Concourse: Journalism and Media Studies

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Showing posts with label Journalism and Media Studies. Show all posts
Showing posts with label Journalism and Media Studies. Show all posts

Friday, January 5, 2024

Call For Book Chapters: Beyond Networks of Domination: Rethinking Machinic Media, Digitality & Cinema of our Times

 Editors: Ananya Roy Pratihar(IMIS,Bhubaneswar), Saswat Samay Das (IIT, Kharagpur) & Shashibhushan Nayak(GP Nayagarh)

The biopolitical schemas for restructuring machinic networks of Media, Digital, and cinema do not stand as productive mimicries of mediations prerequisite for effecting an anthropological clearing (with Cracks, throws and blows, as Sloterdjik puts it) or grafting some kind of symbolic unity on chaotic materiality. Rather, such schemas act as ambivalent double-pincered mechanisms, turning loose incessant networked flows on the one hand, only to reduce them to domesticable or governable totalities on the other. If Deleuze & Guattari show how such networks lead to the creation of a control or surveillance society committed to colonizing what Husserl calls Lebenswelt (the life world), reducing its pulsations to algorithmic dividuals, Donna Haraway and Manuel Castells show how an interplay between desiring networks of media, digitality and cinema leads to the production of what they call informatics of domination when it is coupled with biopolitical agendas. Thinkers such as Nancy Fraser indicate how progressive networks in neoliberal societies bear a Janus face, hiding underneath their progressive orientation a regressive economy of ideas, opening up an uncompromising field of dialectical contradictions that turns networked flows, passages, archipelagos and routes to dispositif or worse dead ends.

However, while tracing the historical genesis of networks to colonialism or stressing their subsequent bio-politicization, materialist thinkers such as Deleuze & Guattari, Haraway, Braidotti, or Katherine Hayles do not posit de-essentialized expressions of networks as a kind of insidious metaphysical grammar. Rather, they view networks as actual expressions of machinic materiality and posit faith in the inter-related dynamism of networks to lead humanity out of the morass that humanist reductive mediation of such dynamism leads us to. Deleuze and Guattari turn towards stressing the deterritorializing capacity of networks. The stress they put on the need for finding new weapons of resistance against the biopolitical manipulation of networks only supplements this capacity, for with their conviction that even primary assemblages such as signs or senses arise out of the workings of an abstract machine immanent to these assemblages, they seem least inclined towards indicating that such weapons needs to be dialectically opposed to networks and may be used to arrive at a utopian anthropological clearing beyond them. As Guattari says, "There are material machines and immaterial machines, technical machines and imaginary machines, desiring machines and abstract machines, machine inside the machine, nested like fractals…Guattari advocates viewing machines in their complex totality in all their (networked) avatars and resists attempts to essentialize them or the assemblages they compose. 

Thinkers such as Latour stress the necessity of having broader, bigger and more effective networks comprised of human and non-human actants to release us from the humanist organization of society that leads us to deadlocks. Haraway rethinks the clarion call by Deleuze to find new weapons of resistance only to put forward the machinic and networked figure of Cyborg as the new war machine, a machinic assemblage that she calls the cat’s cradle, which synthesizes the organic and the non-organic, the machine & the body and the physical and the non-physical.

Similarly, thinkers such as Patricia Pisters foreground the machinic orientation of minor films. They view such orientation as nurturing the potential to both abolish clichés, dullness, and normative subjectivation and transform subjects puppeteered by representationalist populist cinema into what they call super-jects who might bear the potential to create a new world order.

Is then becoming a pure network, nodes of machinic connections or Haraway’s string figures, the only rejoinder against the biopolitical restructuration of Networks? One needs to remember that networked movements such as the Arab Spring, the Occupy Movement and most recently, the Gezi Park protests in Turkey have failed to bring about the required shift, let alone create fresh ethical bindings between the chaotic multitudes and that many social commentaries claim that such networked protests have large bark, but no bite.

However, then, is there any alternative to combating networks with networks, pitting open-ended ecosophical networks against crampy and claustrophobic networks of neoliberalism, with the redundancy of classical Marxist struggle against the biopolitical machinery? How does critical disclosure of schizoanalytic desire to blur the libidinal and political economy divide help us, with Berardi and Fisher putting forward such ampliative networks as effective tools, meant both for mapping and effecting a revolutionary breakthrough, a Kairos, in relation to the current scenario? With experimentations in media, digitality and cinema constituting the liminal zone of nomad science, will creating a Spherological unity among such sciences effect a deterritorializing rupture with the current predicament. With creative thinking making way for the untimely, can we have an alternative mechanism of resistance to grassroot the flows, as Manuel Castells puts it?

We invite papers that could both extend and critique the experimental media, digitality and cinema of our times. Simultaneously, we also need papers that reflect the potential for reinventing the schizoanalytic or experimental mode of media, digitality and cinema in order to do justice to Deleuze’s clarion call for finding new weapons of resistance.

Submissions

Abstracts of about 200 words, including six keywords, a 50-word bio-note, institutional affiliation, and contact details, should be emailed by 01 March 2024 to shashienglish@gmail.com as a single MS Word document attachment.

Chapter requirements: A chapter should be 4000-5000 words, including footnotes and bibliography adhering to the MLA 9th edition.

Important Dates:

Deadline for abstract submission: 01 March 2024

Abstract selection notification: 30 March 2024

Complete Paper Submission: 01 October 2024

Contact Information

Dr. Shashibhusan Nayak

MLA Bibliography Fellow

Contact Email
shashienglish@gmail.com

Friday, November 24, 2023

CFP: REIMAGINING MEDIA: NARRATIVES ON THE MARGINALIZED AND INCLUSIVITY IN THE MEDIA AND CONSUMPTION INDUSTRIES-Symbiosis Centre for Media & Communications

 REIMAGINING MEDIA: NARRATIVES ON THE MARGINALIZED AND INCLUSIVITY IN THE MEDIA AND CONSUMPTION INDUSTRIES

The many emergent voices in Indian media shape contemporary discourses on gender, consumption, economy, narratives, race, language, caste and identities. Such voices help contribute to how we view and understand the world, especially in the way inequalities are encountered and perpetuated by contemporary media, resulting in representational signals that reimagine the status quo. In this, the role of film, social media and brand communications appear to have been more significant, when compared to their conventional mainstream counterparts, such as print and broadcast media. The second edition of SCMC’s Pramana Research Conference strives to examine the contemporary construction of inclusivity in both cultural and business contexts, simultaneously looking at media representations as well as consumption practices. In a combined Call for Papers to educators, researchers and academicians, the Pramana Conference aims to explore the role and potential of ‘change agents’ as guides who influence the consumers’ imagination of intersectionality and inclusivity, unravel socio-cultural marginalization.

Theme 1: The Marginalized in Contemporary Indian Media

Social and cultural marginalizations of various types exist in all complex societies, including India; and with the advent of modern public life, many such enduring, yet historically changing, deeply ingrained marginalizations practiced in the subcontinent have been matters of significant discussion. The presence of constitutional and legal safeguards has not however amounted to such consciousness permeating into the social fabric, which continues to promote socially ingrained privileges, while keeping the conversation about discrimination and marginalization on the periphery. Many media industries remained overwhelmingly populated by privileged, educated social elites (Kureel 2021, Kumar 2009) and popular cinema narratives remained aligned to privileged social groups, with few tokenistic representations of lower social groups. The Mandal agitations of early 1990s and the immediately preceding militant anti-caste movements compelled representational space to lower caste and class groups, their realities and specificities. Simultaneously, this is also the moment when Dalit literature burst onto the Indian literary scene as an unavoidable force to reckon with. It is in the longue-durée context of this gradual emergence of representation of caste, gender and the marginalized in Indian public life that we want to situate our discussion of the politics of representation in contemporary Indian media: including in cinema, broadcast media, print and digital journalism, digital content and social media platforms. We especially want to delve into the use of the contemporary mediascape by socially marginalized groups for self-assertion and representation.

Topics (but not limited to):

  • Contemporary Media Representation: Portrayals of the Marginalized in News, Entertainment, and Popular Culture;
  • The Marginalized in the Digital Spaces: Online Platforms and Social Media Networks;
  • Marginalized Groups and Journalism: Study of Caste-based Biases etc. and Reporting in Indian Media;
  • Social Media Activism: Assessment of Social Media's Role in Mobilizing Anti-caste Movements etc. and Raising Awareness;
  • The Marginalized, Media, and Policy: Evaluation of Policies Addressing caste-related and other issues in the media sector;
  • Intersectionality, Class and Caste: Analysis of how these intersect with other identity markers in media representations;
  • Marginalization and Hate: Examination of dogwhistling, hate speech and cyberbullying on Social Media;
  • Media Initiatives for Social Change: Case studies of media projects promoting inclusivity and social equality.

Theme 2: Inclusivity in Brand Ecosystems: Structural and Marketplace Influences, Representational Narratives, and New-age Brand Philosophies

The integration of social awareness has emerged as a pivotal guiding principle for contemporary marketing strategies and this has led practitioners to shift their branding strategies towards content and communication that cater to varied sub-cultures and socially disadvantaged consumer groups. Despite this, many societal groups remain stereotyped, misportrayed and under-represented, with invasive and harmful imagery continuing to surface in the world of brand communication, media and branded content. Presently, there is a growing body of case studies and anecdotal evidence that show that inclusive marketing practices have a discernible impact across various dimensions of marketing (Thompson 2021). Many scholars specializing in marketing, such as Licsandru and Cui (2018) and Kuppelwieser and Klaus (2020), further developed and enhanced the theoretical framework underlying this notion. Despite extensive global research conducted in various areas such as inclusive marketing, there remains a notable dearth of comprehensive research in the field of inclusive branding and communication within mainstream marketing theory. We would like to enhance the field’s research potentials through the exploration of connections between existing research-based studies on inclusive brand communication and the development of research frameworks which aim at broadening the scope of inclusive brand communication as a practical domain. The track will focus on understanding the role of inclusivity’s contribution to social progress and brand growth, and its influence in shaping effective brand communication.

Topics (but not limited to):

  • Exploring the internal and external motivation of brands to leverage inclusive marketing and communication;
  • Effectiveness and efficiency of media platform to communicate inclusivity and consumers perception of the same;
  • Inclusivity in Corporate Communications, employee relations and stakeholder relationships;
  • Role of inclusive marketing communication in Advocacy and Internal Communication stakeholder management etc.;
  • Marginalized groups in social and cultural space, Advertising, and Marketing: Exploration of marginalized-centric marketing strategies and their effects on consumers;
  • Marginalized, Labour and Media Industry: The stratifications of Marginalized, class, linguistic, regions and caste in the labour hierarchy of various Indian media;
  • Factors driving the effectiveness of inclusive advertising campaigns, DEI (Diversity, equity, and inclusion) in the media agencies;
  • Role of AI (artificial intelligence) as enabling or hindering advertising inclusivity;
  • Discussing the power dynamics between communication industry, government, politics, and consumer activists in promoting, negotiating, or resisting diversity and inclusivity movements.

Submission Guidelines:

Abstract Submission: Interested contributors are invited to submit an abstract of their proposed paper (250-300 words) along with a brief bio-note (50 words).

Language: English

Completed papers should be between 6,000 to 8,000 words, inclusive of references and citations can be submitted for a Conference compendium. Submissions must adhere to the APA style guidelines. We welcome original research, discussion notes, unpublished work, working papers etc.

Important Dates:

Abstract Submission Deadline: 30th November, 2023

Notification of Acceptance: 15th December, 2023

Conference Date: 19th and 20th January, 2024

Submission Process:

Please submit your abstract and bio-note as a Word document to pramana.conference@scmc.edu.in. Submissions will undergo a double-blind peer-review process, and selected researchers will be notified duly.

Conference Venue:

Symbiosis Campus in Viman Nagar situated in Pune.

Registration:

The conference registration details will be announced after the acceptance of abstracts.

 

Contact Information

Please submit your abstract and bio-note as a Word document to
pramana.conference@scmc.edu.in. Submissions will undergo a double-blind
peer-review process, and selected researchers will be notified duly.

CONFERENCE VENUE:
Symbiosis Campus in Viman Nagar situated in Pune.

REGISTRATION:
The conference registration details will be announced after the acceptance of
abstracts.

CONTACT INFORMATION:
For any inquiries regarding the conference or submission process, please
contact pramana.conference@scmc.edu.in.

Contact Email
pramana.conference@scmc.edu.in

Tuesday, October 31, 2023

DiGRA India Conference 2023 (online): #Love and #Games

 Love in/and/for Games

Loving a game can lead to formation of gaming communities, and game communities can later become sites where love can be found and at times love for games can be lost. One can also sit back and play to complete a love story as a side quest of a game. One could also declare one’s love for games by establishing an academic discipline. Each case is a specific and possibly conflicting manifestation/articulation of love for/in/and games. While it is easy to reach a consensus that we all love games, the question ‘why do we love games?’ is politically charged and a heavily contested one. Sara Ahmed has argued that even ‘hate groups’ operate in the name of love, as we saw in the online harassment campaign known as Gamergate, where hatred, toxicity and violence were packaged as “love for games”. However, the women at the receiving end were subjected to violence, harassment and hatred not because they hated games but because their love for games did not coincide with attitudes of white male right-wing gamers. Often when we think of love and games, it seems that the conflict is not between game haters and game lovers, rather it is always between various constructed variations of the umbrella phrase love for games. In all this the game hater appears as a straw(o)man figure, who is almost like a phantom friend to gamers, designers, scholars, who they regularly speak of and talk to, who however, does not exist or perhaps is extremely difficult to find or maybe hides in plain sight. Perhaps, the answer to the question ‘why do we love games?’ involves a necessary speculation on how we love games and what languages, modes and mediums do we invoke to express our love for games.

Love, games and play has been a topic of interest for game studies for quite some time. In 2008 Jessica Enevold proposed a categorization model for Game-Love, in 2012 Jane Pinckard edited a special issue for the journal Well Played on the subject of romance in games, ‘Game Love: Essays on Play and Affection’ was published in 2014, in 2016 another volume ‘Digital Love: Romance and Sexuality in Games’ edited by Heidi McDonald was published. The current one day mini-conference is an effort in the same direction, in that, it wants to understand the ways in which games operate as a source of our feelings and how we are shaped by games. The challenge is to move beyond default expressions such as I love games because they are fun or I love games because they make me happy or I love games because they teach X (valid as these statements are)and question what is this fun/happiness/pedagogy that makes one a lover of games. 

We welcome abstracts, artistic musings, loveletters, testimonials and posters in line with the conference themeTopics may include but not be restricted to the following: 

  • #Love, addiction, and games
  • Devotion, love and games
  • Love, poetics and gameplay
  • Queering play and politics of love 
  • Algorithmic intimacy
  • Love, games, and fandom
  • Toxicity and obsession for games
  • Game studies and ludophilia
  • Posthuman love and games
  • Game-mechanics of love
  • Love for retro games
  • Consumerism and game-love
  • Ethics of care and love in digital games
  • Play as love

Important Dates:

Submission of Abstracts: 15th November, 2023

Intimation of Accepted Abstracts: 23rd November, 2023

Submission of Full-Length papers: 7th December, 2023

Date of the Conference: 9th December, 2023

Guidelines for Abstract and Paper Submission:

We invite abstracts of less than 300 words (and five keywords that will help us determine the focus area) along with a short bio-note of 100 words to be sent via email to digraindiaconference@gmail.com by 15th November, 2023. Full-length papers of accepted abstracts, of 4500-6000 words, in citation style MLA 9th Edition, should reach the same on or before 7th December, 2023.

In accordance with our theme, we have also curated a list of provocations (see link) to act as springboards for engaging with the area of interest. These provocations are to aid you in your creative processes. They do not restrict our preferred objects of study.

Contact Email
digraindiaconference@gmail.com

Monday, May 1, 2023

Call for papers - Humanities and social sciences in an interdisciplinary perspective






We warmly invite you to submit papers (chapters) for the next volume of the peer-reviewed group monograph entitled "Humanities and Social Sciences in an Interdisciplinary Perspective". Texts from all disciplines included in the humanities and social sciences will be eligible for publication, after the manuscript has been positively reviewed beforehand. If you have any questions as to whether a given paper would fit into the theme of the publication, you are welcome to contact us directly.

The call for papers is continuous - the papers are submitted for review immediately after receipt, and thus, once the minimum number of papers has been collected, by the decision of the editor-in-chief, a given volume may be closed and submitted to the publisher for publication. Subsequent submitted articles will be included in the next volume.

We guarantee publication (one or more volumes) by 30 September of this year at the latest.

Both students, postgraduates and academics may submit their texts. They may submit any number of texts - the same fee is charged for each additional text.

Language of texts: Polish, English, German, French, Portuguese, Spanish, Ukrainian, Russian (it is possible to publish a text in a language other than the one indicated, but this will involve obtaining new reviewers, which may lengthen the editorial work slightly).

After submission, papers will be submitted for one blind-review. After a negative review, the editors reserve the right to reject the text or, after the author has made adjustments, to submit it for another review.

It will be the authors' only task to submit the paper (including summary and keywords) in the form they have prepared. Technical editors will prepare papers to editorial requirements.

Cost of text publication: 80 EUR (including: open access digital publication on the website of the publishing house on the list of the Polish Ministry of Science and Higher Education, cost of editorial work). The fee is charged only after a positive review.

It is possible to issue an invoice or a pro-forma invoice with a deferred payment date (especially in the case of obtaining funding for the publication from the university or reimbursement for it).

All certificates (e.g. of acceptance for publication) will be issued in electronic form.

Please send all questions concerning publication and texts directly to the following e-mail address: konf.mon.lublin@gmail.com.