Concourse: Contemporary History

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Showing posts with label Contemporary History. Show all posts
Showing posts with label Contemporary History. Show all posts

Wednesday, January 24, 2024

Call for Papers for an Ed. Vol., "Contested Memories in Contemporary Asia"

 Preserving contrasting past memories and narratives can be difficult in unreceptive social and political environments where prohibition of commemorative events and vandalism are employed hand in hand to sabotage memorialization efforts. At one level, problems with memorials are not confined to post-conflict societies: memorialization of those who lost wars – such as Japan in the Second World War – is often suppressed in the name of preserving liberal order. On another level, across the Asian region the emergence of ethno-religious nationalism against the backdrop of authoritarian regimes has become alarmingly common.   

The edited collection will probe how policing, obstruction and trivialization of memories play out in the contemporary socio-economic and political landscapes across Asia, using selected case studies. It would attempt to investigate how certain memories are selectively negated by some groups while new memories are sometimes constructed of events that never happened through the distortion and fabrication of history. How certain memories are weaponized and used as tropes in rhetoric against the targeted ‘other’ and abused to serve as justification for calls for genocidal violence, projected as ‘retributive’ in nature will also be explored. More broadly, the proposed book will investigate how both policing and weaponization of memorialization play out, not only affecting everyday lived experiences but also posing a barrier for democracy. We wish to invite scholars to explore the international politics of genocide denial and recognition, such as Turkey’s denial of the Armenian genocide, Pakistan’s denial of the Bangladesh genocide, Myanmar’s denial of genocide against Rohingyas, Indonesia’s denial of the genocidal violence in East Timor and against the communists, Sri Lanka’s and Japan’s denial of their war crimes, India’s denial of the massacres of its religious minorities, such as the 1984 anti-Sikh pogroms in Delhi and the 2002 anti-Muslim pogroms in Gujarat, etc.; apology and reparations; the lack of conviction in cases of mass violence; why and how the guilty escape justice; the challenges before prosecution, the obstacles and hurdles in achieving reconciliation; competitive victimhood; the act of justifying mass violence by describing it as retributive in nature, often accompanied by a deep seated sense of majority victimhood; the forces of resistance, both domestic and foreign, to state narratives of conflict; trivialization of genocide memory; the proliferation of genocide terminology; the phenomenon of blaming the victim; Holocaust inversion; disputes over historical legacies in public spaces; and any other aspect of memory contestation and conflict of narratives.    

Scope of the Edited Volume

In such context, the main objective of the proposed edited volume is to offer insights into contested memories in the Asian region. The prospective contributors will include scholars, academics, research students, activists, and peacebuilders, but will not be limited only to them. Through this book, we would like to initiate a wider thematic debate on memory discourse, local conditions and responses, inspired by the pluralist values, the rule of law and peace and reconciliation efforts.

Chapter proposals of around 300 words with a biographical profile of the author (around 200 words) as a single Word file are invited for the above mentioned envisioned edited volume latest by 1 April 2024. The successful contributors will be invited to submit their full paper between 5,000 - 8,000 words (excluding references) at a later date. The edited volume will be published by an international academic publisher.

Timeline

Year 1

  • Month 1: Preparatory work
  • Month 2: Call for Papers
  • Month 3-4: Review of EOIs
  • Month 5-7: Submission of full papers (first draft)
  • Month 7-10: Editorial feedback
  • Month 10-12: Submission of the second draft

Year 2

  • Month 1-3: Line-editing of manuscripts
  • Month 4-6: Copy-editing of manuscripts
  • Month 7-9: Compiling the final draft
  • Month 10-12: Identifying a potential publisher

Year 3

  • Month 1-4: Line-editing by the publisher
  • Month 5-8: Publication
  • Month 9-12: Book launch and dissemination of findings

 

Bios of Editors

Dr. Navras J. Aafreedi is an Assistant Professor of History at Presidency University, Kolkata, a Research Fellow at the Institute for the Study of Global Antisemitism and Policy, New York, and a Fellow of the Salzburg Global Seminar under its Holocaust Education & Genocide Prevention Program and its Asia Peace Innovators Forum. Besides several papers in peer-reviewed journals, chapters in edited collections published by prestigious international scholarly publishing houses, such as De Gruyter, Routledge, Springer, Indiana University Press, Cambridge Scholars Publishing, Lexington, etc., and op-eds in popular media, his numerous publications include a monograph Jews, Judaizing Movements and the Traditions of Israelite Descent in South Asia (New Delhi: Pragati Publications, 2016) and a co-edited collection Conceptualizing Mass Violence: Representations, Recollections, and Reinterpretations (London and New York: Routledge, 2021). He has held visiting fellowships at the universities of Tel Aviv (2006-2007) and Sydney (2015), and at the Woolf Institute, Cambridge, UK (2010). Dr. Aafreedi was a scholar-in-residence at the ISGAP-Oxford Summer Institute on Curriculum Development in Critical Antisemitism Studies at St. John's College, Oxford in 2017. He received the degrees of BA, MA and PhD from the University of Lucknow. He commenced his teaching career at Gautam Buddha University, Greater Noida in 2010 and has been teaching at Presidency University, Kolkata since 2016. His latest publication is a chapter titled "Hitler's Popularity and the Trivialization of the Holocaust in India" in Holocaust vs. Popular Culture: Interrogating Incompatibility and Universalization, edited by Mahitosh Mandal & Priyanka Das (London and New York: Routledge, 2023). His forthcoming publications will be brought out by Brill, Oxford University Press, Routledge, University of Nebraska Press, Wiley-Blackwell, Academic Studies Press, etc.

Dishani Senaratne is a doctoral researcher at the University of Queensland, focusing on the emergence of ethnolinguistic nationalism and its alignment with Sinhala Buddhist nationalism.  She's also the Founder/Project Director of Writing Doves, a non-profit initiative that employs a literature-based approach to enhance young learners' intercultural understanding. Earlier, she taught English at the University of Sabaragamuwa of Sri Lanka. In addition, she’s a Fellow at the Salzburg Global Seminar.  

Chapter Proposal Submission Deadline: 1 April, 2024

Email Addresses for Communication (Please email your proposal to both addresses given below):

Navras.His@PresiUniv.Ac.in

dish3000e@gmail.com

 

 

 

Contact Information

Dr. Navras J. Aafreedi, Assistant Professor, Department of History, Presidency University, Kolkata, India: navras.his@presiuniv.ac.in

Dishani Senaratne, PhD Scholar, School of Political Science & International Studies, University of Queensland, Brisbane, Australia: dish3000e@gmail.com

Contact Email
navras.his@presiuniv.ac.in

Thursday, January 11, 2024

CFP: Virtual International Conference C4P - "Comprehending #Comics: Exploring Methodologies and Approaches to #ComicStudies in History and the Social Sciences": September 8-9, 2024

 Please submit your proposal by May 1, 2024

Interest in comic studies have generated wide and varied interests from an exploration of visual language and narrative in sequential art to the use of technologies in comics, to considerations current questions in both contemporary society and history. These have led to fruitful research which cross disciplines and produced diverse and complex scholarship. Richard Scully have written extensively on political cartoons and their relationship with imperialism and colonialism. Amy Matthewson’s Cartooning China examined the British popular satirical magazine Punch and situated the series of cartoons of China and Chinese people within their geopolitical frameworks. Sheena Howard and Ronald Jackson’s Black Comics: Politics of Race and Representation brought together a range of critical essays exploring contributions of Black graphic artists. Collections such as Drawing the Past Vol. 1 and Vol. 2 (2022), edited by Dorian Alexander, Michael Goodrum, and Philip Smith, brought a range of scholars to unite around the broad theme of the historical imagination in American popular media. 

There is still an evolving consensus on which the methodologies that scholars specialized in fields of history and social sciences could use when engaging with comics. Often, research focused on comics-formatted primary sources is pigeonholed into literary study, or in other cases the linguistic framework of describing and analyzing comics fails to translate to a discussion of material culture. As the range of demonstrated methodologies is vast, and as the advancement of comics-based research offers new potential for the study of history and the social sciences, it is a crucial time to reflect and take stock of current practice and possible future directions. 

We are interested in all aspects of comics-format works, comics and graphic novels, and methodologies and themes that might address (but are not limited to) the following:

  • Representation in comics
  • The challenges of comics-based research studies as applied to the study of history
  • Historical aspects of visualities and comics in particular
  • The future of comics in research
  • Archeology and comics
  • Ancient and medieval history in comics
  • The effects of digital tools in comic studies
  • Comics and the politics of methodology – race, gender, sexuality, class, etc.
  • The transnational, transcultural, and/or interdisciplinary nature of comic studies
  • Teaching history with or through comics
  • Teaching comics-based research methods
  • Comics in memory studies
  • Tensions and concordances between art history and history of comics and graphic novels

We are now accepting proposals for papers (20 minutes) and panels (of 2 or 3 papers). Graduate students are also invited to submit a poster, which will be displayed online for the duration of the conference. The poster section will enable asynchronous comments, and a presentation session where participants give a short 3-5 minute summary of the poster content. Please submit the following to comprehendingcomics@historyincomics.org or elizabethallyn.woock@upol.cz by May 1st 2024:
  • abstract of 300 words
  • a biography of 50 words including your name, email, affiliation, and gender pronouns

This will be an online conference hosted by the Comics Lab at Palacky University, Czech Republic. Online networking and socializing will be enabled through various platforms. Given the international spread of contributors, participant time zones will be considered when scheduling panels. The conference will take place September 8-9, 2024. 

 

Contact Information

Please submit the following to comprehendingcomics@historyincomics.org or elizabethallyn.woock@upol.cz by May 1st 2024:

  • abstract of 300 words
  • a biography of 50 words including your name, email, affiliation, and gender pronouns
Contact Email
comprehendingcomics@historyincomics.org

Friday, January 5, 2024

Call for Chapters: The Multiverse in Popular Culture - University Press of Kansas

 




The University Press of Kansas has expressed interest in publishing a book of essays about representations of the multiverse in popular culture.  The theory of the multiverse – the premise that our known universe if merely one iteration of an infinite number of alternate universes – has recently emerged from scientific obscurity to become a common trope of popular fiction.  Everything Everywhere All at Once won 2022’s Academy Award for Best Picture, multiversal timelines are a central feature of the Marvel Cinematic Universe, and representations of parallel realities in television shows such as SlidersFringeDr. Who, and Rick & Morty have familiarized this radical concept for mass-audiences.  The emergent popularity of the multiverse as a narrative device resonates with critical theories about the "worldmaking" of fiction, the postmodern dissolution of metanarratives, and Deleuzian networks of multiplicity, and it is informed by literary precedents in Jorge Luis Borges, Philip K. Dick, and Italo Calvino.  From a political perspective, multiverse narratives reflect the fractured reality of American political discourse, a condition acknowledged in references to “the Fox News Cinematic Universe” and the Trumpiverse.  The multiverse also reflects the ontology of the Internet, with its countless variations on a single meme, which sometimes disappear or are retroactively rewritten, or that even wobble into uncanny real-world instantiations.  The Internet provides a kind of parallel reality that we all have one foot in all of the time, and our daily exposure to this disruptive state of being certainly influences contemporary ontologies.  Narrative itself, with its long history of representing parallel realities and also of essentially being a parallel reality, may provide the most compelling expressions of these ontologies, as well as the most promising insights about how to navigate and communicate across them. 

We seek proposals for chapters that discuss representations of the multiverse in popular culture.  We particularly welcome close readings of individual films, television episodes, graphic novels, online videos, or other popular texts that address the political, cultural, and/or philosophical implications of specific representations of the multiverse.

Please submit 300-word chapter proposals to Randy Laist at rlaist@bridgeport.edu by February 29, 2024.

Contact Information

Randy Laist

University of Bridgeport

rlaist@bridgeport.edu

Contact Email
rlaist@bridgeport.edu

Thursday, November 30, 2023

Call For Chapters : Hindu Heritage of Delhi: Exploring the Past and Present

 



About the Book

The capital of Bhārat, Delhi—officially the National Capital Territory of Delhi—is a mosaic of different historical and cultural landscapes. From its ancient antecedents to the colonial times, Delhi has been witness to tremendous historical upheavals, all of which shaped its culture and gave it a unique identity. However, much of Delhi’s heritage and culture is associated with the Sultanate or Mughal period, while the ancient and post-colonial history of the city is largely relegated to the margins. Since the Islamic history of the city has been the main theme of study among historians for many decades, the Hindu heritage of the city has not found a significant place in academic engagement or writing. Another aspect of the city that has found significant mention is the colonial period, particularly with regard to colonial architecture. Delhi, however, is not only the city of Sultans, colonial and post-colonial settlers. It is also the city of the Pandavas, the Tomars, and the Chauhans. It is a city of temples and popular street foods. Delhi is a thriving centre of Hindu religious heritage, be it the Shri Kilkari Baba Bhairavnath Ji Temple near present-day Purana Qila, the Kalka Mata Temple in present-day Kalkaji, and the Hanuman Mandir in Connaught Place which trace their origins to the period of the Mahabharata or modern-day temples like the Birla Mandir and the Akshardham Temple. The city indeed boasts of some incredible Hindu places of worship. It also comprises some important historical structures of the period of the Mahabharata, including the Indraprastha region, as well as the areas ruled by the Tomars and Chauhans, who not only built forts and palaces, such as Lal Kot (later known as Qila Rai Pithora), but also added to the religious landscape of the city. King Anangpal I of the Tomar Dynasty constructed numerous temples in his capital city of Lal Kot, which were eventually destroyed during the Islamic invasions. The culture and heritage of the Pandavas, the Tomars, and the Chauhans warrants a more detailed analysis, and so does the contemporary cultural landscape of Bhārat’s capital city.

This book is an attempt to explore the Hindu heritage of the city of Delhi—its history, architecture, archaeology, handicrafts, museums, cuisines, traditions, and so on. The book proposes to look at the city’s history and culture from an alternative perspective and add value to the academic discourse on Delhi and its neighbourhood.

 

Themes

·       Hindu Histories of Delhi: The Mahabharat period, rule of the Tomar Dynasty, the period of the Chauhan Dynasty; Hindu Kings of Delhi and their contribution to city histories

·       Hindu Religious Structures: Temples, forts and palaces, public utility works, other structures of ancient or contemporary relevance

·       Inscriptions, Archaeology, Numismatics: Sanskrit inscriptions, Archaeological Sites in and around Delhi, coins and seals of Hindu dynasties of Delhi

·       Artifacts and Handicrafts: Traditional handicrafts, clothes, ornaments, and jewellery  

·       Cuisines of Delhi: Traditional Hindu cuisine, history of street food, impact of Hindu culture on the cuisines of Delhi

·       Museums of Delhi: Exhibits displaying Hindu heritage and culture

·       Arts and Performing Arts: Paintings, Music, and Dance

·       Languages and Literature: Linguistic and Literary traditions

·       Role of Institutions in Promoting the Hindu Heritage of Delhi: Heritage institutions and their impact, Heritage Walks at Hindu heritage sites

 

Chapter Submissions

Academics and research scholars from institutions of repute are invited to submit a proposal in 350-500 words along with key words, which will be peer-reviewed. Successful candidates will be invited to submit a full chapter. Scholars are advised to go through the themes and guidelines carefully before submitting the proposal. The proposal must be strictly academic in nature.

 

Submission Roadmap

30 December 2023: Submission of proposals

10 January 2024: End of the peer review process of proposals

15 March 2024: Full chapter submission

25 March 2023: Peer review and feedback on full chapter

20 April 2023: Final chapter submission

 

Submission Guidelines

·       Abstract: 350-500 words (with key words)

·       Chapter Length: 7000-8000 words (including key words, in-text citations, and references)

·       Font: Times New Roman, 12 point, 1.5 spacing

·       Citations: In-text in APA format (www.apastyle.org)

·       References: End of the Chapter in APA format

·       Images, Tables, and Graphs: Maximum 4 images, 3 tables or graphs per chapter

·       Deadlines: To be adhered to as per the Submission Roadmap

 

(The contributor shall be solely responsible for their research findings published in the book. Neither the editor nor the publisher will take responsibility for any unverified research.)

 

Chapter Format

Main Sections

1.      Title

2.      Name/s with Complete Affiliation and Contact Details

3.      Abstract with Key Words

4.      Introduction: The Introduction should clearly justify the rationale of the study with appropriate theoretical background.

5.      Literature Review: This section should include the explanation and analysis of existing literature.  

6.      Methodology: This section should explain the methodology used for research.

7.      Key Findings: This section must include the key findings of the research.

8.      Discussion: This should include the overall discussion and analysis of the key findings.

9.      Conclusion: The conclusion should clearly state the major findings of the paper and its overall outcome.

Other Sections

References: In APA format only.

Appendices: If there is more than one appendix, they should be identified as A, B, etc.

 

Submission Preparation Checklist

All submissions must meet the following requirements:

·       The submission has not been previously published, nor is it before another journal for consideration.

·       The submission file is in Microsoft Word document format.

·       Where available, provide URLs for the references.

·       The text adheres to the stylistic and bibliographic requirements outlined in the Submission Guidelines and Chapter Format.

 

Contact Details

Email your proposals to sengupta.chandni@gmail.com

Contact Information

Dr Chandni Sengupta

Historian and Author; Guest Faculty, Southern New Hampshire University, USA

Contact Email
sengupta.chandni@gmail.com