Call for Applicants : Workshop on Women and Crime Fiction - June- 2024

 Ever since the genre established itself in the Anglophone world in the mid-nineteenth century, crime fiction and discussions of crime fiction have tended to underemphasize the role women play in it, unless they are victims or femme fatales. Yet women, as authors, major characters, and audience members, have been a part of the genre since the very beginning. Indeed, it has been about a century since one could have feasibly considered crime and detective fiction (written or otherwise) as a “male-dominated genre,” and scholarship has followed suit: from Kathleen Gregory Klein’s The Woman Detective to Sally R. Munt’s Murder by the Book?, from Priscilla L. Walton and Manina Jones’ Detective Agency to Gill Plain’s Twentieth Century Crime Fiction – the study of femininity and crime fiction has proved to be extremely fertile ground for analysis and debate.

Quite often, however, these studies and debates remain within clearly defined historical boundaries, with the result that the female detectives and authors of the nineteenth century only rarely come into scholarly contact with their peers from the “Golden Age of Detective Fiction,” the femmes fatales of the hardboiled mode, the feminist sleuths of the 1970s and 1980s, or the multimedial third- and fourth-wave-feminist contributions produced since the turn of the millennium. Additionally, the investigation of the contents of genre fiction are rarely combined with a study of female recipients.

Studies have shown that women seem to be the main audience for true-crime books (Vicary and Fraley 82). This interest holds true across various media; true crime is the most popular podcast subject in the US (Stocking et al.) and the audience for these highly popular podcasts consists mostly of women (Stocking et al., Greer 154–155). Women are also active as producers of such fare. For example, the genre-defining podcast Serial, hosted, written, and produced by Sarah Koenig, became the first podcast to win a Peabody Award in 2015. Further examples include the podcasts Drunk Women Solving Crime or My Favorite Murder, both hosted by women.

This workshop seeks to counteract the prevailing scholarly compartmentalisation and to bridge the aforementioned historical and disciplinary gaps by convening scholars to present and discuss their work on femininity and crime literature, film, television, videogaming, podcasting, fan fiction, etc., from any historical period. Not only does this approach serve to facilitate a more holistic approach to the long and varied history of crime fiction; it also allows for interdisciplinary and diachronic takes on the topic, bringing together perspectives from different branches of the humanities and social sciences.

Keynote: Dr. Kerstin-Anja Münderlein (University of Bamberg): “‘She’s a woman, and women act in a silly way’: Policing and (Re-)Negotiating Acceptable Femininity from the Golden Age to Syd Moore” 

Papers: We invite abstracts for 20-minute papers in English covering texts from all kinds of media (literature, film, television, podcasting, videogaming, etc.), discussing topics such as:

• Female characters and stereotypes in crime fiction
• The femme fatale
• Women as audience for crime fiction
• Women as producers of crime fiction
• Intersectional approaches to issues of race, class, and nationality
• The rise of female-led podcasts
• The (physical) female voice of podcasts
• The fetishisation of the female victim
• Historical comparisons, from the 19th century to the 21st
• The ethics of true-crime fiction
• The reception of crime fiction by female authors
• Gender-bending in fan fiction
• etc.

Bibliography

Greer, Amanda. “Murder, She Spoke: The Female Voice’s Ethics of Evocation and Spacialisation in the True Crime Podcast.” Sound Studies, vol. 3, no. 2, 2017, pp. 152–164, https://doi.org/10.1080/20551940.2018.1456891.

Klein, Kathleen Gregory. The Woman Detective: Gender and Genre. U of Illinois P, 1995.

Munt, Sally R. Murder by the Book? Feminism and the Crime Novel. Routledge, 1994.

Plain, Gill. Twentieth-Century Crime Fiction: Gender, Sexuality and the Body. Routledge, 2001.

Stocking, Galen, et al. “A Profile of the Top-Ranked Podcasts in the U.S.” Pew Research Center’s Journalism Project, 15 June 2023, https://www.pewresearch.org/journalism/2023/06/15/a-profile-of-the-top-ranked-podcasts-in-the-u-s/.

Vicary, Amanda M., and R. Chris Fraley. “Captured by True Crime: Why Are Women Drawn to Tales of Rape, Murder, and Serial Killers?” Social Psychological and Personality Science, vol. 1, no. 1, 2010, pp. 81–86, https://doi.org/10.1177/1948550609355486.

Walton, Priscilla L., and Manina Jones. Detective Agency: Women Rewriting the Hard-Boiled Tradition. U of California P, 1999.

Contact Information

Please send your 250-300-word abstracts to alan.mattli@es.uzh.ch and olivia.tjon-a-meeuw@es.uzh.ch in a PDF file. Please also send a separate bionote of about 100 words. The deadline for abstracts is May 1st, 2024.

Contact Email

alan.mattli@es.uzh.ch

Attachments

Call for Papers

Call for papers: Disability in World Cinema: Translating Subjectivity (NOV-2024)

This panel aims to address the question of the representation of disability in world cinema (fiction and documentary), while moving away from a purely historical approach that would primarily focus on the evolution of representation of disability to consider how Disability Studies have enabled us to reconsider the cinematic representations of disability. This panel hinges on the assumption that Disability Studies have given rise to a series of critical and theoretical tools, as well as to a renewed perception of disability that no longer sees it as a hindrance, but rather as a driving force for creation.

One of the objectives of this panel will thus be to observe how a certain number of artists working today are seizing on the question of disability to provide subjective and non-hegemonic representations that are often overlooked in more mainstream productions. Our approach for this panel is rooted in what constitutes the heart of Disability Studies, namely the possibility that the latter have offered to bring forth new modes of representation that value the lived experience of disabled people.

We welcome presentations that choose to explore the ways in which the theoretical tools developed by Disability Studies have fostered the creative process of artists who no longer perceive disability as the sole defining feature of an individual, but instead seek to translate the subjectivity of the disabled person through the affective power of the audiovisual medium. We are particularly interested in presentations that focus on works whose primary goal is to avoid the essentialization of disability.

Possible topics include, but are not limited to:

-The possibilities offered by the audiovisual medium to convey a more subjective and affective representation of disability (i.e. haptic images);

-How these modes of representation have redefined spectatorship and the way we approach images;

-How disabled artists are using the audiovisual medium to translate their own experience of disability.

Submission Deadline : April 30-2024

For More details: Visit https://www.pamla.org/

roc104@usask.ca

CFP: Intersecting Ecologies: Navigating Crises, Traumas, and Movements in Asian Comparative Literature and Film _ October 10- 12, 2024,

CFP: Intersecting Ecologies: Navigating Crises, Traumas, and Movements in Asian Comparative Literature and Film

Rocky Mountain Modern Language Association 77th Annual Convention

Conference Date: October 10-12, 2024

Location: Las Vegas, Nevada

The “Intersecting Ecologies and Narratives: Navigating Crises, Traumas, and Movements in Asian Comparative Literature and Film” panel welcomes scholars to an interdisciplinary exploration at the intersection of ecological themes, migration and refugee experiences, medical humanities, and the post-COVID era within the context of Asian literature and film.

Our panel aims to engage in comparative analyses across various regions and genres within Asian literature and film, focusing on their navigation of crises and traumas, particularly those related to ecological themes. We invite contributions that dissect not only ecological crises and traumas from diverse perspectives but also complex relationships between humans and nature, cultural identities and environmental narratives, ecofeminism, and ecology's implications in the age of globalization.

We seek to foster a dialogue that connects Asian comparative literature and film with the broader fields of environmental humanities, migration and refugee studies, medical humanities, and reflections on the post-COVID world. We encourage submissions that explore the intersections of ecological crises with human health, displacement, environmental activism, and migration narratives, offering new insights into the challenges and opportunities these intersections present.

Highlighted topics for exploration include but are not limited to:

• Reflections on nature and the human condition within Asian literary traditions.
• Analyses of nature, technology, and modernity, and their implications for health and displacement in Asian contexts.
• Intersections between environmental and medical humanities focus on Asian narratives that address the health implications of degradation.
• Explorations of gender and nature within the framework of feminist ecologies in Asian contexts.
• Investigations into the portrayal of animals and anthropomorphism in Asian literature and cinema.
• Cross-cultural and interregional narratives of ecology, crisis, and movement, including Forrester (forest-based) fiction that envision alternative ecological futures.
• Discussions on the dynamics between ecology, globalization, and their impacts on health, migration, and the environment in Asian comparative literature and film.
• Insights into the post-COVID landscape through world literature and cinema, with a lens on ecological activism.

Contact Information

Submissions should consist of a 250-word abstract and a brief biography (2-3 sentences), formatted as a DOC document, to be sent to Yueming Li at yul282@ucsd.edu by March 15, 2024. The convention’s presentations will be conducted in English.

Contact Email: yul282@ucsd.edu

Call for Papers on #South #Asian #Crime #Fiction since the 1950s -#FilmStudies #Cinema #Regionalcinema, #Vernacular -June 2024

Crime Fiction has been one of the popular genres for the South Asian reading public since colonial times. The simultaneous emergence of murder mysteries, detective fiction, thrillers in the metropolis as well as the colonies has been richly documented by the brilliant work done in Urdu, Hindi and Bangla by Naim (2023), Brueck and Orsini (2022), Roy (2020, 2017), Oesterheld (2009), Daeschel (2003) and others. Moving beyond arguments of imitative models into debates on the postcolonial in crime fiction, world crime fiction, gender in twentieth century crime writings, espionage narratives during the Cold War and more, this edited volume proposes to launch into broader yet interconnected themes of crime fiction in the regional languages and cartographies in South Asia. We broadly define the region as that of India, Bangladesh, Pakistan and Sri Lanka. The proposed volume will shift the focus away from anglocentric studies of crime fiction to explore the production, reception, and scholarship of crime fiction in the indigenous languages of South Asia since the 1950s. We seek chapters that address the following themes but are not necessarily restricted to them:  

 

1. Vernacular crime fiction in the shadow of the Cold War
2. Crime fiction published in the early days of the young nations of India, Bangladesh, Pakistan and Sri Lanka  
3. Women as actors, writers, and publishers in South Asian crime fiction
4. Configurations of gender: women criminals, vamps, molls, and women detectives
5. Urban crime or the city as the centre of crime and detection. How does the character of a metropolis interact with the mechanics of crime fiction?
6. Migration and crime fiction in the late twentieth century 
7. Film and crime fiction (our primary interest is fiction)
8. Translations, adaptations, and imitations 
9. Vernacular print cultures such as magazines and newspapers and crime fiction
10. Readership and vernacular crime fiction
11. Pulp fiction/Lowbrow fiction and crime fiction in regional languages
12. Gothic and crime fiction in South Asia 

 

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Submission guidelines:

Please send your abstracts (500 words) and a short bio-note (50 words) by March 15th to southasiancriminality@gmail.com. We will get back to you with our responses promptly by 1st April. If selected, full chapters (4,000 - 6,000 words) are to be submitted no later than 30th June, 2024. In case of any query do not hesitate to contact us on the email address provided. 

 Editors:

 Shweta Sachdeva Jha (Associate Professor, Department of English, Miranda House, University of Delhi), 

Garima Yadav (Assistant Professor, Department of English, Shaheed Bhagat Singh College, University of Delhi)

 

Contact Email

southasiancriminality@gmail.com

CFP: 58th Annual #Comparative #World #Literature Conference(#Hybrid) on #Writers of Extreme Situations: A #Multidisciplinary Perspective-#California State University-April 2024

Family crises, exilic conditions, forced migrations, excessive poverty, armed conflicts, political warfare, environmental calamities, workers’ exploitation, pandemics, and all manner of natural or man-made disasters have been rising to unprecedented levels over the last decades. How are extreme situations or situations so extraordinary as to defy imagination represented? What are the poetics underlying them?

We welcome conversations about how extreme conditions and situations, (individual, collective, or global) are expressed, analyzed, and engaged from a multidisciplinary perspective, including but not limited to: Literature, Journalism, Geography, Anthropology, Political Science, Criminology, Linguistics, Ethnic Studies, Women and Gender Studies, Disability Studies, Media Studies, Geology, Human Development, and more.

This conference invites paper and panel proposals on all aspects of extreme situations. Possible topics can include but are not limited to:

-Literature of extreme situations

-Investigative Journalism

-Trauma literature

-Literatures of genocide

-Holocaust memoirs

-Feats of survival

-Crime narratives

-Narratives of addiction

-Natural and man-made disasters

-Innocent Project LA

-Victims speak up: truth to power

-The rise against femicide

-Wars and exilic narratives

-Refugee narratives

-Pandemic narratives

-Medical malpractice and botched surgeries

-Ethics of survival and survivors’ guilt

-The Family Secret and the wounded individual

-Dementia and violence: nursing homes

-Perpetrators and victims

-Asylum seekers and their fate in the US

-Ethical ordeals: surviving the unimaginable

-Memory as a repository of horror

-Collapse of ethical systems in a digital world

-Institutional responses to catastrophes

-Crossing the Mediterranean: the Syrian refugee crisis

-Extreme geo-political conflicts

-Journalism at work: covering extreme conditions

-“The Banality of Evil” in urban settings.

-State terrorism and extreme-isms

-Millennial fatigue and extremist stances

-Monuments of shame

-The Kafkaesque in our daily lives

-Systemic risks in the 21st Century

-Extreme environments

-Soft White Underbelly: Mark Laita interviews

–The Trials of Frank Carson Podcast (Christopher Goffard)

-Deaths in the Grand Canyon and Other National Parks.

We are thrilled to announce that the plenary talk will be delivered by Christopher Goffard, Pulitzer Prize winner, journalist for the LA Times, novelist and podcaster, on Wednesday, April 17th, at 2PM (PDT). The title of his talk is:

“Crossing the Impossible Bridge in a Dynamite Truck: Observations on Film, Friendship and Collaboration”

In “Crossing the Impossible Bridge in a Dynamite Truck,” Goffard will reflect on his friendship and collaboration with one of cinema’s great poets of desperation and obsession, William Friedkin, and of their efforts to bring some of Goffard’s riskier stories to the screen. As a crystallization of Friedkin’s danger-courting artistry—and as a metaphor for their quest to get controversial projects made— Goffard invokes an image from the filmmaker’s 1977 masterpiece Sorcerer, in which a truck laden with nitroglycerin attempts to cross a crumbling suspension bridge in the South American jungle.

Submissions for individual presentations and 90-minute sessions are welcome from all disciplines and global / historical contexts that engage with historical, personal, or social instances of extreme conditions and situations.

Proposals for 15-20 minute presentations should clearly explain the relationship of the paper to the conference theme, describe the evidence to be examined, and offer tentative conclusions. Abstracts of no more than 300 words (not including optional bibliography) should be submitted by March 1, 2024. Please submit abstracts as a Word document in an email attachment to comparativeworldliterature@gmail.com

NB: Please do not embed proposals in the text of the email. Make sure to indicate your mode of preference (Zoom on April 18 and in person only on April 16 and 17) for planning purposes

While the conference will be hybrid, all Zoom presentations will take place only on Thursday, April 18, and in-person presentations will take place on Tuesday-Wednesday, April 16-17 (and will be Zoom-projected). We cannot accommodate pre-recorded presentations.

The conference committee will review all proposals, with accepted papers receiving notification by March 15, 2024.

https://cla.csulb.edu/departments/complit/current-conference/

comparativeworldliterature@gmail.com

Dr. Kathryn Chew

CFP: Special Issue Call for Papers 'The Human and the Machine: AI and the Changing World'-2024

If we are to believe the entertainment media, Artificial Intelligence (AI) is destined to go rogue and take over the world, destroying humanity as we know it. In reality, the growing accessibility of AI is seeing its use normalised and it is becoming a useful tool to improve and alter society. Artificial Intelligence has been an area of research since the 1950s and hinges on machine functions that learn from humans or independently. Despite its long history, contemporary advancements in AI systems, like Midjourney and Chat GPT, are fuelling fresh discussions about its pervasive impact on diverse industries, from healthcare and communication to engineering and art.

Existing research has documented AI's capabilities in various sectors. It can synthesise big data, enhance creativity, streamline production, and personalise content. For instance, platforms like Chat GPT have proven effective in educational settings, while DALL-E 2 has expedited the creation and deployment of advertising materials. In the business domain, data analysts leverage AI for consumer behaviour analysis, including product reviews and purchase intentions. For public relations professionals, AI automates routine tasks like media list creation and meeting scheduling, thereby enhancing efficiency. Overall, AI has wide applicability across industries with obvious advantages.

However, AI is not without its challenges. It has been critiqued for potentially causing job losses, breaching privacy, infringing copyrights, and perpetuating false information. There's a growing concern that as machines take on roles in cultural production, even when working alongside their human counterparts, issues around human agency and rights come into focus, particularly when AI systems are perceived as biased or lacking a nuanced understanding of global contexts. For instance, in journalism, concerns have been raised that using AI will compromise norms and values, while in advertising and public relations, the move to using virtual influencers has posed issues of inauthenticity. Such ethical concerns continue to be raised around professional practice and the use of AI, and therefore, pose challenges to the willingness of people to embrace AI.

While the public's response to AI has often been tepid due to its complexities and uncertainties, its undeniable influence on language and social relationships underscores its relevance in communication research. It is against this backdrop we extend an invitation for contributions to this special issue that considers the relationship between artificial intelligence and communication. The focus is on how AI is influencing the communication and media industries, ranging from public relations and journalism to marketing and entertainment media (e.g. screen production, artistic practice, podcasting). We aim to address questions such as, how is AI impacting the production and consumption of media content, how might AI shape communication and culture, is AI displacing human resources, and what impact will AI have on authentic human interaction.

Topics in the special issue may include (but are not limited to):

• AI and authentic human interaction

• AI and journalism/public relations/advertising/marketing (or other communication industry)

• AI and personalization of media content

• Chatbots and virtual humans

• AI and cultural development

• AI, diversity, and inclusion

• AI media production and/or consumption practices

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Publication Timeline

29 January 2024, abstracts due (200-300 words)

22 April 2024, full manuscripts due (6-7000 words)

Publication: October 2024

Please send submissions and correspondence to: co-editors Matthew Guinibert (matt.guinibert@aut.ac.nz) and Angelique Nairn (angelique.nairn@aut.ac.nz) with the subject ‘ICC-X’. 

Please visit Intellect’s website www.intellectbooks.com/journal-editors-and-contributors to follow its house referencing guidelines.

About the co-editors:

Dr Matthew Guinibert is a senior lecturer and Head of Department (Brand, Digital Communication, and Public Relations) in in the School of Communication Studies (SCS). His expertise in digital media spans visual communication, UI/UX design, technology-enhanced learning, and the strategies that underpin the use of digital media.

Dr Angelique Nairn is an Associate Professor in the School of Communication Studies (SCS). She is also the Associate Head of School for Research. Angelique has been involved in a myriad of research projects that have hinged on organisational communication, identity construction, rhetoric, and/or the creative industries. She teaches courses in the public relations department, specialising in digital public relations and persuasion.

https://www.intellectbooks.com/interactions-studies-in-communication-culture

angelique.nairn@aut.ac.nz

Call For Papers: Special Issue – #Queerness as Strength- Journal- University of Warwick

The marginalisation of LGBTIQA+ people remains a purposeful act of successive governments, institutions and individuals. The outcome has been poorer health outcomes, limited political participation, higher incarceration rates, and increased inequality and violence globally.

However, amidst this crisis LGBTIQA+ people have also created and maintained ways and means of survival. While being forced to the margins and away from the centre, queer theories and practices have emerged that challenge not only our own marginalisation but also consistently queery and question why human life is how it is. Whether surviving epidemics, persisting for equality in the law, or resisting assimilation, the power of LGBTIQA+ people is rarely collected in and across higher education disciplines. And, although often erased, a rich and vibrant life lives on in zines, the arts, the development of technologies and medicines, and in the pursuit of joy so each generation lives a life better than the one preceding it. Truly, queerness is a strength of which many should be enviable, and it deserves to be in the highest echelons of knowledge as any other discipline or practice.

This special issue aims to collect experiences, thoughts and approaches that apply queerness as a strength across any and all disciplines of practice. Ultimately, this issue aims to offer answers to the question, ‘how can the power of queers benefit wider society?’ From medicine to mathematics, to community organising and pedagogies, through to technologies and the arts, queer strengths have always improved how people live, work, connect and persist.

Paper themes may include, but are not limited to:

• Queer informed improvements to methods and methodologies
• Queer approaches to strengthen data collection and analysis
• The application of queer perspectives and experiences into and across disciplines traditionally void of queer strengths
• Commentary and ethnographies on lived/living experience of the queer researcher/practitioner/student
• Experiences written from global majority country citizens
• Indigenous and First Peoples perspectives
• Perspectives of those who live or practice an intersectional queer experience
• In/Justice in research, education and/or other institutions
• Survival, pain, trauma, rejection and/or loss

To further the discourse and propagate related knowledge Monash University has partnered with the University of Warwick’s interdisciplinary open-access journal Exchanges (exchanges.warwick.ac.uk) to produce a special issue based around these themes. The issue, anticipated for publication in 2025, aims to contain a range of papers from scholars around the globe.

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Gender and Sexuality Diversity in a Culture of Limitation: Student and Teacher Experiences in Schools (Routledge Critical Studies in Gender and Sexuality in Education)

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Expressions of Interest

Therefore, we invite initial expressions of interest for articles related to these themes. Expressions should contain the following information:Proposed paper title & anticipated format[1]

An outline abstract (50-200 words)

4-6 topic keywords or phrases

Contributors’ names, email addresses & associated institutions

An optional expression of interest form may be downloaded on the journal site.

All submissions of expressions of interest should be sent to Exchanges’ Editor-in-Chief (Dr Gareth J Johnson) (exchangesjournal@warwick.ac.uk) no later than Friday 1st March 2024.

Manuscript Submissions

Following the deadline, we will contact all successful authors with further information on manuscript submissions, including the final deadline, currently anticipated to be Friday 31st May 2024. All submissions should be made via Exchanges’ online submission portal.

Format Guidance

Papers for the special issue may be submitted under any of Exchanges’ article formats which include both peer-reviewed and editorially reviewed articles. Authors are strongly encouraged to review our author guidance relating to formats and their requirements before submitting their expression of interest. A formatted template is available to help authors in shaping their manuscript. Additionally, authors may find reviewing Exchanges’ policies on authorship, rights retention and conduct ahead of their submission useful:

Author Guidance: exchanges.warwick.ac.uk/index.php/exchanges/guidance

Journal Policies: exchanges.warwick.ac.uk/index.php/exchanges/journal-policies

Contact & Further Information

For more information, advice or any questions, please visit our website. Alternatively contact the Editor-in-Chief or special issue lead (Jacob Thomas). We look forward to reading your submissions.

Editor-in-Chief exchangesjournal@warwick.ac.uk

Special Issue Lead jacob.thomas@monash.edu

---

Endnotes

[1] For format guidance see: https://exchanges.warwick.ac.uk/index.php/exchanges/guidance#formats

[2] Editorial review includes an initial scoping consideration by the Chief Editor, to ensure general suitability for the issue, along with a later revision dialogue with the author.

https://exchanges.warwick.ac.uk/i

exchangesjournal@warwick.ac.uk

Call for Articles on The reception of literary works: between translation and paratext - Dec 2024

Poli-femo n. 28

The reception of literary works: between translation and paratext

In a complex and stratified reflection on the reception of a literary work, the role of translation occupies a central position: it often represents a first encounter with foreign literature for the reader. Analysed from the perspective of literary reception, the study of translation may be conceived as a space for linguistic, literary and historical analysis of the phenomenon of translation itself, as the analytical models developed by the group of scholars of the Tel Aviv School, especially during the 1970s, serve to remind us.

We must also consider that in the general space in which the reception of the translated text takes place, we can observe highly heterogeneous factors that affect the work from perspectives that are more or less closely related to it: there are title changes, the publication of shortened editions, and editions in translation for a young audience of works that were originally written for an adult audience. These choices have repercussions on the act of translating and on the reflections it generates on literary and aesthetic issues - from lexical contributions to stylistic changes, through genre crossings from a source literary tradition to a target literary tradition - as well as on socio-cultural issues.

This stratified and heterogeneous overview also requires the consideration of other aspects through which the publishing phenomenon and the dissemination of literary works are explored. This means focusing on phenomena and aspects of the publishing sector, but also of the commercial, material or strictly intellectual spheres, aimed at influencing, conditioning and orienting the reading and 'consumption' of literary works through their translation. These are aspects that support the translation with a parallel, accompanying discourse, which feeds the so-called paratext, through which multiple editorial, authorial, critical, and translation issues can be expressed.

If, on the one hand, every correct interpretative practice reminds us that the translated work does not enjoy a fully autonomous status because it is linked to a source text from which it is inseparable, on the other hand, the palimpsestic nature of the accompanying paratext, rich in accessory information that hybridises the translated work, is configured as a privileged literary space for the construction of a cultural reading of the translated work, an aspect that determines the manner of its reception.

Within this multifaceted and dialectic scenario, the reception of the translated literary work is the product of nodal passages, ranging from interlinguistic transposition to cultural transition, to the representation of what is perceived as "other", in the long-distance dialogue established between the imaginaries of reception and the image of the "other" of which the translated work is the symbol and expression. These are operations that, in fact, in their fulfilment, attest to the at least dual, truly hybrid nature of the literary work in translation, a hybrid nature that can be found in the meshes of the translation itself as well as in the entire paratext accompanying it, as Gérard Genette reminds us in his renowned founding study on this subject.

Reflecting on all this will make it possible to define and position a proposal for reflection on the reception of literary works, understood both as a continuation of the studies and practice of translation, and as a broader cultural reading project, in which, thanks to the voices of the paratext, we find the signs - linguistic, aesthetic, imagological - of the mentalities, ideas, and cultural universes that come into contact in different historical periods and which, through this complex system of voices, converse and produce effects at a textual level.

Topics and issues that may be addressed include:

o The material conditions of the production and dissemination of a translation: ideology, censorship, imagery

o Literary and aesthetic issues: cultural terminology, changes in style, changes in genre

o Reception and image of the "other" in the authorial paratexts of translated texts

o Editorial paratexts and communication strategies of translated texts

o Voices in translated texts: authors, translators, critics, graphic designers, as forms of authorial hybridity

o Plasticity, visual paratextuality and literary reception

o Paratextuality: between text and discourse

o Linguistic and cultural transitions in the translation process: forms of referential hybridity

o Reception of the foreign intertext as a form of poetic hybridity

o Specialist journals, literary blogs, social media and their role in the dissemination and reception of translated texts

Further proposals for study on the subject put forward by those intending to collaborate in the publication will be seriously examined by the Scientific Committee, in order to widen the field of exploration undertaken in this issue of the Magazine. Contributions will be accepted in Italian, English and French.

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Postcolonial Translation: Theory and Practice (Translation Studies)

₹5,291.00

The Routledge Companion to Translation Studies (Routledge Companions)

To this end, the Editorial Board proposes the following deadlines: a preliminary and essential step is to send an abstract (min.10/max.20 lines), keywords and a brief curriculum vitae of the proposer, to redazione.polifemo@iulm.it by 15 March 2024 (absolute deadline).

Authors will receive confirmation of the acceptance of their contributions from the Editorial Office by 25 March 2024.

The deadline for submitting contributions is 15 June 2024.

All contributions will be subject to double blind peer review. After passing the peer-review phase, the contributions that will be accepted must be no longer than 35,000 characters in length, including spaces and footnotes.

The issue, edited by Prof. Paolo Proietti and Prof. Giovanna Zaganelli, will be published in December 2024.

andrea.chiurato@iulm.it