Concourse: Music and Music History

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Showing posts with label Music and Music History. Show all posts
Showing posts with label Music and Music History. Show all posts

Thursday, March 28, 2024

CFP: International #Conference on #Hermeneutics of #Divine Soundscapes: Decoding the #Musical Signatures of Sri #Guru #Granth Sahib -October 2024-#Punjab University, India

 About The Conference

The relationship between spirituality and music is deeply rooted in the sacred verses of Sri Guru Granth Sahib. This conference aims to interpret the divine soundscapes within Sri Guru Granth Sahib and uncover the layers inherent in its musical signatures. By bringing together scholars, musicians, theologians, and practitioners, this conference aims to foster the understanding of the spiritual and interpretative dimensions of Sikh musical traditions. The conference has several objectives, such as investigating the symbolic meanings and semiotic nuances embedded in the musical signatures of Sri Guru Granth Sahib and exploring how they contribute to the overall discourse. The role of music in the spiritual and normative practices associated with Sri Guru Granth Sahib and its impact on the spiritual experience of practitioners is another area that will be explored.

The conference aims to facilitate dialogue on how the various interpretations of divine soundscapes in Sri Guru Granth Sahib resonate with and influence diverse cultural and religious practices and contexts. Finally, it will discuss the contemporary relevance of the divine soundscapes in the context of evolving religious thought and cultural dynamics.






Sub-themes:

• Ragas in Sri Guru Granth Sahib
• Ghar in Sri Guru Granth Sahib
• Dhuniyan (melodies) in Sri Guru Granth Sahib • Chhant in Sri Guru Granth Sahib
• Pauries in Sri Guru Granth Sahib
• Partaal in Sri Guru Granth Sahib
• Poetic Signatures in Sri Guru Granth Sahib
• Sikh Musical Traditions (e.g. Gharane)

Guidelines for Abstract and Paper Submission

We invite abstracts between 200-300 words along with a bio-note of not more than 100 words. Full-length papers should be 3000-5000 words long. The Authors can present their papers in Punjabi/English. The abstract can be e-mailed at head_bvsc@pbi.ac.in or nmiannualconference@gmail.com

Accepted papers will be presented at the conference and included in the proceedings published by the Nad Music Institute in a dedicated volume. Lodging and boarding shall be covered for all the conference participants. Full or partial travel grants will be provided to the selected participants. The selected young researchers shall be encouraged with special rewards.

Important Dates:

Submission of Abstracts: 25th April 2024
Intimation of Accepted Abstracts: 30th April 2024
Full Paper Submission: 1st September 2024
Intimation of Acceptance of the complete paper: 15th September 2024

About Bhai Vir Singh Chair

Bhai Vir Singh Chair was formally established in 2013. Padma Bhushan Bhai Vir Singh, an acclaimed figure in the literary world, is widely recognised as the father of modern Punjabi literature. His contribution to Punjabi language and literature has been remarkable, having dedicated 50 years of his life to our traditional heritage through modern scientific idioms. Emulating the tradition of philosophy, knowledge, and experience set forth by Guru Nanak Sahib, Bhai Vir Singh created various forms of literature, including poetry, fiction, rhetoric, editing, interpretation, and research, all of which have played a significant role in shaping modern Punjabi literature.

About Nad Music Institute

Nad Music Institute, a non-profit organization headquartered in Washington (USA), established in 2018, is committed to advancing Sikh music through academic research, collaboration with musicians and musical societies, and the creation of educational resources.

Contact Information

Dr. Jaswinder Singh, In-charge, Bhai Vir Singh Chair, Punjabi University, Patiala 

Dr. Manjit Singh, Nad Music Institute, USA

Thursday, March 14, 2024

CFP: Listening in Many Tongues: Multilingual Interpretive Communities and Acts of Translation in Early Modern South Asia -Oct-2024

 Recent scholarship on South Asia has exemplified the importance of drawing on multilingual sources as well as multi-disciplinary approaches - reading, listening, and visualising the vernacular and the cosmopolitan in conversation, rather than through hierarchical relationships. The overlapping and multidirectional networks of patronage and production have led not only to the creation of new genres of text and performance but also to the articulation of pre-existing traditions within new intellectual milieux and expanding communities of contact and exchange. What has emerged, following the scholarship of Francesca Orsini, Aditya Behl, and Barry Flood, amongst others, is the understanding of translation as a process of transformation and constant reinterpretation, a “dynamic form of production” (Flood 2007, 107) which translates and reinterprets aesthetic categories of, for instance, music and literature in new and constantly shifting contexts.

Undoubtedly, and building upon the pioneering work of Sheldon Pollock, a focus on ideas and modes of translation across “cosmopolitan” and “vernacular” language models has proliferated scholarship on early modern South Asia. In particular, Francesca Orsini’s scholarly intervention has encouraged us to investigate the ‘multilingual locals’ implied in areas of such contact and exchange. While using this emphasis on translation as a jumping-off point, this conference invites papers on the multivalent methods of translation in medieval and early modern South Asia - methods by which various interpretive communities sought equivalences, reinterpretations, and transcreations between and across literary and performative genres.

This conference will seek to place scholars working across fields, languages, and geographies on ideas of translation in conversation, such as those concentrating on Ismaili and Sufi studies in Persian and South Asian vernaculars, or Jain and Apabhramsa texts in translation, or across Arabic, Malayalam, and sites in South India. Given the scholarly remit of the South Asian Studies Unit here at the IIS, we particularly invite papers focusing on Ismaili and other Shi'i-related contexts in South Asia.

We invite abstracts of 250-300 words by the 19th of April, 2024, emailed to SASconference@iis.ac.uk along with a short (ca. 100 words) bio. Speakers will also be invited to contribute to a subsequent edited volume, to be published with the IIS South Asia Studies Series.

Contributions are invited on topics including (but not limited to):

·     Processes of vernacularisation, translation, and reinterpretation

·     Multilingual literary communities

·     Cross-cultural encounters

·     Music, poetry, and devotion in South Asian Islam

·     Isma’ili, Shi’i, and Quranic studies in South Asia

·     Vernacular devotional expression within mystical communities in South Asia

·     Networks of literary circulation

·     Poetic translation and reinterpretation

·     Hindu-Muslim philosophical encounters

A small number of stipends are available for scholars with limited access to institutional funding.

 

Conference convenors:

Dr William Hofmann, Research Associate in South Asian Studies (IIS), 

Ayesha Sheth (University of Pennsylvania), and 

Hussain Jasani, Head - South Asian Studies Unit (IIS)

Venue: Hybrid (The Aga Khan Centre, London + Online)

Dates: October 21-22, 2024

Contact Information

William Rees Hofmann (Institute of Ismaili Studies)

Ayesha Sheth (Upenn)

Hussain Jasani (Institute of Ismaili Studies)

SASconference@iis.ac.uk

Contact Email
SASconference@iis.ac.uk