Concourse: Poetry

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Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Thursday, February 15, 2024

Call for Papers on #Edward #Said’s legacy in the context of current events-Edited Volume; MLA 2025 conference special session



Twenty years after his death and fifty years after the publication of Orientalism, Edward Said, the best-known Palestinian American public intellectual, seems more relevant and more controversial than ever before. As the middle-east is torn apart by the most horrific violence since the creation of Israel, Said has already been blamed for providing academic cover to Hamas’s murderous actions. Said, these critics say, was a rabid anti-Western, anti-Semitic, Arab extremist who legitimized the use of violence by terrorists calling themselves freedom fighters. But others have recalled the intellectual clarity and moral urgency Said brought to the Palestine question. Those who respect Said see him as a cosmopolitan, liberal, secular humanist who consistently critiqued colonialism, whether Western or Israeli. Both sides, however, acknowledge that something remarkable is happening in the West, particularly the United States: for the first time, a generational divide has opened up between the elders who stand steadfastly by Israel and the youth who are speaking up for Palestinians. This generational battle is being fought on elite college campuses where student protests against unconditional US aid for Israel’s war on Gaza have put college presidents in the crosshairs and upended careers. Articulated in a Saidian language of anti-colonialism and Orientalism, this youth protest is more aligned with the political position of the non-West/global South than the older West/global North which views the conflict largely in terms of its own troubled history of anti-Semitism and the holocaust. What should we make of Edward Said and his legacy at this global conjuncture? How have Said’s intellectual preoccupations and political commitments shaped today’s divided discourse about the middle-east? What is the long-term impact of Said’s literary preoccupations and cultural interventions within and beyond academia?


We invite original scholarly papers for a proposed edited volume that explores the legacy of Edward Said in the wake of the current Israel-Palestine war.


While we would like to include a wide range of topics and perspectives in the edited, the following areas will be of particular interest:Said, democracy, and decolonization in the context of (de)globalization, the rise of China, great power competition
Said, zionism, and the politics of Palestine today
Said’s influence on public opinion in America/the West/other regions about the Middle East
Said’s cosmopolitanism/secularism/humanism/liberalism: scope, relevance, limits
“Orientalism” today
Said’s influence on literary and cultural studies as practiced today


Please send abstracts of 300 words, a 100-word bio, and five keywords by March 15, 2024 to

revathi.krishnaswamy@sjsu.edu

or noelle.brada-williams@sjsu.edu


Let us also know if you’d like your abstract to be considered for inclusion in a proposed special session at the 2025 annual Modern Language Association conference scheduled for 9-12 Jan in New Orleans.


Full articles of 5000-8000 words should be submitted by November 30th, 2024.







Thursday, January 4, 2024

CFP: Virtual International Conference on "Narrating Lives"- Storytelling, (Auto)Biography and (Auto)Ethnography: Rome- May 2024.



Life-history approach occupies the central place in conducting and producing (auto)biographical and (auto)ethnographic studies through the understanding of self, other, and culture. We construct and develop conceptions and practices by engaging with memory through narrative, in order to negotiate ambivalences and uncertainties of the world and to represent (often traumatic) experiences.

The “Narrating Lives” conference will focus on reading and interpreting (auto)biographical texts and methods across the humanities, social sciences, and visual and performing arts. It will analyse theoretical and practical approaches to life writing and the components of (auto)biographical acts, including memory, experience, identity, embodiment, space, and agency. We will attempt to identify key concerns and considerations that led to the development of the methods and to outline the purposes and ethics of (auto)biographical and (auto)ethnographic research.

We aim to explore a variety of techniques for gathering data on the self-from diaries to interviews to social media and to promote understanding of multicultural others, qualitative inquiry, and narrative writing.

Conference panels will be related, but not limited, to:

  • Life Narrative in Historical Perspective
  • Qualitative Research Methods
  • Oral History, Memory and Written Tradition
  • Journalism and Literary Studies
  • Creative Writing and Performing Arts
  • (Auto)Biographical Element in Film Studies, Media and Communication
  • Psychoanalysis and Psychotherapy
  • Narrative Medicine
  • Storytelling in Education
  • Ethics and Politics of Research
Submissions may be proposed in various formats, including:

Individually submitted papers (organised into panels by the committee)
Panels (3-4 individual papers)
Posters
Proposals should be sent to: life-history@lcir.co.uk.

Deadline for Abstracts: March 01, 2024.



Dr. Elena Nistor

Friday, December 15, 2023

CFA:Special issue of Women’s Writing (Taylor & Francis) on Unveiling Untold Narratives: Rediscovering the Literary Legacy of Jewish Female Writers and Representations of Jewish Women by Female Writers from the 1700s to the 1920s








Guest Edited by Irina Rabinovich and Brygida Gasztold



Description: This compilation seeks to shed light on the often-overlooked voices and hidden gems within the vast tapestry of Jewish women’s writing, as crafted by female authors during a transformative period in history.

Delving into the rich and diverse literary landscape spanning the 18th to the early 20th centuries, this special issue aims to rectify the historical oversight of significant contributions made by Jewish women writers. From the Enlightenment era through the Victorian age and into the early waves of feminism, these women defied societal expectations and challenged the status quo, using the power of the written word to articulate their experiences, dreams, and challenges.

One of the primary goals of this special issue is not only to highlight neglected voices but also to critically examine the representations of Jewish women by female writers during this pivotal period. By doing so, we aim to foster a nuanced understanding of how these representations have shaped and been shaped by cultural, social, and historical contexts. Through a careful exploration of the ways in which Jewish women writers portrayed their own identities, as well as the characters they created, we seek to unravel the complexities of gender, religion, and ethnicity in the literary landscape.

This special issue serves as a scholarly platform to reexamine familiar texts and to unearth hidden treasures, fostering a renewed appreciation for the resilience, creativity, and intellectual prowess of Jewish women writers. We aim to challenge conventional literary canons and invite our readers to join us in reevaluating the historical and cultural significance of these works. As we embark on this exploration, “Unveiling Untold Narratives” becomes a catalyst for reshaping our understanding of the literary contributions of Jewish women, both as authors and as the subjects of representation. Join us in this intellectual excavation, as we illuminate the pages that, for too long, have remained in the shadows, and celebrate the voices that deserve their rightful place in the literary canon.

We welcome essays on:

· Periodical Culture

· Poetry

· All types of fiction and non-fiction

We also welcome suggestions for reviews and reviewers for this special issue of the journal.



Please submit 300-400-word abstracts + up to 6 keywords, and a brief biography for consideration to Irina Rabinovich (Holon Institute of Technology, Israel) irener@hit.ac.il and Brygida Gasztold (Koszalin University of Technology, Poland) bgasztold@gmail.com by 28 February 2024. Completed articles are expected to be between 6500­–8000 words and will be due 31 October 2024.



· Contributors should follow the journal’s house style details of which are to be found on the Women’s Writing web site

http://www.tandf.co.uk/journals/titles/0999082.asp. This is the new MLA. Do note that instead of footnotes, we use endnotes with NO bibliography. All bibliographical information is included in the endnotes i.e., place of publication, publisher, and date of publication in brackets on first citation of a book.