Concourse: Popular Culture Studies

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Showing posts with label Popular Culture Studies. Show all posts
Showing posts with label Popular Culture Studies. Show all posts

Thursday, March 28, 2024

CFP: International #Conference on #Hermeneutics of #Divine Soundscapes: Decoding the #Musical Signatures of Sri #Guru #Granth Sahib -October 2024-#Punjab University, India

 About The Conference

The relationship between spirituality and music is deeply rooted in the sacred verses of Sri Guru Granth Sahib. This conference aims to interpret the divine soundscapes within Sri Guru Granth Sahib and uncover the layers inherent in its musical signatures. By bringing together scholars, musicians, theologians, and practitioners, this conference aims to foster the understanding of the spiritual and interpretative dimensions of Sikh musical traditions. The conference has several objectives, such as investigating the symbolic meanings and semiotic nuances embedded in the musical signatures of Sri Guru Granth Sahib and exploring how they contribute to the overall discourse. The role of music in the spiritual and normative practices associated with Sri Guru Granth Sahib and its impact on the spiritual experience of practitioners is another area that will be explored.

The conference aims to facilitate dialogue on how the various interpretations of divine soundscapes in Sri Guru Granth Sahib resonate with and influence diverse cultural and religious practices and contexts. Finally, it will discuss the contemporary relevance of the divine soundscapes in the context of evolving religious thought and cultural dynamics.






Sub-themes:

• Ragas in Sri Guru Granth Sahib
• Ghar in Sri Guru Granth Sahib
• Dhuniyan (melodies) in Sri Guru Granth Sahib • Chhant in Sri Guru Granth Sahib
• Pauries in Sri Guru Granth Sahib
• Partaal in Sri Guru Granth Sahib
• Poetic Signatures in Sri Guru Granth Sahib
• Sikh Musical Traditions (e.g. Gharane)

Guidelines for Abstract and Paper Submission

We invite abstracts between 200-300 words along with a bio-note of not more than 100 words. Full-length papers should be 3000-5000 words long. The Authors can present their papers in Punjabi/English. The abstract can be e-mailed at head_bvsc@pbi.ac.in or nmiannualconference@gmail.com

Accepted papers will be presented at the conference and included in the proceedings published by the Nad Music Institute in a dedicated volume. Lodging and boarding shall be covered for all the conference participants. Full or partial travel grants will be provided to the selected participants. The selected young researchers shall be encouraged with special rewards.

Important Dates:

Submission of Abstracts: 25th April 2024
Intimation of Accepted Abstracts: 30th April 2024
Full Paper Submission: 1st September 2024
Intimation of Acceptance of the complete paper: 15th September 2024

About Bhai Vir Singh Chair

Bhai Vir Singh Chair was formally established in 2013. Padma Bhushan Bhai Vir Singh, an acclaimed figure in the literary world, is widely recognised as the father of modern Punjabi literature. His contribution to Punjabi language and literature has been remarkable, having dedicated 50 years of his life to our traditional heritage through modern scientific idioms. Emulating the tradition of philosophy, knowledge, and experience set forth by Guru Nanak Sahib, Bhai Vir Singh created various forms of literature, including poetry, fiction, rhetoric, editing, interpretation, and research, all of which have played a significant role in shaping modern Punjabi literature.

About Nad Music Institute

Nad Music Institute, a non-profit organization headquartered in Washington (USA), established in 2018, is committed to advancing Sikh music through academic research, collaboration with musicians and musical societies, and the creation of educational resources.

Contact Information

Dr. Jaswinder Singh, In-charge, Bhai Vir Singh Chair, Punjabi University, Patiala 

Dr. Manjit Singh, Nad Music Institute, USA

Friday, March 22, 2024

Call for Abstracts: #Education and Role-Playing Games: #Theory, #Pedagogy, and #Practice


Analog role-playing games (tabletop role-playing games like Dungeons & Dragons, larps [live action role-play], etc) provide opportunities for formative and educative experiences for players. The game’s elements of role-play demand a level of imagination, participatory commitments, self-reflection, creative problem solving, and collaboration from players that most leisure activities do not. This proposed volume will focus on analog role-playing games and their educative capabilities. We are interested in how people learn and are formed by these games, both in and outside of formal educational environments. The volume seeks to examine how these games do (or do not) facilitate educative growth both through theorizing as well as concrete analysis of practice. Both theoretician-oriented and practitioner-generated pieces are welcome, but all pieces should seek to examine broader themes and questions around education, knowledge, and growth through the lens of analog RPGs. 

The editor gladly invites proposals for chapter submissions on, but not limited to, the following topics: 

Theories of education, knowledge, and pedagogy in analog role-playing games:

  • RPGs and theories of learning, construction of knowledge
  • RPGs and experiential/active learning 
  • RPGs and vicarious experience 
  • Bleed and education
  • RPGs and civic / democratic education
  • The role of AI in RPG play

Analog role-playing games and education broadly through:

  • Education around conceptions of race, gender, sexuality, neurodivergence, etc
  • Social participation, group membership, social mores
  • Conflict resolution and violence in games
  • Identity formation and self-discovery
  • Transgressive play and education
  • Consent practices and boundary setting
  • RPGs and depictions of colonialism and exotification

Challenges/Benefits of utilizing RPGs in formal educational settings in regards to:

  • RPGs and critical thinking, literacy, social emotional learning, etc
  • RPGs and neurodivergent students
  • RPGs as distinct from simulations or case studies
  • RPGs and math education
  • “The dice tell a story” - RPGs and data visualization 
  • Ethics of usings RPGs in the classroom, especially when dealing with sensitive or controversial subject matter 
  • Challenges around time management, assessment, and participation
  • Considerations/Benefits when using RPGs with specific populations (i.e. children, seniors, ESL, etc)
  • Pre and post game practices & reflection
  • RPG practices of consent as practiced in a classroom
  • Teacher as GM / GM as Teacher

 

Interested authors should send chapter abstracts of 250-500 words (excluding sources cited), a paragraph author biography, and a CV or resume to educationrpgpedagogy@gmail.com.

The call for chapters ends July 1st, 2024. Authors will be notified of accepted proposals on July 15th, 2024. Authors will submit their accepted chapters of a minimum of 4500 words in length by October 1st, 2024.

All contributors should engage with the existing academic literature on role-playing games. While the editors will not prescribe particular sources or methodologies, proposals should reflect acquaintance with current scholarship on role-playing games.

The project will be submitted for consideration as part of the Education and Popular Culture series. The series is unique as it equally values practitioner-generated pieces on using mass/popular culture as it does theoretician-oriented pieces on studying mass/popular culture, as well as works that exist in the intersections between these worlds. Works in this series take up issues surrounding popular culture in education broadly through pedagogical, historical, sociological, and critical lenses.

Contact Information

Dr. Susan Haarman

Loyola University-Chicago

Contact Email
educationrpgpedagogy@gmail.com

Monday, March 18, 2024

Call For Papers: Cute #Ecologies: a critical-creative Symposium 7th June 2024 Online (Zoom)

 Hosted by AWW-STRUCK, this day of lightning talks and presentations on critical research and creative practice features a roundtable conversation between invited speakers (confirmed):

  • Miranda Lowe (principal curator of Crustacea at the Natural History Museum London).
  • Claire Catterall (curator of Cute at Somerset House, London)
  • Hugh Warwick (author of Beauty in the Beast and spokesperson for The British Hedgehog Preservation Society)

Encountering cute forms of nature, from bunnies and hedgehogs to monkeys and deer, is an everyday experience for most of us. They appear on tea towels, cakes and images gone viral on social media. The cute nonhuman might even be our companion animal. The apparently simple, benign nature of cuteness means it goes unexamined, especially in the context of the environmental crisis where the aesthetic is likely to appear irrelevant, if not irreverent. This symposium challenges such thinking by asking: Can cuteness prompt care-giving behaviour for environments? What power dynamics exist in the ‘cutification’ of flora and fauna? What fate for ‘uncute’ species? 

Recent developments in cute studies demonstrate the power of cute to increase pro-social and pro-environmental behaviours. Conservation charities know as much, employing the cutest species to drive public donation. However, the bias toward charismatic megafauna is also known to be a problem. Anthropomorphism and domestication emerge again and again in our encounters with the nonhuman. And perhaps ourselves. As cute studies scholar Joshua Paul Dale recently suggested, Homo sapiens may well have emerged because women preferred cuddlier companions to cavemen. 

We welcome papers that address topics through critical research and/or through creative practice (poetry, film, performance, music, visual artwork). Topics or areas of research may include:

  • Animal studies and plant studies
  • Childhood culture and children’s geography
  • Charismatic megafauna 
  • Domestication and scale
  • Conservation science and political ecology
  • Popular culture, Disney studies, anime and manga studies
  • Commodification, material objects and waste
  • Technology, cyborgs and artificial intelligence 

Possible formats include: 5-minute lightning talks, 20-minute presentations.

Please submit abstracts and/or short proposals (300 words max), telling us whether you’d like to give a lightning talk or presentation to awwstruck.info@gmail.com by 19 April 2024. Please include a short bio (100 words max). If you are a creative practitioner, please include two samples of your work.

This event is organised by Dr Isabel Galleymore (University of Birmingham) and Caroline Harris (Royal Holloway, University of London) who founded AWW-STRUCK in 2021. This symposium is supported by the Arts and Humanities Research Council, part of UK Research and Innovation.

Sunday, March 17, 2024

Call for Applicants : Workshop on Women and Crime Fiction - June- 2024

 Ever since the genre established itself in the Anglophone world in the mid-nineteenth century, crime fiction and discussions of crime fiction have tended to underemphasize the role women play in it, unless they are victims or femme fatales. Yet women, as authors, major characters, and audience members, have been a part of the genre since the very beginning. Indeed, it has been about a century since one could have feasibly considered crime and detective fiction (written or otherwise) as a “male-dominated genre,” and scholarship has followed suit: from Kathleen Gregory Klein’s The Woman Detective to Sally R. Munt’s Murder by the Book?, from Priscilla L. Walton and Manina Jones’ Detective Agency to Gill Plain’s Twentieth Century Crime Fiction – the study of femininity and crime fiction has proved to be extremely fertile ground for analysis and debate.

Quite often, however, these studies and debates remain within clearly defined historical boundaries, with the result that the female detectives and authors of the nineteenth century only rarely come into scholarly contact with their peers from the “Golden Age of Detective Fiction,” the femmes fatales of the hardboiled mode, the feminist sleuths of the 1970s and 1980s, or the multimedial third- and fourth-wave-feminist contributions produced since the turn of the millennium. Additionally, the investigation of the contents of genre fiction are rarely combined with a study of female recipients.

Studies have shown that women seem to be the main audience for true-crime books (Vicary and Fraley 82). This interest holds true across various media; true crime is the most popular podcast subject in the US (Stocking et al.) and the audience for these highly popular podcasts consists mostly of women (Stocking et al., Greer 154–155). Women are also active as producers of such fare. For example, the genre-defining podcast Serial, hosted, written, and produced by Sarah Koenig, became the first podcast to win a Peabody Award in 2015. Further examples include the podcasts Drunk Women Solving Crime or My Favorite Murder, both hosted by women.

This workshop seeks to counteract the prevailing scholarly compartmentalisation and to bridge the aforementioned historical and disciplinary gaps by convening scholars to present and discuss their work on femininity and crime literature, film, television, videogaming, podcasting, fan fiction, etc., from any historical period. Not only does this approach serve to facilitate a more holistic approach to the long and varied history of crime fiction; it also allows for interdisciplinary and diachronic takes on the topic, bringing together perspectives from different branches of the humanities and social sciences.

Keynote: Dr. Kerstin-Anja Münderlein (University of Bamberg): “‘She’s a woman, and women act in a silly way’: Policing and (Re-)Negotiating Acceptable Femininity from the Golden Age to Syd Moore” 

Papers: We invite abstracts for 20-minute papers in English covering texts from all kinds of media (literature, film, television, podcasting, videogaming, etc.), discussing topics such as:

  • Female characters and stereotypes in crime fiction
  • The femme fatale
  • Women as audience for crime fiction
  • Women as producers of crime fiction
  • Intersectional approaches to issues of race, class, and nationality
  • The rise of female-led podcasts
  • The (physical) female voice of podcasts
  • The fetishisation of the female victim
  • Historical comparisons, from the 19th century to the 21st
  • The ethics of true-crime fiction
  • The reception of crime fiction by female authors
  • Gender-bending in fan fiction
  • etc.

Bibliography

Greer, Amanda. “Murder, She Spoke: The Female Voice’s Ethics of Evocation and Spacialisation in the True Crime Podcast.” Sound Studies, vol. 3, no. 2, 2017, pp. 152–164, https://doi.org/10.1080/20551940.2018.1456891.

Klein, Kathleen Gregory. The Woman Detective: Gender and Genre. U of Illinois P, 1995.

Munt, Sally R. Murder by the Book? Feminism and the Crime Novel. Routledge, 1994.

Plain, Gill. Twentieth-Century Crime Fiction: Gender, Sexuality and the Body. Routledge, 2001.

Stocking, Galen, et al. “A Profile of the Top-Ranked Podcasts in the U.S.” Pew Research Center’s Journalism Project, 15 June 2023, https://www.pewresearch.org/journalism/2023/06/15/a-profile-of-the-top-ranked-podcasts-in-the-u-s/.

Vicary, Amanda M., and R. Chris Fraley. “Captured by True Crime: Why Are Women Drawn to Tales of Rape, Murder, and Serial Killers?” Social Psychological and Personality Science, vol. 1, no. 1, 2010, pp. 81–86, https://doi.org/10.1177/1948550609355486.

Walton, Priscilla L., and Manina Jones. Detective Agency: Women Rewriting the Hard-Boiled Tradition. U of California P, 1999.

Contact Information

Please send your 250-300-word abstracts to alan.mattli@es.uzh.ch and olivia.tjon-a-meeuw@es.uzh.ch in a PDF file. Please also send a separate bionote of about 100 words. The deadline for abstracts is May 1st, 2024.

Contact Email
alan.mattli@es.uzh.ch
Attachments

Sunday, February 18, 2024

Call For Articles: Postcolonial Interventions (ISSN 2455-6564) Call for Papers Vol. IX, Issue 2 (June 2024)



Postcolonial Interventions invites scholarly articles for an OPEN ISSUE to be published in June 2024. As this call is being circulated, the people of Palestine continue to suffer with excruciating agonies inflicted on them by Zionist imperial aggression, right-wing forces of xenophobia, discrimination and intolerance continue to gather momentum across the world, inequality and ecological crisis continue to escalate and new forms of precarity are being constantly negotiated. 


The next issue of Postcolonial Interventions seeks to explore such issues and more based on postcolonial experiences across the world.



Submission Guidelines:
1. Articles must be original and unpublished. Submission will imply that it is not being considered for publication elsewhere.
2. Written in Times New Roman 12, double spaced with 1″ margin     on all sides, in doc/docx format.
3. Between 4000-7000 words, inclusive of all citations.
4. With in-text citations and a Works Cited list complying with        Chicago Manual of Style (author-date) specifications.
5. A separate cover page should include the author’s name,                designation, an abstract of 250 words with a maximum of 5                 keywords and a short bio-note of 50 words.
6. The main article should not in any way contain the author’s name.  Otherwise the article will not be considered.
7. Reviews also need to follow the aforementioned guidelines.            However, word limit for reviews is 1500 words.
8. The contributors are responsible for obtaining permission to        reproduce any material, including photographs and illustrations         for which they do not hold copyright.

Please send all your contributions to postcolonialinterventions@gmail.com  within 30 April, 2024.

Saturday, February 17, 2024

Call for Articles: Inaugural Issue of Creativitas: Critical Explorations in Literary Studies

 Inaugural Issue of Creativitas - Critical Explorations in Literary Studies (A Double-blind Peer-reviewed Journal of English Studies).

[We are in the midst of registering the journal under ISSN. However, as per guidelines, an issue has to be published prior to acquiring an ISSN. So, the inaugural issue will be published without an ISSN.]

Creativitas, an up and coming journal in the field of English Studies, invites scholars, researchers, and practitioners to submit original and innovative contributions for its inaugural issue. The journal aims to provide a platform for critical explorations in literary studies, fostering interdisciplinary discussions and pushing the boundaries of traditional approaches to literature.

Creativitas seeks submissions that engage with a broad spectrum of topics within literary studies. The theme for the inaugural issue is intentionally broad, allowing for a diverse range of perspectives and methodologies. We welcome papers that delve into, but are not limited to, the following areas:

·         Literary Criticism and Theory

·         Comparative Literature

·         Postcolonial Studies

·         Genre Studies

·         Cultural Studies

·         Digital Humanities and Literature

·         Eco-criticism

·         Intersectionality in Literature

·         Memory Studies

·         Global Perspectives in Literary Studies

·         Adaptation Studies

·         Narratology

·         Experimental Literature

·         Comic Books and Other Graphic Narratives

·         Literature and Film

·         Literary Translation Studies

·         Historical Approaches to Literature

Submission Guidelines: Authors submitting manuscripts to Creativitas for the inaugural issue are required to adhere to a comprehensive set of guidelines to facilitate the double-blind peer-review process. The journal follows the MLA Eighth Edition format, and authors are expected to submit an abstract for initial selection before the full manuscript.

Abstracts should be around 300 words long (with a maximum of five keywords), and should be sent to creativitasjournal@gmail.com with a copy of it sent to sapientia2024@gmail.com. The mail should bear the subject “Abstract Submission for Creativitas Inaugural Issue”.

Upon approval, authors can proceed with the full manuscript submission. Manuscripts must strictly adhere to the MLA Eighth Edition format guidelines. This includes proper citation style, page formatting, and referencing conventions.

Note: Authors submitting manuscripts to Creativitas for the inaugural issue are instructed to carefully anonymize their articles. To ensure a double-blind peer-review process, authors should remove any personal information, including names, affiliations, and acknowledgments, from the manuscript. Additionally, the document should not contain any metadata that may reveal the author's identity. Authors are encouraged to replace self-references in the text with generic terms (e.g., "the author") and ensure that any potentially identifying information is temporarily omitted.

Manuscripts, once prepared (according to the MLA Eighth Edition format) and anonymized, should be submitted as a Microsoft Word document via email to should be sent to creativitasjournal@gmail.com with a copy of it sent to sapientia2024@gmail.com, with the subject line: "Manuscript Submission for Creativitas Inaugural Issue".

The editorial team at Creativitas is committed to ensuring a fair and rigorous double-blind peer-review process. Authors are encouraged to reach out to the editorial team at sapientia2024@gmail.com for any clarification or assistance regarding the submission guidelines.

Important dates:

·         Deadline for Submission of Abstract – 01.03.2024

·         Notification of Acceptance of Abstract – 05.03.2024

·         Deadline for Submission of Full-length Manuscript15.04.2024

P.S. In the on-going process of registering Creativitas for an ISSN, it's important to note that, according to guidelines, an issue must be published prior to obtaining the ISSN. Consequently, the inaugural issue of Creativitas will be released without an ISSN. While this initial publication won't have the ISSN, it represents a crucial step in establishing the journal and facilitating academic discourse.

Contact Information

sapientia2024@gmail.com

creativitasjournal@gmail.com

Contact Email
contact@creativitasjournal.in

Friday, January 12, 2024

CFP: Virtual International Conference on #Glitching #Comics -The #ComicsStudies Society








In her 2020 publication Glitch Feminism: A Manifesto, Legacy Russell explores the notion of “glitch-as-error with its genesis in the realm of the machinic and the digital.” With this framing, she argues that glitches might “inform the way we see the AFK [Away-From-Keyboard or real] world, shaping how we might participate in it toward greater agency for and by ourselves” (8-9). With her sights set on social systems of gender, race, and sexuality in particular, Russell asks how embodied subjects who defy patriarchal white supremacist cisheterosexist norms are positioned or appear as glitches, as errors, in digital and AFK spaces. Rather than take for granted the normative understanding of glitch-as-error, Russell argues for a feminist praxis that reconceives glitches as a form of refusal and a means by which to challenge the status quo. Russell is particularly interested in how artists record, perform, and embrace the glitch to expose our flawed social systems, explore the in-between, and “imagine new possibilities of what the body can do, and how this can work against the normative” (14). To read Russell’s work online or to hear her talking about glitch feminism see here: https://www.legacyrussell.com/GLITCHFEMINISM  



Building on Russell’s bold and necessary work, the CSS Conference Committee invites members to join us in glitching comics. What can errors in production processes of print comics reveal about systems of racialization? How might digital reading practices expose industry sexism or ableism? What do creators accomplish when they embrace glitchy aesthetics? How do comics or comics media that dwell in the in-between or sit with discomfort help us to refuse violent social norms? How do marginalized creators take advantage of systemic failures? 

Like Russell, we recognize the feedback loop between digital and AFK spaces so we encourage participants to draw on print or digital comics, comics-related media, or texts that actively blur these distinctions. The Comics Studies Society invites proposals for 15-minute individual papers, pre-formed panels, media objects (such as critical making, comics, video, Twine, or performance), and pedagogy or other workshops that engage with how comics (across forms, genres, media, experiences, regions, and cultures) disrupt the status quo. 




Topics may include but are by no means limited to: 

  • “Glitch Refuses”
    • Resistant narratives
    • Texts that defy genre distinctions
    • Subversive reading practices
  • “Glitch Throws Shade”
    • Errors that expose hegemonic social norms
    • Aesthetics that reveal the fallibility of normative ideals
    • Reactivity in fan communities
  • “Glitch is Error”
    • Comics that embrace the unknowable
    • Media that strive for elasticity
    • Historical errors that disrupted the status quo
  • “Glitch is Anti-body”
    • Disability in comics
    • Production processes that prioritize accessibility for disabled creators and readers
    • Representations of bodies that glitch “hegemonic normative formulations”
  • “Glitch is Virus”
    • Reception of or resistance to AI art in comics
    • The brokenness of labor standards in the comics industry
    • Infection or monstrosity as a “vehicle of resistance” to identity norms
  • “Glitch Mobilizes”
    • How digital platforms/modes of creation provide opportunity
    • The promise of “newly proposed worlds” in comics media 
    • Fan activism
  • “Glitch is Remix”
    • Retcon as a form of reclamation
    • The rearranging of creative traditions to generate something liberatory
    • Repurposing discomfort to reveal truths




We ask that you submit abstracts via the Google Forms below or on our website no later than 11:59pm Central Time (US) on February 16, 2024. All submissions will undergo transparent peer review. Notifications will go out and registration will open in March. The virtual conference will take place in June 23-26 2024.

Please contact the Conference Committee with any questions: comicsstudiesorg@gmail.com

Contact Information

The Comics Studies Society

comicsstudies.org / comicsstudiesorg@gmail.com

Contact Email
comicstudiesorg@gmail.com

Friday, January 5, 2024

Call for Chapters: The Multiverse in Popular Culture - University Press of Kansas

 




The University Press of Kansas has expressed interest in publishing a book of essays about representations of the multiverse in popular culture.  The theory of the multiverse – the premise that our known universe if merely one iteration of an infinite number of alternate universes – has recently emerged from scientific obscurity to become a common trope of popular fiction.  Everything Everywhere All at Once won 2022’s Academy Award for Best Picture, multiversal timelines are a central feature of the Marvel Cinematic Universe, and representations of parallel realities in television shows such as SlidersFringeDr. Who, and Rick & Morty have familiarized this radical concept for mass-audiences.  The emergent popularity of the multiverse as a narrative device resonates with critical theories about the "worldmaking" of fiction, the postmodern dissolution of metanarratives, and Deleuzian networks of multiplicity, and it is informed by literary precedents in Jorge Luis Borges, Philip K. Dick, and Italo Calvino.  From a political perspective, multiverse narratives reflect the fractured reality of American political discourse, a condition acknowledged in references to “the Fox News Cinematic Universe” and the Trumpiverse.  The multiverse also reflects the ontology of the Internet, with its countless variations on a single meme, which sometimes disappear or are retroactively rewritten, or that even wobble into uncanny real-world instantiations.  The Internet provides a kind of parallel reality that we all have one foot in all of the time, and our daily exposure to this disruptive state of being certainly influences contemporary ontologies.  Narrative itself, with its long history of representing parallel realities and also of essentially being a parallel reality, may provide the most compelling expressions of these ontologies, as well as the most promising insights about how to navigate and communicate across them. 

We seek proposals for chapters that discuss representations of the multiverse in popular culture.  We particularly welcome close readings of individual films, television episodes, graphic novels, online videos, or other popular texts that address the political, cultural, and/or philosophical implications of specific representations of the multiverse.

Please submit 300-word chapter proposals to Randy Laist at rlaist@bridgeport.edu by February 29, 2024.

Contact Information

Randy Laist

University of Bridgeport

rlaist@bridgeport.edu

Contact Email
rlaist@bridgeport.edu

Call For Book Chapters: Beyond Networks of Domination: Rethinking Machinic Media, Digitality & Cinema of our Times

 Editors: Ananya Roy Pratihar(IMIS,Bhubaneswar), Saswat Samay Das (IIT, Kharagpur) & Shashibhushan Nayak(GP Nayagarh)

The biopolitical schemas for restructuring machinic networks of Media, Digital, and cinema do not stand as productive mimicries of mediations prerequisite for effecting an anthropological clearing (with Cracks, throws and blows, as Sloterdjik puts it) or grafting some kind of symbolic unity on chaotic materiality. Rather, such schemas act as ambivalent double-pincered mechanisms, turning loose incessant networked flows on the one hand, only to reduce them to domesticable or governable totalities on the other. If Deleuze & Guattari show how such networks lead to the creation of a control or surveillance society committed to colonizing what Husserl calls Lebenswelt (the life world), reducing its pulsations to algorithmic dividuals, Donna Haraway and Manuel Castells show how an interplay between desiring networks of media, digitality and cinema leads to the production of what they call informatics of domination when it is coupled with biopolitical agendas. Thinkers such as Nancy Fraser indicate how progressive networks in neoliberal societies bear a Janus face, hiding underneath their progressive orientation a regressive economy of ideas, opening up an uncompromising field of dialectical contradictions that turns networked flows, passages, archipelagos and routes to dispositif or worse dead ends.

However, while tracing the historical genesis of networks to colonialism or stressing their subsequent bio-politicization, materialist thinkers such as Deleuze & Guattari, Haraway, Braidotti, or Katherine Hayles do not posit de-essentialized expressions of networks as a kind of insidious metaphysical grammar. Rather, they view networks as actual expressions of machinic materiality and posit faith in the inter-related dynamism of networks to lead humanity out of the morass that humanist reductive mediation of such dynamism leads us to. Deleuze and Guattari turn towards stressing the deterritorializing capacity of networks. The stress they put on the need for finding new weapons of resistance against the biopolitical manipulation of networks only supplements this capacity, for with their conviction that even primary assemblages such as signs or senses arise out of the workings of an abstract machine immanent to these assemblages, they seem least inclined towards indicating that such weapons needs to be dialectically opposed to networks and may be used to arrive at a utopian anthropological clearing beyond them. As Guattari says, "There are material machines and immaterial machines, technical machines and imaginary machines, desiring machines and abstract machines, machine inside the machine, nested like fractals…Guattari advocates viewing machines in their complex totality in all their (networked) avatars and resists attempts to essentialize them or the assemblages they compose. 

Thinkers such as Latour stress the necessity of having broader, bigger and more effective networks comprised of human and non-human actants to release us from the humanist organization of society that leads us to deadlocks. Haraway rethinks the clarion call by Deleuze to find new weapons of resistance only to put forward the machinic and networked figure of Cyborg as the new war machine, a machinic assemblage that she calls the cat’s cradle, which synthesizes the organic and the non-organic, the machine & the body and the physical and the non-physical.

Similarly, thinkers such as Patricia Pisters foreground the machinic orientation of minor films. They view such orientation as nurturing the potential to both abolish clichés, dullness, and normative subjectivation and transform subjects puppeteered by representationalist populist cinema into what they call super-jects who might bear the potential to create a new world order.

Is then becoming a pure network, nodes of machinic connections or Haraway’s string figures, the only rejoinder against the biopolitical restructuration of Networks? One needs to remember that networked movements such as the Arab Spring, the Occupy Movement and most recently, the Gezi Park protests in Turkey have failed to bring about the required shift, let alone create fresh ethical bindings between the chaotic multitudes and that many social commentaries claim that such networked protests have large bark, but no bite.

However, then, is there any alternative to combating networks with networks, pitting open-ended ecosophical networks against crampy and claustrophobic networks of neoliberalism, with the redundancy of classical Marxist struggle against the biopolitical machinery? How does critical disclosure of schizoanalytic desire to blur the libidinal and political economy divide help us, with Berardi and Fisher putting forward such ampliative networks as effective tools, meant both for mapping and effecting a revolutionary breakthrough, a Kairos, in relation to the current scenario? With experimentations in media, digitality and cinema constituting the liminal zone of nomad science, will creating a Spherological unity among such sciences effect a deterritorializing rupture with the current predicament. With creative thinking making way for the untimely, can we have an alternative mechanism of resistance to grassroot the flows, as Manuel Castells puts it?

We invite papers that could both extend and critique the experimental media, digitality and cinema of our times. Simultaneously, we also need papers that reflect the potential for reinventing the schizoanalytic or experimental mode of media, digitality and cinema in order to do justice to Deleuze’s clarion call for finding new weapons of resistance.

Submissions

Abstracts of about 200 words, including six keywords, a 50-word bio-note, institutional affiliation, and contact details, should be emailed by 01 March 2024 to shashienglish@gmail.com as a single MS Word document attachment.

Chapter requirements: A chapter should be 4000-5000 words, including footnotes and bibliography adhering to the MLA 9th edition.

Important Dates:

Deadline for abstract submission: 01 March 2024

Abstract selection notification: 30 March 2024

Complete Paper Submission: 01 October 2024

Contact Information

Dr. Shashibhusan Nayak

MLA Bibliography Fellow

Contact Email
shashienglish@gmail.com

Friday, November 24, 2023

CFP: REIMAGINING MEDIA: NARRATIVES ON THE MARGINALIZED AND INCLUSIVITY IN THE MEDIA AND CONSUMPTION INDUSTRIES-Symbiosis Centre for Media & Communications

 REIMAGINING MEDIA: NARRATIVES ON THE MARGINALIZED AND INCLUSIVITY IN THE MEDIA AND CONSUMPTION INDUSTRIES

The many emergent voices in Indian media shape contemporary discourses on gender, consumption, economy, narratives, race, language, caste and identities. Such voices help contribute to how we view and understand the world, especially in the way inequalities are encountered and perpetuated by contemporary media, resulting in representational signals that reimagine the status quo. In this, the role of film, social media and brand communications appear to have been more significant, when compared to their conventional mainstream counterparts, such as print and broadcast media. The second edition of SCMC’s Pramana Research Conference strives to examine the contemporary construction of inclusivity in both cultural and business contexts, simultaneously looking at media representations as well as consumption practices. In a combined Call for Papers to educators, researchers and academicians, the Pramana Conference aims to explore the role and potential of ‘change agents’ as guides who influence the consumers’ imagination of intersectionality and inclusivity, unravel socio-cultural marginalization.

Theme 1: The Marginalized in Contemporary Indian Media

Social and cultural marginalizations of various types exist in all complex societies, including India; and with the advent of modern public life, many such enduring, yet historically changing, deeply ingrained marginalizations practiced in the subcontinent have been matters of significant discussion. The presence of constitutional and legal safeguards has not however amounted to such consciousness permeating into the social fabric, which continues to promote socially ingrained privileges, while keeping the conversation about discrimination and marginalization on the periphery. Many media industries remained overwhelmingly populated by privileged, educated social elites (Kureel 2021, Kumar 2009) and popular cinema narratives remained aligned to privileged social groups, with few tokenistic representations of lower social groups. The Mandal agitations of early 1990s and the immediately preceding militant anti-caste movements compelled representational space to lower caste and class groups, their realities and specificities. Simultaneously, this is also the moment when Dalit literature burst onto the Indian literary scene as an unavoidable force to reckon with. It is in the longue-durée context of this gradual emergence of representation of caste, gender and the marginalized in Indian public life that we want to situate our discussion of the politics of representation in contemporary Indian media: including in cinema, broadcast media, print and digital journalism, digital content and social media platforms. We especially want to delve into the use of the contemporary mediascape by socially marginalized groups for self-assertion and representation.

Topics (but not limited to):

  • Contemporary Media Representation: Portrayals of the Marginalized in News, Entertainment, and Popular Culture;
  • The Marginalized in the Digital Spaces: Online Platforms and Social Media Networks;
  • Marginalized Groups and Journalism: Study of Caste-based Biases etc. and Reporting in Indian Media;
  • Social Media Activism: Assessment of Social Media's Role in Mobilizing Anti-caste Movements etc. and Raising Awareness;
  • The Marginalized, Media, and Policy: Evaluation of Policies Addressing caste-related and other issues in the media sector;
  • Intersectionality, Class and Caste: Analysis of how these intersect with other identity markers in media representations;
  • Marginalization and Hate: Examination of dogwhistling, hate speech and cyberbullying on Social Media;
  • Media Initiatives for Social Change: Case studies of media projects promoting inclusivity and social equality.

Theme 2: Inclusivity in Brand Ecosystems: Structural and Marketplace Influences, Representational Narratives, and New-age Brand Philosophies

The integration of social awareness has emerged as a pivotal guiding principle for contemporary marketing strategies and this has led practitioners to shift their branding strategies towards content and communication that cater to varied sub-cultures and socially disadvantaged consumer groups. Despite this, many societal groups remain stereotyped, misportrayed and under-represented, with invasive and harmful imagery continuing to surface in the world of brand communication, media and branded content. Presently, there is a growing body of case studies and anecdotal evidence that show that inclusive marketing practices have a discernible impact across various dimensions of marketing (Thompson 2021). Many scholars specializing in marketing, such as Licsandru and Cui (2018) and Kuppelwieser and Klaus (2020), further developed and enhanced the theoretical framework underlying this notion. Despite extensive global research conducted in various areas such as inclusive marketing, there remains a notable dearth of comprehensive research in the field of inclusive branding and communication within mainstream marketing theory. We would like to enhance the field’s research potentials through the exploration of connections between existing research-based studies on inclusive brand communication and the development of research frameworks which aim at broadening the scope of inclusive brand communication as a practical domain. The track will focus on understanding the role of inclusivity’s contribution to social progress and brand growth, and its influence in shaping effective brand communication.

Topics (but not limited to):

  • Exploring the internal and external motivation of brands to leverage inclusive marketing and communication;
  • Effectiveness and efficiency of media platform to communicate inclusivity and consumers perception of the same;
  • Inclusivity in Corporate Communications, employee relations and stakeholder relationships;
  • Role of inclusive marketing communication in Advocacy and Internal Communication stakeholder management etc.;
  • Marginalized groups in social and cultural space, Advertising, and Marketing: Exploration of marginalized-centric marketing strategies and their effects on consumers;
  • Marginalized, Labour and Media Industry: The stratifications of Marginalized, class, linguistic, regions and caste in the labour hierarchy of various Indian media;
  • Factors driving the effectiveness of inclusive advertising campaigns, DEI (Diversity, equity, and inclusion) in the media agencies;
  • Role of AI (artificial intelligence) as enabling or hindering advertising inclusivity;
  • Discussing the power dynamics between communication industry, government, politics, and consumer activists in promoting, negotiating, or resisting diversity and inclusivity movements.

Submission Guidelines:

Abstract Submission: Interested contributors are invited to submit an abstract of their proposed paper (250-300 words) along with a brief bio-note (50 words).

Language: English

Completed papers should be between 6,000 to 8,000 words, inclusive of references and citations can be submitted for a Conference compendium. Submissions must adhere to the APA style guidelines. We welcome original research, discussion notes, unpublished work, working papers etc.

Important Dates:

Abstract Submission Deadline: 30th November, 2023

Notification of Acceptance: 15th December, 2023

Conference Date: 19th and 20th January, 2024

Submission Process:

Please submit your abstract and bio-note as a Word document to pramana.conference@scmc.edu.in. Submissions will undergo a double-blind peer-review process, and selected researchers will be notified duly.

Conference Venue:

Symbiosis Campus in Viman Nagar situated in Pune.

Registration:

The conference registration details will be announced after the acceptance of abstracts.

 

Contact Information

Please submit your abstract and bio-note as a Word document to
pramana.conference@scmc.edu.in. Submissions will undergo a double-blind
peer-review process, and selected researchers will be notified duly.

CONFERENCE VENUE:
Symbiosis Campus in Viman Nagar situated in Pune.

REGISTRATION:
The conference registration details will be announced after the acceptance of
abstracts.

CONTACT INFORMATION:
For any inquiries regarding the conference or submission process, please
contact pramana.conference@scmc.edu.in.

Contact Email
pramana.conference@scmc.edu.in