Concourse: South Asian History / Studies

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Showing posts with label South Asian History / Studies. Show all posts
Showing posts with label South Asian History / Studies. Show all posts

Thursday, March 28, 2024

CFP: International #Conference on #Hermeneutics of #Divine Soundscapes: Decoding the #Musical Signatures of Sri #Guru #Granth Sahib -October 2024-#Punjab University, India

 About The Conference

The relationship between spirituality and music is deeply rooted in the sacred verses of Sri Guru Granth Sahib. This conference aims to interpret the divine soundscapes within Sri Guru Granth Sahib and uncover the layers inherent in its musical signatures. By bringing together scholars, musicians, theologians, and practitioners, this conference aims to foster the understanding of the spiritual and interpretative dimensions of Sikh musical traditions. The conference has several objectives, such as investigating the symbolic meanings and semiotic nuances embedded in the musical signatures of Sri Guru Granth Sahib and exploring how they contribute to the overall discourse. The role of music in the spiritual and normative practices associated with Sri Guru Granth Sahib and its impact on the spiritual experience of practitioners is another area that will be explored.

The conference aims to facilitate dialogue on how the various interpretations of divine soundscapes in Sri Guru Granth Sahib resonate with and influence diverse cultural and religious practices and contexts. Finally, it will discuss the contemporary relevance of the divine soundscapes in the context of evolving religious thought and cultural dynamics.






Sub-themes:

• Ragas in Sri Guru Granth Sahib
• Ghar in Sri Guru Granth Sahib
• Dhuniyan (melodies) in Sri Guru Granth Sahib • Chhant in Sri Guru Granth Sahib
• Pauries in Sri Guru Granth Sahib
• Partaal in Sri Guru Granth Sahib
• Poetic Signatures in Sri Guru Granth Sahib
• Sikh Musical Traditions (e.g. Gharane)

Guidelines for Abstract and Paper Submission

We invite abstracts between 200-300 words along with a bio-note of not more than 100 words. Full-length papers should be 3000-5000 words long. The Authors can present their papers in Punjabi/English. The abstract can be e-mailed at head_bvsc@pbi.ac.in or nmiannualconference@gmail.com

Accepted papers will be presented at the conference and included in the proceedings published by the Nad Music Institute in a dedicated volume. Lodging and boarding shall be covered for all the conference participants. Full or partial travel grants will be provided to the selected participants. The selected young researchers shall be encouraged with special rewards.

Important Dates:

Submission of Abstracts: 25th April 2024
Intimation of Accepted Abstracts: 30th April 2024
Full Paper Submission: 1st September 2024
Intimation of Acceptance of the complete paper: 15th September 2024

About Bhai Vir Singh Chair

Bhai Vir Singh Chair was formally established in 2013. Padma Bhushan Bhai Vir Singh, an acclaimed figure in the literary world, is widely recognised as the father of modern Punjabi literature. His contribution to Punjabi language and literature has been remarkable, having dedicated 50 years of his life to our traditional heritage through modern scientific idioms. Emulating the tradition of philosophy, knowledge, and experience set forth by Guru Nanak Sahib, Bhai Vir Singh created various forms of literature, including poetry, fiction, rhetoric, editing, interpretation, and research, all of which have played a significant role in shaping modern Punjabi literature.

About Nad Music Institute

Nad Music Institute, a non-profit organization headquartered in Washington (USA), established in 2018, is committed to advancing Sikh music through academic research, collaboration with musicians and musical societies, and the creation of educational resources.

Contact Information

Dr. Jaswinder Singh, In-charge, Bhai Vir Singh Chair, Punjabi University, Patiala 

Dr. Manjit Singh, Nad Music Institute, USA

Saturday, March 16, 2024

CFP: International Conference on #Bengal and its Neighbors: From Early Modern to Contemporary South Asia -Oct 2024.

 The aim of this panel is to initiate a broader dialogue with regards to the Bengal region, as it evolved from the early modern era — then, a region being ruled a motley of Sultanates with periodic eruption of Mughal expeditions against the independent Sultans — to an important resource extraction zone during the colonial era. Eventually, the region evolved into a contested terrain during the anti-colonial movement in the Twentieth Century that pitted two distinct nationalist projects against one another, as the post-colonial future of the region’s heterogeneous ethnic, linguistic and religious communities were being decided. Fast forward to the Partition, Bengal’s religious fault-lines became exposed, as the Muslim majority regions became part of Pakistan, while the Hindu dominated Western regions became part of India. 

However, this flared up communal fragmentation does not fully encapsulate the efforts undertaken by political forces, including the left-leaning ones, to oppose communalism’s impact on the widening gap between Hindus and Muslims. Interestingly, an echo of this anti-communal nation-building imperative can be traced in the movement leading up to the creation of Bangladesh, and, subsequently, the inscribing of the principles of nationalism, socialism, democracy, and secularism in its founding constitution draw up in 1972 following its break-up from Pakistan in 1971. The country experiences coups and countercoups in the late 1970s and early 1980s that had shacked its attempt to build a new society out of the ruins of Partition. 

Moreover, the wider Bengal region has experienced further tensions due to the acceleration of the climate crisis, onset of neoliberal globalization, and new forms of social divides along caste, class, ethnicity, and religious lines in the recent years. Therefore, it would be more than useful to interrogate the region from a broad historical perspective so that dialogues can be initiated to understand the wider implications of today’s crises as well as the traces of the past in the Bengal region’s turbulent present. 

With an aim to investigating the various traditions of resistance, in literary writing, oral and public culture, plastic and visual arts, to dominant ideologies of nation, class, religion, and gender, the esteemed panelists seek to engage with the following questions in order to understand the complex changes in the region from a broader perspective: 

  • How can we address the influences of various cultural forces — Arab, Persian, Indic, and European — in a primarily agrarian region?
  • How can we reconceptualize the major changes that occurred in the region as it transitioned from the colonial era to the postcolonial present? What are some of the major outcomes of this transition including the Permanent Settlement, the Bengal famine of 1943 and the creation of the successor three nation-states of British India impacted the region? 
  • How is the region shaped by political changes such as the solidification of Hindu nationalism in India, the India-China rivalry to extend regional influence, as well as the ethnic tensions in the bordering countries such as Myanmar? 
  • How can the region’s longue durĂ©e shifts be addressed from an interdisciplinary angle? What are the stakes of bringing scholars together who explore the Bengal and its neighboring region from a range of disciplinary angles including anthropology, history, literature and religion among others?      
Contact Information

Please submit abstracts of 250-300 words and a brief bio to the organizers, Auritro Majumder, Assistant Professor of English, University of Houston, amajumder@uh.edu &  Asif Iqbal, Visiting Assistant Professor of English, Oberlin College, aiqbal@oberlin.edu by 30 March, 2024. 

Contact Email: aiqbal@oberlin.edu

Friday, March 15, 2024

CFP: International Conference on Understanding Authoritarianism/Fascism in South Asia -Nov 2024

 We are proposing a panel on “Understanding Authoritarianism/Fascism in South Asia” at the 52nd Annual Conference on South Asia, organized by the South Asia Center at the University of Wisconsin-Madison.  

While South Asia, a diverse and dynamic region, has witnessed various forms of governance throughout its history, in recent times, concerns have been raised about the rise of populism and/or authoritarianism. This panel seeks to explore the nature of fascism/authoritarianism in this region. Is the nature of fascism/authoritarianism the same in this region compared to Western/European counterparts? In response to Ramin Jahanbegloo's question "Is there an Indian fascism?" Ashis Nandy argues, “Indian civilization, which has no direct experience of that particular version [European] of authoritarianism and has always worked with ill-defined, open ended concept of evil, finds it more difficult to deal with various modern versions of authoritarianism” (Nandy 2006). 

This panel invites theoretical and/or empirical research that critically examines the features (distinct or otherwise) of authoritarianism/fascism in the South Asian context and beyond. We aim to identify and analyze historical antecedents contributing to the emergence of authoritarianism and to explore the socio-cultural factors influencing the development and sustenance of authoritarian regimes. Simultaneously we plan to investigate the role of technology, media, civil society, developmentalist narratives, nationalist discourse, discourse of national security and so on in shaping and reinforcing authoritarian tendencies. 

We invite 200–300 word abstracts with a short bio (100 words) on topics including but not limited to: 

  • Authoritarianism/Fascism in South Asia (Any historical moment to now) 
  • Biopolitics
  • Manufacturing the consent 
  • Nation-building and Authoritarianism 
  • Extra-judicial killings 
  • Resisting Authoritarianism (past or present) 
  • Silencing the narratives
  • Radical Alternatives 
  • Democracy and Populism
  • Anti-Authoritarian Political Thoughts in South Asia
  • Secular/religious authoritarianism
  • Vote Rigging to "Dummy" election (in the context of Bangladesh)
  • Politics of Propaganda


Please send your abstract and short bio along with any questions, to zehsan@wisc.edu 

Submissions are due by March 28, 2024.

Accepted papers will be notified by April 05, 2024.

Contact Information

Zunayed Ehsan, Department of Anthropology, University of Wisconsin-Madison.  

Contact Email
zehsan@wisc.edu

Thursday, March 14, 2024

CFP: Listening in Many Tongues: Multilingual Interpretive Communities and Acts of Translation in Early Modern South Asia -Oct-2024

 Recent scholarship on South Asia has exemplified the importance of drawing on multilingual sources as well as multi-disciplinary approaches - reading, listening, and visualising the vernacular and the cosmopolitan in conversation, rather than through hierarchical relationships. The overlapping and multidirectional networks of patronage and production have led not only to the creation of new genres of text and performance but also to the articulation of pre-existing traditions within new intellectual milieux and expanding communities of contact and exchange. What has emerged, following the scholarship of Francesca Orsini, Aditya Behl, and Barry Flood, amongst others, is the understanding of translation as a process of transformation and constant reinterpretation, a “dynamic form of production” (Flood 2007, 107) which translates and reinterprets aesthetic categories of, for instance, music and literature in new and constantly shifting contexts.

Undoubtedly, and building upon the pioneering work of Sheldon Pollock, a focus on ideas and modes of translation across “cosmopolitan” and “vernacular” language models has proliferated scholarship on early modern South Asia. In particular, Francesca Orsini’s scholarly intervention has encouraged us to investigate the ‘multilingual locals’ implied in areas of such contact and exchange. While using this emphasis on translation as a jumping-off point, this conference invites papers on the multivalent methods of translation in medieval and early modern South Asia - methods by which various interpretive communities sought equivalences, reinterpretations, and transcreations between and across literary and performative genres.

This conference will seek to place scholars working across fields, languages, and geographies on ideas of translation in conversation, such as those concentrating on Ismaili and Sufi studies in Persian and South Asian vernaculars, or Jain and Apabhramsa texts in translation, or across Arabic, Malayalam, and sites in South India. Given the scholarly remit of the South Asian Studies Unit here at the IIS, we particularly invite papers focusing on Ismaili and other Shi'i-related contexts in South Asia.

We invite abstracts of 250-300 words by the 19th of April, 2024, emailed to SASconference@iis.ac.uk along with a short (ca. 100 words) bio. Speakers will also be invited to contribute to a subsequent edited volume, to be published with the IIS South Asia Studies Series.

Contributions are invited on topics including (but not limited to):

·     Processes of vernacularisation, translation, and reinterpretation

·     Multilingual literary communities

·     Cross-cultural encounters

·     Music, poetry, and devotion in South Asian Islam

·     Isma’ili, Shi’i, and Quranic studies in South Asia

·     Vernacular devotional expression within mystical communities in South Asia

·     Networks of literary circulation

·     Poetic translation and reinterpretation

·     Hindu-Muslim philosophical encounters

A small number of stipends are available for scholars with limited access to institutional funding.

 

Conference convenors:

Dr William Hofmann, Research Associate in South Asian Studies (IIS), 

Ayesha Sheth (University of Pennsylvania), and 

Hussain Jasani, Head - South Asian Studies Unit (IIS)

Venue: Hybrid (The Aga Khan Centre, London + Online)

Dates: October 21-22, 2024

Contact Information

William Rees Hofmann (Institute of Ismaili Studies)

Ayesha Sheth (Upenn)

Hussain Jasani (Institute of Ismaili Studies)

SASconference@iis.ac.uk

Contact Email
SASconference@iis.ac.uk

Saturday, March 2, 2024

Call for Papers/Panels: Chautari Annual Conference –Kathmandu, Nepal on November 27−29, 2024

 Call for Papers/Panels

Chautari Annual Conference – 2024

Martin Chautari (MC) is organizing the Chautari Annual Conference in Kathmandu, Nepal on November 27−29, 2024. The aim of this conference is to promote research culture in the humanities and social sciences in Nepal. MC invites submission of abstracts of research papers or abstracts of the theme-based panels from eligible researchers or institutions who will have completed their research by the abstract submission deadline.

Preferences

  • The theme of the research should be related to Nepal; comparative work is also welcome provided that Nepal-related content is substantial.
  • Young/women researchers are highly encouraged to submit the abstracts.


Abstract guidelines

  • Abstracts can be in English or Nepali and should be of 500 words.
  • The title of the proposed paper, a short description of the research base, and the paper’s main arguments/findings must be clearly stated.
  • Abstracts for panels should consist of its title and a brief description, and the abstract of each paper in the panel should also be included.
  • A one-page CV of the authors including their current contact details should be attached.
     

Notifications

  • The receipt of abstract submission will be acknowledged by e-mail.
  • All participants, including paper presenters and panelists, are required to register to attend the conference (Registration fee NRs. 700 per person).
  • Participants are expected to make their own arrangements for travel and accommodation.
     

Important dates
Call for abstracts: January 18, 2024
Abstract submission deadline: June 10, 2024
Announcement of accepted abstracts: July 25, 2024
Deadline for the submission of full papers (max 5,000 words): October 31, 2024
Announcement of accepted papers: November 10, 2024
Conference days: November 27−29, 2024
 

 

Contact Information

Abstracts and queries should be sent to
conference@martinchautari.org.np and mcannualconf@gmail.com

Further information can be obtained from:
Conference Organizing Committee
Martin Chautari
27 Jeetjung Marg, Thapathali, Kathmandu, Nepal
Phone: (+977 1) 5338050/4102027/4102243

Contact Email
conference@martinchautari.org.np

Saturday, February 17, 2024

CFP: 4th International Conference of the Indian Association for South Asian Studies (IASAS) on #Subalterns in South Asia, 21-22 June, 2024




We are accepting abstracts for the Indian Association for South Asian Studies (IASAS) International Conference, which will take place at Kalinga Institute of Industrial Technology, Bhubaneswar, Odisha from June 21-22, 2024. Researchers and scholars from across the disciplines will participate in this two-day conference that will be concentrating on South Asian studies. The central theme for the above is ‘Subalterns in South Asia:.

The term "subaltern," popularized by Antonio Gramsci, conceptualized subaltern groups as those excluded from hegemonic power, encompassing peasants, workers, and other marginalized factions. However, in Subaltern Studies led by Ranajit Guha, the term broadens to denote the quality of being subordinate in South Asian society, irrespective of its manifestation in class, caste, age, gender, or office.

The collective, initially comprising scholars such as Shahid Amin, David Arnold, Partha Chatterjee, David Hardiman, Gyanendra Pandey etc., aimed to give voice to the historically marginalized. Subaltern Studies encompassed diverse subjects, including history, politics, economics, and sociology of subalternity, along with associated perspectives, ideologies, and belief systems. The initiative aimed to counter elitist historiography by allowing subaltern voices to emerge within its pages, representing and amplifying the voices of the oppressed.

The theory posited that the elite in India did not merely have a hegemonic role but played a dominant one, enabling the subaltern to be seen as independent historical actors. This perspective countered the notion that the subaltern were passive recipients of elite guidance, emphasizing their independent agency within the political system. 

In line with the subaltern understanding, this conference extends a warm invitation to panels and paper submissions that specifically emphasize non-elite discourses. The conference aims to spotlight and explore narratives, perspectives, and voices that have traditionally been marginalized or overlooked in favour of dominant, elite perspectives. Connecting historical studies to disciplines like gender studies, cultural studies, sociology, economics, demographics, politics, psychology, and others are also welcome. By prioritizing non-elite discourses, we aspire to create a space for critical discussions and insights that challenge established norms and contribute to a richer understanding of the diverse, often unheard, voices in South Asian societies. 

The conference hopes to be able to encourage more research by generating new perspectives by exploring new as well as alternative and evolving research ideas and methods.

IASAS 2024 conference welcomes panels and papers in English or in Hindi on any theme of South Asian Studies employing interdisciplinary and theoretical perspectives inspired from History, Philosophy, Political Science, Anthropology, Ethnography, Sociology, Psychology etc. Hence, the conference aim is to bring historians and social scientists into conversation with each other. We encourage submissions from research students, early career scholars, faculty members, and independent social scientists whose research falls under the spectrum of South Asian Studies. The conference hopes to generate new perspectives by exploring new as well as alternative and evolving research ideas and methods. 


There would be at least four presenters in each panel session. Presentations will be limited to 20 minutes each.
1. Abstracts of up to 500 words should be submitted on or before 15 April, 2024.
2. Acceptance letters for proposals will be e-mailed by 30 April, 2024. All abstracts will be peer-reviewed.

 

In the Subject window of your e-mails, please type the following words: IASAS Bhubaneswar 2024.

Email: iasasconference@gmail.com

Delegates fees:

For paper presenters:

  1. Faculty Members: 6000 INR (with hostel room accommodation single occupancy for two days) 
  2. Faculty Members :5000 INR (without accommodation) 
  3. Research Students:5000 INR (with hostel room accommodation single occupancy for two days)
  4. Research Students : 4000 INR (without accommodation)
  5. Guests and Listeners: 2500 INR

Note:

  • The organizing committee is not in a position to provide participants with financial support.
  • All participants are advised to seek funding through their respective institutions or other sources.
  • The venue of the conference is Kalinga Institute of Industrial Technology, Bhubaneswar, Odisha.
Contact Information

Centre for Alternative Studies in Social Sciences, New Delhi

Indian Association for South Asian Studies, New Delhi

 

Email: iasasconference@gmail.com

Contact Email
iasasconference@gmail.com

Attachments

Friday, December 15, 2023

Call For Articles: Urdu Studies-(ISSN: 2583-8784)

 






Call for Papers

(Vol. 4 Issue 1, 2024)

Urdu Studies (ISSN: 2583-8784) is an online open-access bilingual (Urdu and English) journal bringing together academics, scholars, and researchers engaged in areas of theoretical, comparative, and cultural research and criticism in Urdu language, literature, film, and theatre studies. We focus on original and innovative research and exploration and encourage interdisciplinary studies. We accept translations and book reviews.

We are now accepting submissions for the 2024 issue.

Our Thrust Areas include:

  • Postcolonial debates on Urdu language, literature, and culture
  • Contemporary Eastern and Western critical theories, and their reception in Urdu
  • South Asian cultural and historical studies
  • Urdu and contemporary Western scholarship
  • Intercultural & Comparative Studies
  • Urdu theatre & cinema
  • Translation Studies

Note: Urdu Research papers; book reviews; and translations from any language into Urdu; may be emailed to the Chief Editor (hashmiam68@gmail.com). Research papers in English; book reviews; and Urdu-English translations; may be emailed to the Guest Editor (rizvifatima67@gmail.com). Authors are requested to submit research papers/ translations/ book reviews in Urdu or English by 30th May 2024. They will be notified about acceptance/ revision/ rejection by 30th June 2024. Revised papers should be emailed by 30th July 2024. The journal, included in the UGC-CARE List, will be published online in August 2024.

Please visit the following link for the submission guidelines.

https://urdustudies.in/call-for-papers-submission-guidelines/

Contact Information

Arshad Masood Hashmi, Professor, Department of Urdu, jai Prakash University, Chapra 841302 (India) hashmiam68@gmail.com

Fatima Rizvi, Professor, Department of English and Modern European Languages, University of Lucknow 226007 (India) rizvifatima67@gmail.com

Contact Email
hashmiam68@gmail.com

Tuesday, October 31, 2023

DiGRA India Conference 2023 (online): #Love and #Games

 Love in/and/for Games

Loving a game can lead to formation of gaming communities, and game communities can later become sites where love can be found and at times love for games can be lost. One can also sit back and play to complete a love story as a side quest of a game. One could also declare one’s love for games by establishing an academic discipline. Each case is a specific and possibly conflicting manifestation/articulation of love for/in/and games. While it is easy to reach a consensus that we all love games, the question ‘why do we love games?’ is politically charged and a heavily contested one. Sara Ahmed has argued that even ‘hate groups’ operate in the name of love, as we saw in the online harassment campaign known as Gamergate, where hatred, toxicity and violence were packaged as “love for games”. However, the women at the receiving end were subjected to violence, harassment and hatred not because they hated games but because their love for games did not coincide with attitudes of white male right-wing gamers. Often when we think of love and games, it seems that the conflict is not between game haters and game lovers, rather it is always between various constructed variations of the umbrella phrase love for games. In all this the game hater appears as a straw(o)man figure, who is almost like a phantom friend to gamers, designers, scholars, who they regularly speak of and talk to, who however, does not exist or perhaps is extremely difficult to find or maybe hides in plain sight. Perhaps, the answer to the question ‘why do we love games?’ involves a necessary speculation on how we love games and what languages, modes and mediums do we invoke to express our love for games.

Love, games and play has been a topic of interest for game studies for quite some time. In 2008 Jessica Enevold proposed a categorization model for Game-Love, in 2012 Jane Pinckard edited a special issue for the journal Well Played on the subject of romance in games, ‘Game Love: Essays on Play and Affection’ was published in 2014, in 2016 another volume ‘Digital Love: Romance and Sexuality in Games’ edited by Heidi McDonald was published. The current one day mini-conference is an effort in the same direction, in that, it wants to understand the ways in which games operate as a source of our feelings and how we are shaped by games. The challenge is to move beyond default expressions such as I love games because they are fun or I love games because they make me happy or I love games because they teach X (valid as these statements are)and question what is this fun/happiness/pedagogy that makes one a lover of games. 

We welcome abstracts, artistic musings, loveletters, testimonials and posters in line with the conference themeTopics may include but not be restricted to the following: 

  • #Love, addiction, and games
  • Devotion, love and games
  • Love, poetics and gameplay
  • Queering play and politics of love 
  • Algorithmic intimacy
  • Love, games, and fandom
  • Toxicity and obsession for games
  • Game studies and ludophilia
  • Posthuman love and games
  • Game-mechanics of love
  • Love for retro games
  • Consumerism and game-love
  • Ethics of care and love in digital games
  • Play as love

Important Dates:

Submission of Abstracts: 15th November, 2023

Intimation of Accepted Abstracts: 23rd November, 2023

Submission of Full-Length papers: 7th December, 2023

Date of the Conference: 9th December, 2023

Guidelines for Abstract and Paper Submission:

We invite abstracts of less than 300 words (and five keywords that will help us determine the focus area) along with a short bio-note of 100 words to be sent via email to digraindiaconference@gmail.com by 15th November, 2023. Full-length papers of accepted abstracts, of 4500-6000 words, in citation style MLA 9th Edition, should reach the same on or before 7th December, 2023.

In accordance with our theme, we have also curated a list of provocations (see link) to act as springboards for engaging with the area of interest. These provocations are to aid you in your creative processes. They do not restrict our preferred objects of study.

Contact Email
digraindiaconference@gmail.com

Friday, October 27, 2023

Call for Book Chapters : Marginalities in South Asian Literature: Text, Context and Theory -Routledge Book Series

 CONCEPT NOTE

In the context of literature, the term marginality would encompass not only the issues related to the social, cultural, economic or geopolitical spaces that give rise to it but also the literature emerging from these contexts and the communities suffering and contesting it. Such literatures that address the experience of marginality create discourses and counter discourses. Our proposed book is therefore interested in the trio: text, context and theory. Defining the margin/marginality is complex. The “margin” is a space which is generally understood in relation to the centre which is powerful socially, politically, economically, culturally, geographically and linguistically. But the margin does not belong only to the realm of the fringe, it is a dynamic space. It is a space full of possibilities. While the margin may refer to people who live on the peripheries, whose voices are ignored, who may have no representation in mainstream societies, it can at the same time become a space of impending conflict, confrontation and tension because it can question the logic of the divide of the centre and periphery. The problem with the discourse of marginality, however, is that one may get trapped in it in a bid to simply overturn it. But the margin is much more than that. It may offer a sustained scenario of contestation for its rights and share of power, thereby paving ways for new possibilities. The representation of the marginal subject, therefore, is extremely interesting and complex, especially in literature, because literature has the possibility in it to move beyond this kind of binary dialectics and demonstrate the problematics involved in its interstitial, in-between, hybrid, spaces. Such complex readings will help us understand the structures of dominance, discrimination, hierarchy and marginality in a multifaceted way keeping in mind the politics of difference in a multipolar, multicultural world.

The evolution of capitalism after its beginnings in the Enlightenment period to a post-Enlightenment transformation in neoliberalism and globalization has now created marginalities on an expansive scale in more varied ways. While these enterprises, backed by political systems, have privileged certain regions and groups, they have also incapacitated others. Western standards and concepts of progress and development imposed on other societies and indigenous cultures have suppressed the local and the regional cultures in different neo-colonial ways. Again, there is another side to marginality in a society: one’s acceptance into various cultural communities is also determined by one’s birth and other determinations such as gender, race, caste, disability, religion, region and so on. Many of these categories decide whether one is an insider or an outsider in a particular nationspace. One has to negotiate between the dominance of the mainstream culture and the marginality of one’s own subculture. Marginality also brings about psychological uncertainties, having to move between discord and harmony, exclusion and inclusion. While this rivets our attention to the question of the marginal personality, more recent studies have addressed the problematic in terms of further specificities as to how marginality affects one’s access to resources, opportunities, knowledge, respect, rights, recognition and identity. Consequently, while talking of marginality, one cannot but talk of mobilizations and movements which challenge these oppressive systems and hegemonic structures, and thereby give rise to the question of agency and emancipatory discourses. We have kept in view this diverse socio-political terrain of marginality, and for our projected volume, we are interested in these multifarious aspects of the varied kinds of marginality as represented in the different genres of South Asian Literature. We are also interested in the studies on the Contexts and Theories relevant to the proposed area and problematics concerned.

 South Asian writing is populated by varied experiences of marginality specific to its history and localised realities. For instance, the figure of the muhajir, dalit, hijra or adivasi, some of whom find space in more universal social identity groups representing marginal experiences like race, religion, gender, caste, disability, region or tribe. Particular events in the history of the region like the Partition, Bhopal gas disaster, British rule and recent neoliberalisation-led economic developments have been moments where the tensions between dominant and other sub-groups have crafted the marginalised figure. Consequently, these historical contexts also alert us to the shifting terrain of the experience of marginality where the once dominant group can also become marginalised later, as is seen in the experience of colonisation for upper-caste identity. The ecological consequences of a shared history of multiple settlements and pursuit of economic development are evident in the change of the natural topography owing to deforestation and urbanisation. The negotiations between city dwellers, agrarian and forest-dwelling communities, are also therefore marked by framing of socio-political identity in the South Asian nation-state that creates and recreates the marginalised figure. 

 

The proposed anthology is therefore interested in contributions that would primarily analyse literary representations and cultural discourses in the following areas but not limited to these:

  • The experiences of social, political and economic marginalisation on the basis of caste, gender, disability, region, religion, tribe, ethnicity or race
  • LGBTQ+, sexuality and fluid identities
  • Marginal psychology, culture, hybridity, identity
  • Framing of the nation, transnation, border and narratives of exclusion and displacement and the framing of the citizen in the nation state
  • Marginalisation as a communal experience and the dynamics between individual, community and society
  • Economic development in the postcolonial neoliberal nation state and the accompanying ecological fallout
  • Ecology and environmental justice and the gendered perspective of ecology
  • Poverty as a marker of the vulnerability and precarity of marginalised identity
  • The dialectics of voice and representation in narratives of marginalisation
  • The subversion of canonical and aesthetic standards of literary stylistics in texts that represent the experience of marginalised identities.

 

Key information for prospective authors:

  1. Abstract with a title and keywords: 250-300 words
  2. Word limit of full papers including citations: 6000- 8000 words
  3. Style of citation: MLA 9th  edition
  4. Email your submission to: marginalities2@gmail.com

 

*The proposed anthology will be published by a reputed publisher

Deadline for abstract submissions: October 30, 2023

Abstract selection notification:   November 30, 2023

Deadline for full paper submission: January 30, 2024

 



Contact Email
marginalities2@gmail.com


Dr. Arunima Ray

Associate Professor

Department of English

Lady Shri Ram College for Women, University of Delhi

New Delhi
 

Dr. Karuna Rajeev

Assistant Professor

Department of English

Lady Shri Ram College for Women, University of Delhi

New Delhi


Dr. Goutam Karmakar

NRF Postdoctoral Fellow

University of the Western Cape, South Africa

Routledge Book Series Editor on South Asian Literature

&

Visiting Scholar

Rachel Carson Centre for Environment and Society

LMU MĂ¼nchen, Germany
 

 

 

CFP: Young Researchers’ Conference on Trauma and Memory Studies: Responses from the Global South 19-21st January 2024 Department of English Jamia Millia Islamia






Memory and Trauma Studies have emerged as a key paradigm in the field of humanities, socialand cultural studies, especially towards the end of the 20th century. The intersections and interactions between these two fields have been employed by contemporary scholars to study human histories of war, atrocities, genocides, partition, displacement and discrimination. Building upon this enriched understanding of the intricate relationship between memory and trauma, scholars have extended their inquiries to explore the mechanisms through which societies and individuals navigate the aftermath of traumatic experiences. The exploration of coping strategies, memorialization practices, and the transmission of memory across generations has deepened our comprehension of how trauma reverberates through time and space. Central to this discourse is the recognition that memory and trauma are not static entities, but rather dynamic and evolving constructs. The ways in which societies remember, commemorate, and come to terms with their traumatic pasts are subject to a complex interplay of political, cultural, and social factors. The interdisciplinary nature of Memory and Trauma Studies allows for the examination of this process from multiple angles, such as artistic expressions, oral histories, or digital media.



In the Global South, where the legacies of colonialism, dictatorship, armed conflicts, and systemic injustices persist, Memory and Trauma Studies have provided a crucial framework for understanding the complexities of post-colonial and post-conflict societies. However, situated amidst such a diverse array of historical and political contexts, the theoretical frameworks emanating from Western scholarship often fall short in adequately encapsulating the intricate historical narratives pertaining to the realms of trauma and memory within the Global South. Western trauma theory often positions the Western, white subject as the universal subject of traumatic experience. This is exemplified by Steve Creps' critique of Cathy Caruth's analysis of the film ‘Hiroshima, mon Amour’. Creps argues that Western critics employ neo-colonially exported Western psychiatric concepts to postcolonial regions without considering their suitability. This entanglement between the post-colonial scholarship and trauma theory calls for a ‘decolonization’ of the theory itself. Michael Rothberg in his essay ‘Decolonizing Trauma Studies: A Response’, questions the pertinence of the Euro-centric conceptualization of trauma theory to study the ‘legacies of violence in the colonial/postcolonial world’. He calls for a reformation or an expansion of the contemporary conceptualizations within the literary trauma theory which remains stuck within EuroAmerican historical frameworks. Theorists like Jay Rajiva are also working on decolonising  the field by tackling the eurocentric, monocultural bias of Trauma theory. In his work “Postcolonial Parabola”, Jay Rajiva focuses on the need to represent decolonization as a traumatic event, along with identifying the challenges of situating the heterogeneity of postcolonial experience while developing new ways of representing it. As compared to the traditional trauma theory which is focused on isolated, individual and exceptional events, postcolonial trauma is not exceptional (or unusual) as it is woven into the political structure of a nation and expressed as a daily reality. It is characterized as the trauma of the everyday. Jay Rajiva thus focuses on the cross-cultural ethical engagement with postcolonial trauma. The thrust of works on Memory and Trauma Studies have been largely on national/international cataclysmic events such as Partition (India, Pakistan and Bangladesh) and Holocaust to name a few. Some examples of creative works that have emerged from these cataclysmic events which have this inherent focus on the individual traumas and memories of central characters involved are Attia Hossain’s Sunlight on a Broken Column (1961) or Nayanika Mookherjee’s The Spectral Wound: Sexual Violence, Public Memories, and the Bangladesh War of 1971. The partition also laid bare gendered vulnerabilities. When one looks at autobiographies, memoirs and other forms of nonfiction that emerge from areas such as Kashmir, the North East, Punjab and Bengal, they narrativize individual instances of memory and trauma. The latest example of this is a book by Farah Bashir titled Rumours of Spring (2021). To contest the Eurocentric exclusivity which stands culpable for shadowing the universal application of trauma studies, it is incumbent that we cater to more accounts from the Global South- be it the complex history of violence, slavery, racism or marginalization in the Caribbean, the issues of internal displacement, Civil War and natural disaster in Sri Lanka, or the historical and transgenerational repercussions faced by the Africans. 

The works of Sri Lankan Tamil Poet Cheran are marked by the shrieks of resistance, anger,
and grief that lend a unique perspective on the suffering faced by Sri Lankan Tamils during the extensive civil war. The Anthologies- Two Times Removed Volumes I and II (2021-22) by Tiara Jade Chutkhan is another important recent work which highlights the nuances of Indo-Caribbean identity, intergenerational memory and trauma. Works like Traumatic Storytelling and Memory in Post-Apartheid South Africa: Performing Signs of Injury (2019) by Christopher J. Colvin and Trauma, Memory, and Narrative in the Contemporary South African Novel (2012) edited by Ewald Mengel and Michela Borzaga also focus on the complex relation between trauma, memory and narrative. These works see trauma as a consequence of an historical condition – in the case of South Africa, that of colonialism, and, more specifically, of apartheid.


This Call for Papers invites scholars and researchers to probe into the ongoing negotiations
between dominant historical narratives and marginalized voices, with a focus on the Global
South. This conference strives to look into how memory and trauma actualizes in the
psychological, social, cultural, historical, philosophical, religious, economic, political and
other aspects. A regional focus will help us unveil the disparities and imbalances in terms of
the representation of suffering in the Global South- South Asian, Caribbean, African and the
Arab world. In a world shaped by diverse historical narratives, the Global South stands as a
repository of unique experiences, memories and struggles. Therefore, there exists a pressing
need to unearth a novel analytical framework that can comprehensively emphasize on the years of violence and identity politics unique to the Global South.



Topics could include but may not be limited to:

•  Regional Representation: Conflict and Protest Literature in the Global South
War and Post-war Atrocities in the Global South
Decolonizing Trauma theory
Re/Presentations of Trauma and Memory in Popular Culture in the Global South
Digitizing Trauma and Memory in the Global South
Reading the Global North from the Global South
Theorizing the Other: Experiences of the marginalized communities in the Global South
Contextualizing the disenfranchised in the Global South: Women and Children
Trauma, Memory and Multilingualism in the Global South
Bearing Witness: Perpetrators, Survivors and Bystanders in the Global South
Institutionalizing Memory and Trauma in the Global South
Memory Activism in the Global South
Narratives and Representations in the Global South: Retellings, Censorships and
Contestations
Resilience, Neuro-plasticity and Coping Mechanism in the Global South
Indigenous ways of Healing: the Global South perspective
Memory traces and Memory entanglements in the Global South
Trans-cultural/ Trans-national/ Trans-generational perspectives and Migrant trauma
Post-Pandemic Trauma and Trauma of the everyday in the context of the Global South






Important Dates:
Submission of Abstracts: 30th November, 2023
Intimation of Accepted Abstracts: 5th December, 2023
Submission of Full-Length papers: 5th January, 2024



Guidelines for Abstract and Paper Submission:
We invite abstracts of about 300 words along with a short bio-note of 100 words to be sent via email to yrcjmi2023jmi@gmail.com on or before 30th November, 2023. Full-length papers of accepted abstracts, of 4500-6000 words, in citation style MLA 9th Edition, should reach the same on or before 5th January, 2024.
Selected papers will be published in a collection of conference proceedings with a leading
international publisher.
 For further queries and submissions, kindly write to us at yrcjmi2023@gmail.com 

 

Friday, October 20, 2023

#CallForPublications: #Academics, #Activists, and "#Superstition" -February 28, 2024.

 



“Superstition.” Historians, folklorists, anthropologists, scholars of religion have long critiqued the term, and taught our students to do so as well. Always unavoidably ascriptive, it functions to divide: true religion from primitive magic, right reason from blind faith, “us” from “other.” Whether deployed by Stoic philosophers against the silly practices of the plebians, by medieval urban Catholics against rural “pagans,” by early modern Protestants against Catholics, by Victorian scholars against colonized and Indigenous peoples, or (across millennia) by men against the beliefs and practices of “old wives” and women more generally, the category of “superstition” is a weapon of domination and marginalization.



“Superstition.” Human rights activists, disability activists, advocates for the elderly or for children languishing in “witch camps” have recently deployed the term to great pragmatic effect. Organizations such as the #Maharashtra Blind Faith Eradication Committee in India and Advocacy for Alleged Witches in Nigeria shame the accusers of alleged witches as “superstitious.” By doing so, they forge alliances with international humanist movements, align themselves with the language of human rights organizations forged in the Enlightenment tradition, and effect policy changes to the benefit of the demonized. In a historical twist, the category of “superstition” can be a weapon of the marginalized against domination, violence, and dehumanization.




Contributions from junior scholars, and from scholars writing from and/or about historically marginalized communities, are especially welcome.

If interested, please send an abstract of about 100-150 words to MRW co-editor Michael Ostling by February 28, 2024, at michael.ostling@asu.edu, or contact us with questions.

Full drafts of those contributions accepted for inclusion in the Discussion Forum will be due June 30, 2024. Anticipated publication in Magic, Ritual, and Witchcraft volume 20.1 (Spring 2025).

Discussion Forum pieces tend to be short (2000-4000 words) and conversational. While they may be theoretically sophisticated and grounded in detailed scholarship, they should also be accessible to audiences across a wide range of disciplines and positionalities: historians and sociologists, philosophers and activists, policy actors and ethnographers. Please write accordingly.

Contact Information

Michael Ostling

Contact Email
michael.ostling@asu.edu

Tuesday, April 18, 2023

CFP: MUSLIM WOMEN’S POPULAR FICTION INTERNATIONAL CONFERENCE – 5-9 SEPTEMBER 2023

 MUSLIM WOMEN’S POPULAR FICTION INTERNATIONAL CONFERENCE – 5-9 SEPTEMBER 2023

Muslim Women’s Popular Fiction AHRC Research Network International Conference

Birmingham, UK, 5-9 September 2023

Free to attend for all speakers and attendees.

Keynote speakers

Professor Claire Chambers

Dr Rehana Ahmed

In the twenty-first century, readers, publishers, and booksellers have noted a surge in popularity of genre works written by Muslim women, particularly in the Anglosphere. From the detective novels of Ausma Zehanat Khan to G. Willow Wilson’s fantasy fiction, Ayisha Malik’s romantic fiction to graphic novels by Marjane Satrapi – Muslim women authors are embracing popular fiction forms and genres.

We invite paper proposals for a free international conference on Muslim women’s popular and genre fiction and film across all languages, forms and periods. We aim to bring together researchers to examine the global turn in popular fiction, and the concurrent ‘popular turn’ in Muslim women’s writing and film-making. Focusing on writing by women deemed ‘popular’ rather than ‘literary’, we encourage proposals that engage with under-studied popular and genre texts (including romance, chick lit, detective fiction, Young Adult, fantasy, life writing, and science fiction) from a range of critical disciplinary perspectives.

Indicative topics (not exhaustive):

  • Studies of individual authors or works of popular and genre fiction
  • Translation of popular and genre works by Muslim authors
  • Visual culture (graphic novels, comics, film, TV)
  • Digital culture (Instagram, YouTube, BookTok)
  • Decoloniality and popular fiction
  • Teaching Muslim women’s popular fiction
  • Publishing and production

A key aim of the conference is to encourage collaboration between researchers working in similar areas but across languages, disciplines and genres. The conference programme includes time for researchers to meet previously identified and new research partners during structured sessions in which network members can plan for future collaboration. We intend to publish collaborative outputs resulting from the conference in an edited book, Muslim Women’s Popular Fiction, intended for publication in Manchester University Press’ Multicultural Textualities series.

We have allocated funding to help with travel and attendance costs to make the conference as accessible as possible. The conference will be child-friendly, with play spaces available. We are investigating a hybrid option – please indicate in your proposal whether this is an option you would like to consider.

Please send abstracts of 250 words for 20-minute papers, including a short bio for all speakers, to a.burge@bham.ac.uk by 30 April 2023. Acceptances will be sent by the end of April. Panel proposals of three or more papers are also welcome. Please direct all queries to a.burge@bham.ac.uk.

For more information, go to: https://more.bham.ac.uk/mwpf-network/

Funding generously provided by the UK Arts and Humanities Research Council.

Contact Email: