Saturday, January 14, 2023

04th International Conference on Music, Drama, Visual & Performing Arts- 11th & 12th March 2023 Paris La Villette, Paris, France

Call for Papers

As a Scientific Research Conference Organizers, The Global Academic Research Institute proudly organized 04 th International Conference on Music, Drama, Visual & Performing Arts (ICMDVPA 2023) under the theme of “Art in Mind”. We welcome proposals for papers and invitations for abstract submissions are now open for both Oral and Poster presentations covering current research and new processes.All contributions should be of high quality. During the review period, Papers will be reviewed by eminent scholars in the respective areas. Two types of submissions are invited:
01. Full papers reporting on original and unpublished research.
02. Work-in-progress papers or Abstract.

The aim of Conference is to provide a platform for academics, researchers, professionals, administrators, educational leaders, policy makers, industry representatives, advanced students, and anyone in the domain of interest from around the world to discuss Music, Drama, Visual & Performing Arts.Please note that speakers are encouraged to submit a full paper before the conference. In addition, all the submitted full papers will be review by journal editorial board and few high-end papers will be published in international GARI e-Journal having ISSN and All Selected papers will be published conference printed proceedings & DVD having ISBN as well as conference library page.

For abstract submission fill in the online submission form or contact Presentation time allocated 20 mins (15 min presentation 05 min questions)

Print & Online proceedings Book will include "EXTENDED ABSTRACTS";
Extended abstracts should be at least three pages, but not more than five pages in length including the references. The word limit is 1000 - 1200 words.

NOTE : Special for Overseas Delegates (Due COVID-19 a pandemic) If you unable to Travel

Virtual Delegate Presentation (via ZOOM platform) is available at the conference & All the presentations LIVE STREAM on Facebook. After the event, We post the Print Certificate & Proceeding

Conference Scope

History and Theory of Art
Multimedia Arts
Multi-Disciplinary Design
Textile and Wearable Arts
Visual Communication Design
Dance, Oriental Ballet & Modern Dance
History and Theory of Dance & Drama
Indian & Asian Dance
Sri Lankan Dance: Kandyan, Low-Country Dance, Percussion Music & Sabaragamuwa Dance
Applied Music & Mass Communication
North Indian Classical Music
South Indian Music
Western Music
Rock / Stone Art
Visual, Performing & Technological Arts
Music, Drama & Literature

Important Dates

Abstract submission deadline
15th February 2023

Notification of acceptance
Within 03 Days

Full Paper submission deadline
25th February 2023

Registration Deadline
20th February 2023

Submission Guideline

Guidelines for Extended Abstract

Full Paper

Abstract Submission Template

Every presentation give 20min allocated (15min presentation & 05min questions)

Sunday, January 8, 2023

CFP for "The Girl in Theory: Toward a Critical Girlhood Studies Symposium"

CFP for "The Girl in Theory: Toward a Critical Girlhood Studies Symposium"
by E Lev Feinman

The Department of Childhood Studies and the Gender Studies Program at Rutgers University- Camden invite proposals for “The Girl in Theory,” a virtual symposium to be held March 29-31, 2023.

This symposium invites exploration of what it means to theorize through and with the girl and the category of girlhood. Well beyond the boundaries of “girlhood studies,” the girl often lurks where she is not an explicit subject of inquiry. As a figure enmeshed in processes of racial capitalism, colonialism, and carcerality, how might the girl inform visions of, and struggles for, transformation and liberation? In joining ongoing critical conversations in the field of Black girlhood studies and beyond, the symposium seeks to position critical girlhood studies as a viable field that has much to offer contemporary modes of thought and inquiry.

This symposium centers critical conversations on the generative tensions and future possibilities of scholarship on girls and girlhoods. What does it mean to invoke “the girl” as the central subject of research and inquiry? In an ever-shifting landscape of gender politics that push beyond binary categories and narrow identities, what does the category of “the girl” have to offer critical research? How are scholars attending to shifting definitions of “the girl” and “girlhood”? And how might these generative tensions push the field of girlhood studies in new, critical directions? These are the questions “The Girl in Theory” will explore.

Some themes this symposium seeks to investigate:

(Re)defining the “girl” / challenging the bounds of girlhood

Racializing, queering, transing, and cripping girlhoods

Possibilities of indigenous and transnational girlhoods beyond the legacies of colonialism

Semiotics, affect, and aesthetics of girlhood (appropriative, sexualized, or otherwise)

Girlhood as it (dis)appears in history, media, literature, or art

Girlhood in public institutions (carceral, educational, governmental) and processes

Futures of Girlhood Studies as a field or discipline

This inaugural Critical Girlhood Studies Symposium will also serve as the launch for the Girlhood Studies Collective, a new scholarly community for further research and collaboration on girls and girlhood.

The symposium will be held virtually on March 29-31, 2023. We especially welcome interdisciplinary proposals from emerging scholars, graduate students, and undergraduate students. The deadline for submissions is February 5, 2023.

Paper submissions should be for 10-15 minute presentations. Submissions should include a paper title and a 250-300 word abstract, along with the presenter’s name, university affiliation, email address, and a short bio (3-5 sentences). Academic paper presentations on any current or recent research, side projects, or possible future projects, unfinished, and work-in-progress papers are

welcome. We also welcome roundtable or panel proposals, and ask that you include information for all panelists in one submission.

Please submit required materials at by February 5, 2023. All future symposium information, schedules, and announcements will be posted at that site.

Please send any questions to Notifications of acceptance and preliminary schedule are expected to be sent by February 26th. The conference is free of charge but does require advance registration. Registration will open in winter 2023. A finalized schedule will be sent out in March 2023.

Tuesday, October 18, 2022

Caribbean Literature at CEA 2023 (March 30 - April 1, 2023)

 Caribbean Literature at CEA 2023
March 30 – April 1, 2023 | San Antonio, TX
Sheraton Gunter Hotel, 205 East Houston Street, San Antonio, TX 78205

Call for Papers:
The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Caribbean Literature for our 53rd annual conference. Submit your proposal at

The general conference theme is “confluence,” so we are especially interested in presentations that feature topics relating to our theme of confluence in texts, disciplines, people, cultural studies, media, and pedagogy.

We welcome individual and panel presentation proposals that address Caribbean literature in general, including—but not limited to—the following possible themes:Convergence: blending the past and the present—or dividing it
Individuality: struggling to find the self in the many; the value of standing alone
Heritage: recognizing those who came before and their influence on us now
Transcultural life: living in-between; creating a new space
Revision: re-seeing the parts that have created the whole; the dangers of privileging one
Reclamation: uncovering the forgotten voices; contrasting with the dominant voice

General Call for Papers: CEA also welcomes proposals for presentations in any of the areas English departments typically encompass, including literature criticism and scholarship, creative writing, composition, technical communication, linguistics, and film. We also welcome papers on areas that influence our work as academics, including student demographics, student/instructor accountability and assessment, student advising, academic leadership in departments and programs, and the place of the English department in the university.

Submission deadline: November 1, 2022. For more information on how to submit, please see the full CFP at

Membership: All presenters at the CEA 2023 conference must become members of CEA by January 1, 2023. To join CEA, please go to

Questions? Please email me at <> and note “San Antonio Conference” in the subject line.

Contact Info:

Laura Barrio-Vilar, Ph.D. | Associate Professor of English

University of Arkansas at Little Rock | School of Literary and Performing Arts | 501.916.3161
Contact Email:

Sunday, February 20, 2022

CfP: International Conference on Music as a Profession: Status, Careers and Organizations (18th-20th centuries) JUne-2022

 organised by

Universidade Nova de Lisboa
Faculdade de Ciências Sociais e Humanas (CAN - Colégio Almada Negreiros)
30 June and 1 July, 2022

Organization: PROFMUS – To be a musician in Portugal: the social and profissional condition of musicians in Lisbon (1750-1985)

Keynote Speakers:
Élodie Oriol (École Française de Rome)
Martin Cloonan (University of Turku)



The research project PROFMUS – To be a musician in Portugal: the socio-professional condition of musicians in Lisbon (1750-1985), funded by FCT (PTDC/ART-PER/32624/2017), invites the submission of paper proposals for the international conference Music as a Profession: Status, Careers and Organizations (18th-20th centuries), which will take place at the Faculdade de Ciências Sociais e Humanas - Universidade Nova de Lisboa (Colégio Almada Negreiros), on 31 June and 1 July 2022.

The historical importance of musicians’ professional organizations for the definition of their careers and social status, as well as their impact on society's perception of musicians and their activities has received increasing attention from Musicologists, and also from disciplines such as Sociology and History. However, research on these subjects is still insufficient and unsystematic. The international conference Music as a Profession: Status, Careers and Organizations (18th-20th centuries) aims to encourage dialogue and exchange on these issues and related topics in an international and long-term perspective, through different scientific approaches.

The scientific committee encourages submissions within the following topics:
- Social and professional status of musicians in different geographical, political, social and cultural contexts
The impact of training models on careers and access to the profession
- The status of the musician through the ages
- Women and musical professions

- Labour relations and musicians' employment contracts
- Local musicians vs. Foreign musicians
- Circulation and mobility of musicians
Material conditions of the daily life of professional musicians
-  Musicians as seen by society/Musicians as seen by themselves: perceptions and representations
- Professional Organizations: brotherhoods, confraternities, academies, mutual benefit associations, class associations, trade unions


Scholars are invited to submit proposals for individual papers which shall not exceed 20 minutes.
Abstracts should not exceed 300 words, and should be accompanied by a brief curriculum vitae of 150 words max.
This should include name, e-mail address and institutional affiliation.
Proposals should be sent via email to:

Official Languages: Portuguese, English, Italian, Spanish and French.

Deadline for submissions: 20 March 2022 (inclusive).
The results of the evaluation will be communicated by 5 April 2022.

More information:


Scientific Committee
Cristina Fernandes (INET-md), Luísa Cymbron (CESEM), Manuel Deniz Silva (INET-md), Maria Alexandre Lousada (CEG-UL), Maria José Artiaga (CESEM), Rui Vieira Nery (INET-md), Teresa Cascudo (UNIRIOJA)

Organizing Committee
Cristina Fernandes (INET-md), Isabel Pina (CESEM), Manuel Deniz Silva (INET-md), Tiago Manuel da Hora (INET-md)

Contact Email:

CfP: Reflections on (Literary) Solitude -German Literature Archive Marbach- Nov-2022

The postgraduates and ECRs of the German Schiller Assocation (DSG) invite you to an interdisciplinary conference at the German Literature Archive (DLA)

Organisers: Dîlan C. Çakir, Martin Kuhn, Felix Lempp, Nadine Redmer, Merisa Taranis, Viola Völlm, Dominik Wabersich

Scholarly Networks and Solitude

Sometimes it is voluntary and other times, as in lockdown, it is imposed. Even before the Covid-19 pandemic, the impact of solitude was recognised as a serious issue for literary and scholarly writing, as well as reading. How to handle solitude, but also the need for solitude, is different for every form of reading and writing, and in Literature Studies the ambivalence of solitude raises questions that go well beyond the contexts of literary production. While working alone at a desk may be regarded as disciplined, for early career researchers, interaction and exchange with a network is also essential. There are in fact numerous arguments for the establishment of a network of young researchers, whose members come together and work to strengthen the interaction between postgraduates and ECRs, irrespective of their institutional affiliation.

In order to address this need, as postgraduates and ECRs, our aim is to organise an annual conference with the support of the German Schiller Association (DSG) and the German Literature Archive Marbach (DLA). In addition to the opportunity to present their research, this will allow ECRs to get acquainted with the DLA and its museums and to discuss issues affecting ECRs outside the immediate field of their research.

While the network aims to invite scholarly dialogue, it also aims to facilitate opportunities for free and informal exchange between participants and experts about career paths and the challenges in obtaining qualifications and in the post-qualification period. In addition to this, skills workshops will be offered. The first conference of this kind will take place 3-4 November 2022, and will be dedicated to the broad theme of reflections on solitude:

1. Research papers reflecting on solitude (interdisciplinary)
2. A workshop on ECRs and mental health
3. Tour of the archive and the museums in Marbach
4. Evening event

For (1.) abstracts reflectingon the issue of solitude accompanied by a short CV of the applicant are highly welcome. Note it is still possible to attend the conference without giving a research paper.

You do not have to be a member of the German Schiller Association or a Schiller researcher in order to submit an abstract. External submissions are welcome!
● Presentations can be given in German or in English.
● The deadline for submissions is March 31, 2022.
● Please submit abstracts using this portal.
● For further inquiries and registration (for attendees not giving a paper), please email:
● The conference is planned to take place in-person.

Submissions should consider the following:

Literature and Solitude

Solitude is an ambiguous phenomenon: while it is understood on the one hand as exclusion from a society, isolation, or social anxiety, on the other hand, positive conceptions of solitude emphasise the individual sense of freedom and autonomy, and the creative energy that is released by it. Conceptions of solitude are linked here to aspects of mental and physical health, and to conceptions of happiness.

While nowadays search engine results for the term ‘Solitude’ principally name publications concerning the pandemic, the conference intends to address reflections on solitude in literature, philosophy and art in the current context of Covid-19 but as well beyond the latter. What are the prevailing forms and characteristics of solitude in different places and times? How are they individually experienced and shaped by literature? Who seeks solitude and who avoids it? What duties and freedoms does an individual have in a society that may support or condemn isolation? Is solitude a means of stimulating creativity and self-reflection or an elite privilege involving an egoistic and antisocial mind-set? What is its relationship with the related concepts of boredom and loneliness? When is sociability preferable to solitude? Is there an ‘Aesthetics of Solitude? Are there any trends that can be demonstrated through increased use of specific motifs or narrative patterns? Who writes about solitude? To what extent are literary production and literary reception solitary tasks, or forms of ‘interaction-free communication’ (Luhmann)? In an era of globalisation and digitisation, how are research findings in the fields of sociology and psychopathology on the subject of solitude expressed in literature? Is solitude gendered? To what extent is solitude defined as a place of longing?

Due to its ambiguity, the concept is also relevant to the field of literature: reflections on solitude and literature can relate to the thematic level or indeed to those of reception or aesthetics and production. Thus neither the act of reading, nor literary production, have been construed as a solitary activity since the birth of the modern era.

Even in the eighteenth century, the literature of the Enlightenment considered this problem: In Rêveries du promeneur solitaire (1782), for example, Jean-Jacques Rousseau calls for a conscious retreat into solitude for the purpose of self-reflection. Sophie von La Roche began her major work, Geschichte des Fräuleins von Sternheim (1771), in reaction to her solitude and boredom. Besides Christian Grave and Joseph von Sonnenfels, the popular philosopher Johann Georg Zimmermann also devoted himself in several texts in the eighteenth century to the question of solitude, in which he also opposed lone contemplation with the human ‘drive to socialise’. Contemplation and creativity in solitude and the longing for recognition and security in society also defined the field for literary reflections on solitude in subsequent centuries. Romantic loners, such as Ludwig Tiecks Christian, sought a path between social integration via marriage and isolated hiking on the Runenberg (1804). In his Letters to a Young Poet (1929), Rainer Maria Rilke advised the young author Franz Xaver Kappus to utilise the severity of solitude for his writing, and Stefan Zweig demonstrated in his work The Royal Game (1944) what the psychopathological consequences of imposed solitude can be with the character of Dr B. In exile, authors seek support in solitude and make efforts to form networks – for example, Hilde Domin repeatedly urged her friend, Nelly Sachs, to support her career. In contemporary post-migration texts like Deniz Ohdes’ Streulicht (2020) or Sasha Mariana Salzmann’s stage work Us Braids (2014), the solitude of the protagonist can often be interpreted as a mode of being, which stages their condition in the space between their homeland of their (grand)parents’ generation and their own country of birth. In Marius Goldhorn’s Park (2020) however, solitude seems to the narrator to be a postmodern feeling of loneliness, meaning that, despite the networking effects of globalisation and digitisation, he seems only to perceive the world passively.

This brief overview being neither exhaustive nor prescriptive illustrates how, again and again, literature, the literary scene, and Literature Studies prove the multifaceted uses of the motif of solitude. On the one hand, solitude is cast as a requirement for inventive creativity, a means of exploring belief and the soul, and a mode of deepening engagement with nature and self-knowledge. On the other hand, it is also viewed as the result of societal alienation, a lifestyle of melancholy, and the result of discrimination and exclusion.

More information about the work of the German Schiller Association can be found here:

Contact Info: 

Alexa Hennemann, Head of Communication Department, German Literature Archive Marbach (Deutsches Literaturarchiv Marbach - DLA)

Department of Research, German Literature Archive Marbach (Deutsches Literaturarchiv Marbach - DLA):
Telefon +49 (0) 7144 / 848-175
Telefax +49 (0) 7144 / 848-179

Contact Email: 

Saturday, February 12, 2022

CFP Animals in the American Popular Imagination | Virtual conference

Animals in the American Popular Imagination

Virtual conference 12-16 September 2022

In his book Animals on Television (2017), Brett Mills states that "representations of animals often function to highlight cultural understandings about what it is to be human." Nonhuman animals have been unwilling objects of the human gaze: humans have been exploiting animals (real and imagined) on the basis, and the attendant continued perpetuation, of self-assigned human superiority and centrality. This anthropocentrism is also why humans primarily define animals, their agency, their intelligence, their emotional lifeworlds, etc. by projecting onto them human ideas and discourses. Innumerable popular culture artifacts and performances revolve around nonhuman animals, from reality TV shows on Animal Planet and iconic characters such as Lassie to animals as parts of wrestler gimmicks and animals in sports team names. These and other popular culture artifacts touch on animal-related matters of all kinds, from narratives in which heroic pets seem to take center stage to meat preparation and consumption. All of these figurations of animals allow us to explore how we treat and discursively construct animals.

This international conference will focus on the representation of animals and human-animal relations in American popular culture, in all its forms, across media, past and present. While we list a few thematic clusters below, proposals that do not fall into these will, of course, also be considered.

Currently confirmed keynotes: Brett Mills, Christy Tidwell. More TBA.

The program is organized and hosted by the PopMeC Association for US Popular Culture Studies and the Austrian Association for Cultural Studies, Cultural History, and Popular Culture.


Thematic Clusters

• Representations of animals in popular culture 

Nonhuman animals have been a fixture in film, TV series, comics and graphic novels, music videos, reality TV shows, documentary films and series. These representations tend to establish and perpetuate (or appropriate) shared beliefs about, and stereotypes of, specific species. Anthropomorphic animals roam Disney movies (and other popular culture artifacts), while zoomorphism renders human characters and actors animal-like (see also below). Crucially, animal representations in popular culture do (purportedly) not only target human audiences. For example, the official DOGTV website hails its programming as “the only technology created for dogs with sights and sounds scientifically designed to enrich their environment.” Dogs can watch other dogs sleeping or running around. And the broadcaster’s YouTube channel is filled with content that highlights that “dogs love to watch DOGTV.”


• From animality to bestiality: the human as nonhuman animal

Animality and bestiality have been used as symbolic tools to exclude selected subjects from the select group of “human” on the basis of race, ethnicity, gender, sexuality, religion, etc. Asymmetric power structures and purposeful discrimination have been connected to specific discourses and representations, often relying on zoological metaphors and constructions, as well as the creation of human-animal hybrid monsters transgressing established social mores. At the same time, though, animal symbolism often endows humans (and human characters) with superhuman strength, agility, etc., which is why animal representations (next to Indigenous peoples) are frequently used as sports team names and sports mascots.


• Commodification of non-human animals: zooculture, pet industry, agribusiness

Animals are integrated into a world ecology that, according to Jason Moore, relies on the “cheapening of nature,” which allows humans to shamelessly exploit nonhuman animals. While discussions of, for example, zoo animals and animals in theme parks are long-established by now, the exploitation of animals has taken different dimensions in recent years that warrant closer examination, such as the exploitation of pets and their keepers’ feelings by the pet industry. Likewise, documentaries such as The Conservation Game have shown how not only the trade in “exotic” animals is booming in the US but how media figures that purportedly publicly represent animal welfare, in fact, profit off animal exploitation.


• Animal science: research, experimentation, and animal-assisted therapy

Nonhuman animals have been objects of scientific interest for a variety of reasons and aims, often raising ethical concerns and controversies. Besides their zoological study, animals have been used as research commodities and test subjects in processes that range from drug and beauty product testing to the creation of human-animal hybrids (e.g. xenotransplantation). Animals have also been increasingly used in therapeutic contexts, giving rise to debates on the effectiveness of the practice. 


• Animals in popular discourse

We might be witnessing the first stages of the sixth mass extinction. And while plants, fungi, and other lifeforms also vanish at an alarming rate, popular discourse focuses on the disappearance of animals from Earth. This is just one example of how animals figure in a variety of popular discourses and practices including, but not limited to, wildlife protection vs. agricultural interests, wildlife vs. recreation (e.g. black bears killing hikers and mountain lions snatching mountain bikers off their bikes), domestic cats as invasive species, the Asian “murder hornet” invasion, de-extinction science, animals and climate change, re-wilding, and public science (e.g. photographing sharks to identify them).


Deadline for submission: April 24, 2022


We accept abstract proposals for individual presentations (≈ 300 words) or full panels (3-4 presenters, ≈ 250-word description of panel plus abstracts of all papers—these abstracts may be shorter than abstracts for individual presentations). Please, email your proposal to as a single attachment (.doc, .docx, .odt) including name, affiliation (if any), and contact email.

Update: In response to popular demand, we also welcome proposals for video essays. We will feature video essays on the website and participants will be able to comment on the videos. You can submit a proposal as indicated above (for either one individual submission or a cluster of videos), specifying that it is a video essay; if you’d like to discuss your video essay live, please just mention it in your email so that we can organize the video essay session in the best way possible. Please note that video essays are not pre-recorded presentations.

If you have any doubt or inquiry, feel welcome to drop a line at


The conference will take place virtually, tentatively on 12-16 September 2022. Since we expect that presenters from all across the globe will participate in the conference, real-time presentations will take place between c. 4 and 9PM Central European Summer Time. A series of virtual keynote events will precede the conference. 

Participation fees will be between 10 and 20€ (free for PopMeC and AACCP members).

The organizers may decide to pursue a publication project based on the conference.


Organizers: Michael Fuchs and Anna Marta Marini

Assistant organizer: Dina Pedro

Advisory committee: Trang Dang, Ester Díaz, Mónica Fernández Jiménez, Dolores Resano, Alejandro Rivero Vadillo

Contact Info:   Anna Marta Marini (organizer) and Dina Pedro (organizing assistant)
Contact Email: