a thriving AI community of academic experts drawn from the world over. Slicing through the jargon of technological advances, the arcane dialect of academia, and the authentic vernacular of consumers and users, the conference does not presume a pre-existing language for communication, but instead hopes to arrive at one. Concerning these arguments, the conference invites Ph.D. scholars, postdoctoral fellows, independent researchers, and faculties from different educational and research institutions to contribute abstracts on the following sub-themes (but not restricted to):
• AI and philosophy
• AI and Cultural Studies
• AI and Political Science
• AI and Psychology
• AI, Science and Technology, and Science and Technology Studies (STS)
• AI and Media
• AI, Design, and Art
• AI, Translation Studies and Machine Learning
The range and scope of topics have been kept wide enough to enable conversations and inputs from actual stakeholders of AI (technocrats and policymakers). 




Submissions should be able to underline why the research problems concerned matter beyond their sub-disciplines. Interested contributors need to submit an extended abstract of 800-1000 words and the timeline of submission is 31st January 2024. The contributors will be informed about the outcome of their submission on/by 15th February 2024. 

After the conference, selected presenters would be invited to submit chapters for conference proceedings. 

Please send the abstracts to both 
Dr. Ravi Chakraborty (ravi.chakraborty@alliance.edu.in) and 
Dr. Sayan Dey (sayan.dey@alliance.edu.in).

CFP: Two Day Symposium on #Routes beyond #Roots: #Indian #Performing #Arts and Virtual Culture(s) Dublin, Ireland- June 2024



Over the last number of years, Indian classical dance traditions have seen major shifts in terms of practice, pedagogy, and performance, both ‘at home’ in India and in diaspora contexts. These changes have been intensified most recently by two primary and co-related phenomena; the global adoption of specific algorithmic social media and streaming platforms, and lockdown restrictions imposed in response to the Covid-19 pandemic. What happens to the embodied physical presence on virtual platforms? How has the format of the art form been modified to fit in digital spaces? What do these transformations mean for the future of the dance forms? How are socio-political issues embedded and addressed in such spaces?

Recognising these mediations on digital dancing bodies and the scope of such largely unexplored digital interventions in Indian classical dance, we call for a symposium to contribute to a growing body of dance research. This two-day symposium to be held on the 13th and 14th of June 2024 and hosted by University College Dublin (Ireland), aims to bring scholar-practitioners, artists, and researchers working with Indian dance together in order to explore these recent transformations. Dr Prarthana Purkayastha (Royal Holloway University of London), whose crucial work revolves around the intersections of Indian dance studies and transnationalism, identity, diaspora, and decoloniality, will deliver the keynote address.


We invite presentations, performances, and discussions that will help us to (re)imagine and (re)interpret Indian dance as it exists in digital cultures, both in India and in the diaspora. While we are particularly interested in the critical evaluation of Indian dance traditions transformed by or with social media platforms, our definition of digital culture is intentionally broad and we call for scholars working across disciplines to explore movement from various methodological perspectives. By facilitating multiple modes of thinking and learning together, we hope to encourage new pathways of engagement with an ever-growing and transnational Indian culturalscape. We invite proposals for one hour panels or roundtables (3-4 people), or single 30-minute presentations, film screenings, lecture-demonstration and/or workshops from scholar-practitioners, artists, and researchers. 



Topics include (and need not be limited to):


  • Digital Dance Histories, Archives, and Documentation
  • Post-Pandemic Dance Discourse
  • Online Embodiment and New Ethnographic Approaches
  • Practice-Research and Collaborative Research
  • Technology and Digital Platforms in Dance making Processes
  • Social Media, Trends, and Challenges
  • Virtual Dance Festivals
  • Digital Placemaking and Dance Communities
  • Dance and AI
  • Gender, Caste, Ethnicity, Nationality, and Race (Online and Offline)
  • Dance and the Diaspora
  • Pedagogical Transformations and Challenges

The deadline for proposals is 10 January 2024. Please send in your proposals with the following information to digitalroutes2024@gmail.com:


Name

Institutional Affiliation (if any)

Type of Presentation

Abstract (Max. 300 Words)

Biography (Max. 100 Words)

Please note that this is an in-person event at University College Dublin, Ireland. Details on accommodation will be provided after proposals are accepted.



CFP: Virtual International Conference on "Narrating Lives"- Storytelling, (Auto)Biography and (Auto)Ethnography: Rome- May 2024.



Life-history approach occupies the central place in conducting and producing (auto)biographical and (auto)ethnographic studies through the understanding of self, other, and culture. We construct and develop conceptions and practices by engaging with memory through narrative, in order to negotiate ambivalences and uncertainties of the world and to represent (often traumatic) experiences.

The “Narrating Lives” conference will focus on reading and interpreting (auto)biographical texts and methods across the humanities, social sciences, and visual and performing arts. It will analyse theoretical and practical approaches to life writing and the components of (auto)biographical acts, including memory, experience, identity, embodiment, space, and agency. We will attempt to identify key concerns and considerations that led to the development of the methods and to outline the purposes and ethics of (auto)biographical and (auto)ethnographic research.

We aim to explore a variety of techniques for gathering data on the self-from diaries to interviews to social media and to promote understanding of multicultural others, qualitative inquiry, and narrative writing.

Conference panels will be related, but not limited, to:

  • Life Narrative in Historical Perspective
  • Qualitative Research Methods
  • Oral History, Memory and Written Tradition
  • Journalism and Literary Studies
  • Creative Writing and Performing Arts
  • (Auto)Biographical Element in Film Studies, Media and Communication
  • Psychoanalysis and Psychotherapy
  • Narrative Medicine
  • Storytelling in Education
  • Ethics and Politics of Research
Submissions may be proposed in various formats, including:

Individually submitted papers (organised into panels by the committee)
Panels (3-4 individual papers)
Posters
Proposals should be sent to: life-history@lcir.co.uk.

Deadline for Abstracts: March 01, 2024.



Dr. Elena Nistor

CFP: International Conference on #Postcolonial Studies: "#Trajectories and #Transitions of (Post)#colonialism" London CIR-Aug 2024



The conference will explore the historical and theoretical dimensions of colonial and postcolonial studies and it will focus on the impact colonialism had on political, social, economic and cultural domains. It will examine various forms of colonial domination and control as well as theories and practices of resistance.

Recognising the important role of postcolonial thought and scholarship, the conference will consider colonial discourses prevalent in different parts of the world. It will look at the complexities of colonial and postcolonial subjects and identities and analyse ideologies of racial, cultural, class and gender difference. Colonial trauma and psychosocial effects of colonial domination will be discussed, as well as the concepts of authenticity, ambivalence and hybridity.

The conference sessions will also address the questions of human rights, environment, neocolonialism and techno-capitalism, to name just a few.

Potential topics of interest include, but are not limited to the following:

History and ideologies of colonialism
Capitalism and imperialism
Colonial and anticolonial discourses
Anti-colonial movements and theories of resistance
Nation and nationalism
(Post)colonialism and race
(Post)colonialism and language
(Post)colonialism and gender
(Post)colonialism and education
(Post)colonialism and religion
Globalisation and postcolonialism
Postcolonial subjects and identities
Colonial trauma
Postmodernism and postcolonialism
Diaspora, multiculturalism and cosmopolitanism
Postcolonialism and culinary studies
Postcolonialism and human rights
Indigenous studies
Postcolonial spatialities, memory and remembrance
(Post)colonialism and the environment
(Neo)colonialism and techno-capitalism
Decolonisation of knowledge
Pandemic and Postcolonialism
Adopting an interdisciplinary approach, we invite speakers who work in literary studies, history, philosophy, anthropology, cultural studies, linguistics, psychology, political sciences, sociology, law, economics, IT and other disciplines.

Submissions may propose various formats, including:

Individually submitted papers (organised into panels by the committee)
Panels (3-4 individual papers)
Roundtable discussions (led by one of the presenters)
Posters
Proposals (up to 250 words) accompanied by a brief bio note should be sent to: postcolonialism@lcir.co.uk.





Dr. Anna Hamling