Call For Videos: 4th Annual Smartphone Short Film Competition-Talking Films Online (TFO)

**𝐖𝐡𝐨 𝐰𝐞 𝐚𝐫𝐞**:

Talking Films Online (TFO), a forum for discussing cinema since 2020.

**𝐖𝐡𝐚𝐭 𝐰𝐞 𝐝𝐨**:

Attempt to bridge the gap between those who make films and those who study them

**𝐇𝐨𝐰**:

Bring on the same platform teachers, students, researchers, reviewers, critics, cinephiles, etc. on the one hand and producers, directors, actors, cinematographers, screenplay writers, subtitlers, etc. on the other.

** 𝐖𝐡𝐚𝐭 𝐲𝐨𝐮𝐧𝐠 𝐚𝐬𝐩𝐢𝐫𝐢𝐧𝐠 𝐟𝐢𝐥𝐦𝐦𝐚𝐤𝐞𝐫𝐬 𝐰𝐡𝐨 𝐞𝐧𝐭𝐞𝐫 𝐭𝐡𝐞 𝐜𝐨𝐦𝐩𝐞𝐭𝐢𝐭𝐢𝐨𝐧 𝐜𝐚𝐧 𝐥𝐨𝐨𝐤 𝐟𝐨𝐫𝐰𝐚𝐫𝐝 𝐭𝐨, 𝐛𝐞𝐬𝐢𝐝𝐞𝐬 𝐭𝐡𝐞 𝐩𝐫𝐢𝐳𝐞𝐬**:

Their films will be viewed and feedback offered by experts on cinema from all over the world, as well as by those currently in the business of cinema.

**𝐇𝐨𝐰 𝐭𝐡𝐞 𝐰𝐢𝐧𝐧𝐞𝐫𝐬 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐜𝐡𝐨𝐬𝐞𝐧**:

By an independent Jury consisting of top filmmakers and film critics

𝑺𝒕𝒖𝒅𝒆𝒏𝒕𝒔, 𝒔𝒆𝒏𝒅 𝒊𝒏 𝒚𝒐𝒖𝒓 𝒇𝒊𝒍𝒎𝒔 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒄𝒐𝒎𝒑𝒆𝒕𝒊𝒕𝒊𝒐𝒏, 𝒂𝒏𝒅 𝒕𝒆𝒂𝒄𝒉𝒆𝒓𝒔 𝒂𝒏𝒅 𝒑𝒂𝒓𝒆𝒏𝒕𝒔, 𝒅𝒐 𝒆𝒏𝒄𝒐𝒖𝒓𝒂𝒈𝒆 𝒚𝒐𝒖𝒓 𝒔𝒕𝒖𝒅𝒆𝒏𝒕𝒔 𝒂𝒏𝒅 𝒄𝒉𝒊𝒍𝒅𝒓𝒆𝒏 𝒕𝒐 𝒔𝒆𝒏𝒅 𝒕𝒉𝒆𝒊𝒓 𝒆𝒏𝒕𝒓𝒊𝒆𝒔 𝒕𝒐 𝒖𝒔!

Call For Research Articles on Film Studies in Southeast Asia, China, East Asia, and India's Northeast-Rising Asia Journal

 Rising Asia Journal invites Research Articles on Film Studies in the geographical areas of Southeast Asia, East Asia (Japan, China, the Koreas, and Taiwan), and India's North-East Region, on all aspects of these Asian societies. Authors may use any thematic or theoretical discourse such as gender, race, colonialism and post-colonialism, and others.

Articles should be between 5,000 to 10,000 words in length, with footnotes, and Works Cited.

Authors are urged to visit the journal's website at www.rajraf.org to read the submission guidelines. 

Articles should be original, and should offer a new and innovative perspective.

Please send your articles to our Editorial Board Member Professor Tuan Hoang at tuan.hoang@pepperdine.edu as well as to our Editor-in-Chief Dr. Harish C. Mehta at hmehta76@yahoo.caRising Asia Journal invites Research Articles on Film Studies in the geographical areas of Southeast Asia, East Asia (Japan, China, the Koreas, and Taiwan), and India's North-East Region, on all aspects of these Asian societies. Authors may use any thematic or theoretical discourse such as gender, race, colonialism and post-colonialism, and others.

Articles should be between 5,000 to 10,000 words in length, with footnotes, and Works Cited.

Authors are urged to visit the journal's website at www.rajraf.org to read the submission guidelines. 

Articles should be original, and should offer a new and innovative perspective.

Deadline for submissions:  June 1, 2024

full name / name of organization:  Rising Asia Journal

contact email:  tuan.hoang@pepperdine.edu

Please send your articles to our Editorial Board Member Professor Tuan Hoang at tuan.hoang@pepperdine.edu as well as to our Editor-in-Chief Dr. Harish C. Mehta at hmehta76@yahoo.ca

Seeking Chapter Submissions: Going to the Movies with CS Lewis-#Cambridge Scholars Publishing

 Going to the Movies with C.S. Lewis, Call for Chapters

An edited collection tentatively titled “Going to the Movies with C.S. Lewis” is seeking chapter submissions. The book is expected to be published through Cambridge Scholars Publishing.  

Having been born many years after C.S. Lewis died I of course never had the opportunity to watch a movie with the man. However, over the years I feel, as many others probably feel as well, like Lewis accompanies me as I watch movies, read books, attend church services, and make other daily pursuits. Lewis’ works shape my thinking on many theological, educational, and cultural matters like few other authors’ works do.

This book is an attempt to take some of those insights from C.S. Lewis and apply them to film studies. It will explore the thought and theology of C.S. Lewis by connecting his work with film theory, specific films, and adaptations of his work. In many ways it is a book meant to explore how Lewis’ thought can help us view films.

The following categories are meant to act as general guidance for sections of the book:

1. Exploring Film Theory with C.S. Lewis
2. Exploring Individual Films with C.S. Lewis
3. Analyzing Lewis’ Life through Films of About Lewis
4. Analyzing Lewis’ Fiction through Adaptations of his works

Some chapter ideas that would fit into the above categories include, but are not limited to:

1. The Four Loves on film
2. Lewis’ approach to literature as a guide to approaching film
3. “On the Reading of Old Books” and On the Watching of Old Movies
4. Lewis’ idea of fantasy in relation to particular films
5. Ideas in his essays or books that relate to film studies, film theory, or individual films
6. The many different Narnia adaptations (comparisons between the versions or examinations of particular films as adaptations of the original stories)
7. Lewis’ thoughts on Christmas and Christmas movies (what would Lewis think of Hallmark Christmas movies?)
8. Lewis portrayed on film – how does this change the way he is viewed?

Again, these are only suggestions. Anything connecting Lewis’ thought with the cinema will be considered.  

Submission Procedure

Please submit a chapter proposal by March 31, 2024 which includes the following: title, abstract, and a short biography of the author(s). Proposals should be a maximum of 500 words written in English, using Microsoft Word format, Times New Roman, 12 pt. font. Please send the Word document as an attachment to the book editor (Bryan Mead, bmead@etbu.edu). Authors of accepted proposals will be notified and sent specific submission guidelines. Chapter contributions should be at least 4,000 words and will follow Chicago style (footnotes and bibliography). Submissions are welcome from early career researchers and established scholars.

If your proposal is accepted, chapter submissions will be due by September 15, 2024. Proposal acceptance does not guarantee chapter’s inclusion in the book.

Editor Information: Bryan Mead, Ph.D, is Assistant Professor of English at East Texas Baptist University where he teaches film studies, literature, and composition. He is the author of Writing in Film Studies, From Professional Practice to Practical Pedagogy (Cambridge Scholars Publishing, 2024). Bryan has also published many essays in journals such as Journal of Religion & Film, Journal of European Popular Culture, Americana: The Journal of American Popular Culture, Intégrité: A Faith and Learning Journal, and Film & History. His essays have also appeared in edited volumes such as J.R.R. Tolkien and the Arts: A Theology of Subcreation (Square Halo Press, 2021), Representations of Sports Coaches in Film: Looking to Win (Routledge, 2017), and The Arts of Memory and the Poetics of Remembering (Cambridge Scholars Publishing, 2016).

CFP: Intersecting Ecologies: Navigating Crises, Traumas, and Movements in Asian Comparative Literature and Film _ October 10- 12, 2024,

CFP: Intersecting Ecologies: Navigating Crises, Traumas, and Movements in Asian Comparative Literature and Film

Rocky Mountain Modern Language Association 77th Annual Convention

Conference Date: October 10-12, 2024

Location: Las Vegas, Nevada

The “Intersecting Ecologies and Narratives: Navigating Crises, Traumas, and Movements in Asian Comparative Literature and Film” panel welcomes scholars to an interdisciplinary exploration at the intersection of ecological themes, migration and refugee experiences, medical humanities, and the post-COVID era within the context of Asian literature and film.

Our panel aims to engage in comparative analyses across various regions and genres within Asian literature and film, focusing on their navigation of crises and traumas, particularly those related to ecological themes. We invite contributions that dissect not only ecological crises and traumas from diverse perspectives but also complex relationships between humans and nature, cultural identities and environmental narratives, ecofeminism, and ecology's implications in the age of globalization.

We seek to foster a dialogue that connects Asian comparative literature and film with the broader fields of environmental humanities, migration and refugee studies, medical humanities, and reflections on the post-COVID world. We encourage submissions that explore the intersections of ecological crises with human health, displacement, environmental activism, and migration narratives, offering new insights into the challenges and opportunities these intersections present.

Highlighted topics for exploration include but are not limited to:

• Reflections on nature and the human condition within Asian literary traditions.
• Analyses of nature, technology, and modernity, and their implications for health and displacement in Asian contexts.
• Intersections between environmental and medical humanities focus on Asian narratives that address the health implications of degradation.
• Explorations of gender and nature within the framework of feminist ecologies in Asian contexts.
• Investigations into the portrayal of animals and anthropomorphism in Asian literature and cinema.
• Cross-cultural and interregional narratives of ecology, crisis, and movement, including Forrester (forest-based) fiction that envision alternative ecological futures.
• Discussions on the dynamics between ecology, globalization, and their impacts on health, migration, and the environment in Asian comparative literature and film.
• Insights into the post-COVID landscape through world literature and cinema, with a lens on ecological activism.

Contact Information

Submissions should consist of a 250-word abstract and a brief biography (2-3 sentences), formatted as a DOC document, to be sent to Yueming Li at yul282@ucsd.edu by March 15, 2024. The convention’s presentations will be conducted in English.

Contact Email: yul282@ucsd.edu

Call for Papers on #South #Asian #Crime #Fiction since the 1950s -#FilmStudies #Cinema #Regionalcinema, #Vernacular -June 2024

Crime Fiction has been one of the popular genres for the South Asian reading public since colonial times. The simultaneous emergence of murder mysteries, detective fiction, thrillers in the metropolis as well as the colonies has been richly documented by the brilliant work done in Urdu, Hindi and Bangla by Naim (2023), Brueck and Orsini (2022), Roy (2020, 2017), Oesterheld (2009), Daeschel (2003) and others. Moving beyond arguments of imitative models into debates on the postcolonial in crime fiction, world crime fiction, gender in twentieth century crime writings, espionage narratives during the Cold War and more, this edited volume proposes to launch into broader yet interconnected themes of crime fiction in the regional languages and cartographies in South Asia. We broadly define the region as that of India, Bangladesh, Pakistan and Sri Lanka. The proposed volume will shift the focus away from anglocentric studies of crime fiction to explore the production, reception, and scholarship of crime fiction in the indigenous languages of South Asia since the 1950s. We seek chapters that address the following themes but are not necessarily restricted to them:  

 

1. Vernacular crime fiction in the shadow of the Cold War
2. Crime fiction published in the early days of the young nations of India, Bangladesh, Pakistan and Sri Lanka  
3. Women as actors, writers, and publishers in South Asian crime fiction
4. Configurations of gender: women criminals, vamps, molls, and women detectives
5. Urban crime or the city as the centre of crime and detection. How does the character of a metropolis interact with the mechanics of crime fiction?
6. Migration and crime fiction in the late twentieth century 
7. Film and crime fiction (our primary interest is fiction)
8. Translations, adaptations, and imitations 
9. Vernacular print cultures such as magazines and newspapers and crime fiction
10. Readership and vernacular crime fiction
11. Pulp fiction/Lowbrow fiction and crime fiction in regional languages
12. Gothic and crime fiction in South Asia 

 

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Submission guidelines:

Please send your abstracts (500 words) and a short bio-note (50 words) by March 15th to southasiancriminality@gmail.com. We will get back to you with our responses promptly by 1st April. If selected, full chapters (4,000 - 6,000 words) are to be submitted no later than 30th June, 2024. In case of any query do not hesitate to contact us on the email address provided. 

 Editors:

 Shweta Sachdeva Jha (Associate Professor, Department of English, Miranda House, University of Delhi), 

Garima Yadav (Assistant Professor, Department of English, Shaheed Bhagat Singh College, University of Delhi)

 

Contact Email

southasiancriminality@gmail.com

CFP: Tales of #Resistance and #Resilience: #Cinemascapes from #Contemporary #India-#Symbiosis Institute of #Media and #Communication

 Cinema in contemporary India has been evolving in multifarious ways, technological innovations and the multiplicity of digital platforms significantly altering the experience of film production and reception. Apart from the mainstream Hindi cinema that enjoyed a national viewership till recent times, regional films have also emerged as popular forms of entertainment across the nation. Popular Indian cinema is being redefined and in this new environment, regional content is appreciated, new genres are welcomed, and a new viewing experience is well appreciated. Film production methods have also changed radically, with independent films gaining in popularity especially among the urban audience. In this new world of film production and reception, tales of resistance and resilience are also acknowledged and appreciated. Films like Jai Bhim (2021) directed by T J Gnanavel, or Sardar Uddham (2021) directed by Shoojit Sircar speak the voice of resistance to power in different ways. Similar films in various Indian languages, produced from across the country have been appreciated and evaluated critically for its content and form. Apart from the production of new content, there have been scholars and critics re-evaluating older tales of resistance, using the lens provided by new epistemological practices.

Culture of resistance has resulted in social changes over time and films have been part of this culture. Films of resistance have been hailed as alternate voices using innovative techniques and devices to articulate dissent. Filmmakers who challenge hegemonic structures have found creative ways to address social issues and these films have not always been part of the mainstream industry.  This work will look at films that have managed to negotiate with social inequalities and systemic violence, analyse and evaluate them from multiple perspectives – production, consumption as well as critical discourse analysis based on the content and semiotics of the filmic texts. Moreover, there has been re-readings and re-defining of older films in contemporary times, where the parameters have evolved from the socio-cultural shifts shaping the discursive patterns in the nation. This proposed work will study two categories of films that fall under the category of tales that narrate the stories of resistance and resilience. One section of the text will work on films produced and released since the new millennium, in any of the Indian languages. Since the work studies cinemascapes, the various dimensions of film industry will be critically evaluated, to comprehend the methods used to capture the stories of resistance. The second category will seek to re-visit older films that can be categorised as tales of resistance or dissent.

We hope to bring a balanced yet nuanced approach to the whole work, with some of the chapters reading into the visual texts while others look at the production and reception of filmic texts. The style and format for this edited text will be Chicago style citation and formatting.

21%

Film Studies: An Introduction (Four Colour Edition)

₹1,395.00

29%

TEACH YOURSELF FILM STUDIES: AN INTRODUCTION

₹899.00

5%

Beginning Film Studies: Sixth Edition

₹1,436.00

20%

FILM STUDIES Calicut University 6th Semester B.A

₹160.00

1%

Film Studies(2)- CC3 and CC4

₹375.00

23%

A Beginner,s Companion to FILM STUDIES

₹800.00

21%

Film Studies: An Introduction

₹1,395.00

FILM STUDIES : THE BASICS, 3RD EDITION

22%

De-Westernizing Film Studies

₹3,693.00

13%

Somerset Maugham and the Cinema (Wisconsin Film Studies)

₹10,467.00

Possible titles and chapters

• Analysis {discourse, content, semiotics} of resistance and resilience cinema of the new millennium
• Re-reading the older films of resistance and resilience: comprehending discourses around them
• Resistance and resilience cinema as the harbinger of socio-cultural shifts in the nation
• Discourses on production and reception of the cinema of resistance and resilience
• The narrative of the culture of resistance as created by these filmmakers: old v/s new
• Audience reception studies: mixed-methods approach to interpret audiences of the new millennium

Deadline for submissions:  March 30, 2024

contact email:  resistancecfp@gmail.com

Full name / name of organization: 

Symbiosis Institute of Media and Communication

Resistance and resilience cinema’s addition to the corpora of culture studies and film studies

CFP - International Conference on "Mind Matters: Literature, Cinema and Culture-Rabindra Bharati University, Kolkata

Conference Dates: 19-20 January, 2024 (OFFLINE mode)

Venue: Rabindra Bhavan, Centre for Distance and Online Education, Rabindra Bharati University, Kolkata, West Bengal, India

(Address: EE 9 & 10, Sector II, Salt Lake, Kolkata, West Bengal - 700 091)

Keynote Speaker: Prof. Supriya Chaudhuri

Plenary Speakers: Prof. Amrit Sen, Prof. Anup Dhar, Dr. Prasanta Chakravarty and Dr. Nina Krajnik (online)

CALL FOR PAPERS

What precisely constitutes a mind? This inquiry has been a source of contemplation for both philosophers and those outside philosophical circles throughout documented history. Some assert that minds are spiritual entities that temporarily inhabit bodies, entering either at conception or birth and departing at death, framing death as the separation of the body's spirit. Alternatively, there are those who envision a more interconnected relationship between minds and bodies: a mind is present when a body is organised in a specific manner and absent otherwise. Yet, another perspective maintains that minds are indeed tangible entities, specifically physical ones, contending that minds are essentially synonymous with brains. The ongoing discourse with neuroscience, dedicated to scrutinizing hypotheses about human behaviour and neurophysiology through empirical methods, has expanded psychoanalytic conceptualizations to encompass areas such as motion, memory, sleep, dreams, conflict, and trauma. Importantly, both psychoanalysts and neuroscientists share a profound curiosity in investigating the neurological foundations of psychic functioning. Cognitive perspectives delve into the mental processes involved in perception, memory, problem-solving, and decision-making. When applied to cultural texts, this lens allows for an exploration of how individuals within the text perceive and interpret their world, process information, and construct meaning from their experiences. This conference seeks to explore the kaleidoscopic possibility of reading various cultural texts and practices vis-à-vis philosophy of mind, as it evolved through Cartesian dualism, Lockean empiricism, German idealism, and of course, an array of psychoanalytic theories. It aims to consider how these diverse philosophical perspectives have shaped our understanding of the mind within the cultural tapestry, laying the foundation for continued inquiry and dialogue in contemporary philosophical discourse.

Sub-topics for the conference may include (but are not limited to):

Literary Studies and Human Mind Dreams, Repression, and Desire Representation of Mind in Cinema and Popular Culture Psychology, Psychotherapy, Psychoanalysis Memory Studies Mind and the Screen: Cinema, Games, and New Media Ideology, Politics and Human Mind Narrative and the Unconscious Language, Mind, and Meaning Understanding Affect: Visual and Plastic Arts Literature, Sinthome, and the Textual Unconscious German Idealism and the Natural History of Mind Collective Unconscious and Archetypes Mind-Body Dualism Artificial Consciousness, AI and Desiring Machines Phenomenology and the Philosophy of Mind Mysticism, Planes of Consciousness, and Yoga Psychology Psychobiology and Cognitive Science Qualia, Rhizomatic Consciousness, Neuroaesthetics

DEADLINE for ABSTRACT SUBMISSION: 20 DECEMBER, 2023.

Please submit your ABSTRACT (about 250 words) along with your Paper Title, Name, Designation, Affiliating Institution and your Email-ID using the link below:

https://forms.gle/5zCzDEMPzCMEw2XHA  Selected participants will be notified via email by 30 December, 2023.Select papers may be published in a book after the conference.

REGISTRATION FEES (to be collected after Abstract Selection)

Paper Presenters (any discipline/department)

• Faculty Members/Professionals: INR 800/-
• Students/Research Scholars: INR 500/-

Participants (Non-presenters): INR 150/-

The registration fee will cover Conference Kit, Lunch, and Refreshments during the conference.

No travel bursary or accommodation is available. Certificates will be provided.

For any queries, please contact: cdoerbu.eng@gmail.com 

CFP: SINGULARITIES INTERNATIONAL CONFERENCE ON FANTASY- UNIVERSITY OF CALICUT, KERALA, INDIA 2024

 Fantasy, a genre that has captivated the hearts and minds of countless individuals throughout history, invites us to embark on extraordinary adventures beyond the realm of the ordinary. A space where magic, mythical creatures and epic quests reign supreme, Fantasy offers a respite from reality and inviting us to explore realms beyond the boundaries of our imagination.

At its core, fantasy taps into the universal human desire for escape and wonder. It transports us to enchanted lands where paradigms are reversed and new orders are brought to being. Through the fantastic, the readers and viewers experience the thrill of danger, the triumph of dreams, and the intricate play between possible and extravagantly undreamable. Fantasy opens doors to delve into the depths of imagination, challenging established perceptions and stretching our understanding of the human experience.

Fantasy encompasses a multitude of forms, from literature to art, gaming to cinema, each offering a unique gateway into this fantastical realm. In literature, we are introduced to sprawling sagas and mythical worlds crafted with intricate detail, where words weave spells that ignite our imagination. Art transports us visually, capturing the essence of mythical creatures and ethereal landscapes, bringing them to life in multiple formats. Gaming immerses us in interactive adventures, granting us agency to shape the course of epic narratives and explore vast virtual realms. And in cinema, we witness the grandeur of fantasy unfold on the screen, where larger-than-life spectacles and visual marvels transport us to unimaginable realms.

Fantasy also holds a mirror to our own reality, offering a platform to explore timeless themes such as love, courage, friendship, and the eternal struggle between light and darkness. Through the lens of fantasy, we can gain new perspectives, question established truths, and ignite our creativity to envision a world unbound by the limitations of the present.

Fantasy genre has grown beyond the premodern wildernesses characterised by castles and magic. From core templates of the likes of J. R. Tolkien and C S Lewis, Harry Potter and Game of Thrones have helped turn medievalist fantasy mainstream. Escapism, which forms staple plot of fantasy, with children slipping out of the ordinary to save their extraordinary nether worlds, is being put to varied uses in political discourses and semi-quest narratives today. Fantasy continues to be a tool to express disenchantment with the establishment, to fight fascism and dream of alternatives abhorrent right spremacist ideologies.

At a time when alternative visions of fantasy continue to spread, evolve and re-enchant everyday life around the globe, the Singularities International Conference on Fantasy 2024 invites you to delve into this captivating genre, to celebrate its rich tapestry and unlock its hidden heights!

For more details please visit our website: www.singularitiesjournal.com

Or mail to us on siconfantasy2024@gmail.com