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Showing posts with label Art History & Visual Studies. Show all posts
Showing posts with label Art History & Visual Studies. Show all posts

Tuesday, March 5, 2024

CFP: New Volume --The Practice of Pilgrimage in a Global Early Modern Context






 We are seeking contributions to a volume exploring pilgrimage in a global context from the mid-fifteenth to the mid-eighteenth century. This volume is under consideration for publication in the book series Reflections on Early Modernity / Réflexions sur la première modernité published by the journal Renaissance and Reformation/Renaissance et Réforme. Whether discussing visitations of local shrines or the great trans-regional events like the Hajj and pilgrimages to faraway lands, the rite of pilgrimage kept believers on the move, making pilgrims one of the most visible manifestations of mobility and religious devotion. At the same time, they served as central agents in reconstituting religious themes and notions throughout the early modern period.  Pilgrimage was an intensely social and cultural event, as groups of various travelers encountered each other, as well as other cultures, and experienced new modes of living and other ways of worshiping. As a popular rite, it was also an economic driver of local economies, providing services and goods for travelers, which served the interests of powerful authorities. After 1450, the expansion of maritime trading routes, wars, religious change and a sharp rise and legitimization of curiosity, were among the many forces that worked the extend the global reach of many faiths. These forces also reshaped the practice of pilgrimage in the process. 

It is in this context of an increasingly interconnected and changing early modern world that this volume will offer a forum for an investigation of early modern pilgrimage in a comparative context. We are seeking contributors working from the perspective of diverse disciplines (e. art history, history, literature, anthropology), religious traditions (ie. Buddhism, Shintoism, Islam, Judaism, Christianity) and regional contexts who could engage with one or more of the following themes: 

 

Pilgrimage and Identity

Journeys of pilgrimage created a space where encounters took place among pilgrims themselves, especially those who traveled in a group; between pilgrims and people or communities they met on their way, especially the communities who lived next to the holy places - the destination of the journey; an encounter with the holy sites; as well as with the pilgrim's own self. These encounters created many opportunities for the re-examination of the pilgrims' boundaries of identity - religious and cultural - as they were used to mark them in their countries of origin. What was the contribution of these encounters to shaping a pilgrim's religious identity? Or the identity of a pilgrim's community of origin?  Or alternatively: How the pilgrim's boundaries of identity are reflected in his description of the "other communities", of the holy sites, of the journey? 

These are only a few possible questions to be discussed.

 

 

Pilgrimage and the Construction of Power

Just as the purposes and motives of pilgrimage vary, so do the relationships between pilgrims and political rulers. Many institutions connected with sacred travel have been controlled or sponsored by such authorities, who could collect contributions from pilgrims visiting the shrines within their lands while promoting their reputations as devout leaders. How did these institutions used pilgrimage to build their power? How did it work when rulers and pilgrims were not of the same religion or culture? How did it work when the holy site was worshiped by more than one religion?

Pilgrimages have also prompted behaviors that have proved deeply threatening to political and religious authorities. How did the authorities react to the pilgrims' search for divine favor? How did they react to their temporary release from everyday life, and the volatile potential of a mass movement of people?

 

The Practice of Pilgrimage (ie. liturgy, relics, markets, hospices)

Although pilgrimage is considered to be a journey taken for spiritual reasons and it usually entails some separation from the everyday world of home, it creates a physical world of its own, not to mention pilgrimage sites tend to have a material focus. Pilgrimage involves, first and foremost, a movement across physical and cultural landscapes, that raises the questions of: routs, vehicles, inns, money-changers, translators, or guides. What are the souvenirs, or relics, that were being transported home? Their importance for the pilgrim's community? What were the cultural performances, or rituals, whether at the holy sites or in social encounters, that pilgrims were involved with?   

 

Shrines and their Replicas 

The phenomenon of establishing or creating equivalents to sacred sites – and occasionally, to an entire city (Jerusalem, Rome), is known in more than a few contexts. It can be a second burial site of a holy person, a sacred tradition being celebrated in more than one site, etc. Documenting the origin and the replicas of a holy site is one goal, yet another will be to discuss what makes a site an original? And what makes it a replica? What were the historical contexts, and purpose for their creation? And how did they affect pilgrimage routes and practices? 

 

 

Pilgrimage Testimonies: Written and Visual/Pictoral 

The testimonies (written, visual, pictoral, other) created by pilgrims testifies to the various ways in which the physical movement of pilgrims between places and cultures shaped the intellectual and material cultures of communities in both the pilgrims' places of origin and the places they visited. These testimonies also interacted with, and became vessels of, myriad intellectual and other traditions (scientific, theological, literary, other), traditions that during the early modern period were shifting in the ways that also came to reshape common perceptions of the world in which pilgrims lived including conceptions of the sacred.

 

Instructions for the Proposals 

Each chapter should address some of the questions raised in at least one of the emphases outlined above. The maximum word length for each article is 10,000 words, including all notes and images. To submit a proposal for an article, please send an abstract in either English or French of no more than 600 words and a brief c.v. to Dr. Orit Ramon oritra@openu.ac.il no later than March 31, 2024. You will hear by April 1, 2024 if your proposal to contribute a chapter to the volume has been accepted. We will accept proposals from authors at any stage from advanced graduate students to senior scholars.

 

For questions, please feel free to send an email to any of the editors:

Dr. Orit Ramon, Dept of History, Philosophy and Judaic Studies, Open University of Israel (oritra@openu.ac.il )

Dr. Megan Armstrong, Dept McMaster University, Canada (marmstr@mcmaster.ca )

Dr. Yamit Rachman-Schirre, Ben-Zvi Institute for the Study of Jewish Communities in the East (yamit.rachman@mail.huji.ac.il )

 

Contact Information

 

Dr. Orit Ramon, Dept of History, Philosophy and Judaic Studies, Open University of Israel (oritra@openu.ac.il )

Dr. Megan Armstrong, Dept McMaster University, Canada (marmstr@mcmaster.ca )

Dr. Yamit Rachman-Schirre, Ben-Zvi Institute for the Study of Jewish Communities in the East (yamit.rachman@mail.huji.ac.il )

Contact Email
marmstr@mcmaster.ca

Thursday, January 11, 2024

CFP: Virtual International Conference C4P - "Comprehending #Comics: Exploring Methodologies and Approaches to #ComicStudies in History and the Social Sciences": September 8-9, 2024

 Please submit your proposal by May 1, 2024

Interest in comic studies have generated wide and varied interests from an exploration of visual language and narrative in sequential art to the use of technologies in comics, to considerations current questions in both contemporary society and history. These have led to fruitful research which cross disciplines and produced diverse and complex scholarship. Richard Scully have written extensively on political cartoons and their relationship with imperialism and colonialism. Amy Matthewson’s Cartooning China examined the British popular satirical magazine Punch and situated the series of cartoons of China and Chinese people within their geopolitical frameworks. Sheena Howard and Ronald Jackson’s Black Comics: Politics of Race and Representation brought together a range of critical essays exploring contributions of Black graphic artists. Collections such as Drawing the Past Vol. 1 and Vol. 2 (2022), edited by Dorian Alexander, Michael Goodrum, and Philip Smith, brought a range of scholars to unite around the broad theme of the historical imagination in American popular media. 

There is still an evolving consensus on which the methodologies that scholars specialized in fields of history and social sciences could use when engaging with comics. Often, research focused on comics-formatted primary sources is pigeonholed into literary study, or in other cases the linguistic framework of describing and analyzing comics fails to translate to a discussion of material culture. As the range of demonstrated methodologies is vast, and as the advancement of comics-based research offers new potential for the study of history and the social sciences, it is a crucial time to reflect and take stock of current practice and possible future directions. 

We are interested in all aspects of comics-format works, comics and graphic novels, and methodologies and themes that might address (but are not limited to) the following:

  • Representation in comics
  • The challenges of comics-based research studies as applied to the study of history
  • Historical aspects of visualities and comics in particular
  • The future of comics in research
  • Archeology and comics
  • Ancient and medieval history in comics
  • The effects of digital tools in comic studies
  • Comics and the politics of methodology – race, gender, sexuality, class, etc.
  • The transnational, transcultural, and/or interdisciplinary nature of comic studies
  • Teaching history with or through comics
  • Teaching comics-based research methods
  • Comics in memory studies
  • Tensions and concordances between art history and history of comics and graphic novels

We are now accepting proposals for papers (20 minutes) and panels (of 2 or 3 papers). Graduate students are also invited to submit a poster, which will be displayed online for the duration of the conference. The poster section will enable asynchronous comments, and a presentation session where participants give a short 3-5 minute summary of the poster content. Please submit the following to comprehendingcomics@historyincomics.org or elizabethallyn.woock@upol.cz by May 1st 2024:
  • abstract of 300 words
  • a biography of 50 words including your name, email, affiliation, and gender pronouns

This will be an online conference hosted by the Comics Lab at Palacky University, Czech Republic. Online networking and socializing will be enabled through various platforms. Given the international spread of contributors, participant time zones will be considered when scheduling panels. The conference will take place September 8-9, 2024. 

 

Contact Information

Please submit the following to comprehendingcomics@historyincomics.org or elizabethallyn.woock@upol.cz by May 1st 2024:

  • abstract of 300 words
  • a biography of 50 words including your name, email, affiliation, and gender pronouns
Contact Email
comprehendingcomics@historyincomics.org

Wednesday, December 20, 2023

Scholarly #Conference: Call for Proposals #Foucault: Art, Histories, and Visuality in the 21st Century OCAD (Ontario College of Art and Design) University, Toronto/Tkaronto, Canada May 29 & 30, 2024






The French philosopher Michel Foucault’s (1926–84) work has had a major effect on scholars of art and visuality since Les Mots et les choses (1966) appeared in English in 1970 as The Order of Things. His radical ideas galvanized artists and art writers into many different directions: to insert ruptures and incoherence into history; to reimagine the subject, subjectivity, and identity; to politicize the realms of vision, visuality, and visibility; to formulate critical approaches to technology and media; and to scrutinize the inner workings of art institutions, including museums, schools, and archives. The versatility of Foucault’s thought greatly contributed to major shifts across disciplines, including the interventions of the “new art history” in the 1970s, multiculturalism and identity politics in the 1980s, visual and cultural studies in the 1990s, the questions of contemporaneity and globalization in this century. Owing to the posthumous publications of his lectures and the papers deposited at archives internationally, Foucault’s oeuvre continues to shape current discussions on methodological, political, and ethical assumptions regarding visualities and art histories forty years after his death. 

Drawing from four decades of research in the arts, humanities, and social sciences, this two-day symposium proposes a critical assessment of the ways that Foucault’s influence intersects with current inquiries into art, visual culture, and their technologies. The organizers invite thirty-minute paper proposals that historicize and challenge the established patterns of Foucault’s reception in art history, archaeology, museology, visual anthropology, philosophy of art, aesthetics, film and media studies, visual culture, art education, and research-creation. We hope to form an eclectic lineup of speakers who have been engaging with the French thinker’s legacies from critical perspectives informed by the urgent issues of today, such as global inequity, decolonization, Indigenous sovereignty, race and ethnicity, post-truth, artificial intelligence, gender identities, environmental crisis, immigration, and diaspora. We will ask: How has Foucault’s thinking—ultimately concerned with human existence in a time of crisis—emerged from and contributed to the visual arts and material culture in the twenty-first century?

The symposium is part of the World Congress “Foucault: 40 Years After,” a global series of events commemorating the fortieth anniversary of the philosopher’s death (https://foucault40.info). In efforts to reduce environmental impact and to prevent duplication with other events, we solicit proposals from researchers and artists based in North America. We welcome proposals that are international in the scope of research as well as those anchored in specific regional contexts, including Canada, for example. Please send a one-page, single-spaced proposal and a short biography to foucault2024@gmail.com by January 22, 2024. The organizers are working on securing funding, which, if successful, would allow financial support for participants. We thank the peoples of the Mississaugas of the Credit, the Haudenosaunee, the Anishinaabe, and the Huron-Wendat, on whose unceded lands the event will be held.

Organizers:

Anton Lee. Assistant Professor of Art History, Theory, and Philosophy, NSCAD (Nova Scotia College of Art and Design) University

Catherine M. Soussloff. Professor Emerita of Art History, Visual Art, and Theory, University of British Columbia, and History of Art and Visual Culture, University of California, Santa Cruz

Collaborator/Local Host:

Charles Reeve. Professor of Visual and Critical Studies, Associate Dean of Arts and Science, OCAD University

Confirmed Speakers:

Andrew Gayed. Assistant Professor of Art History and Visual Culture, OCAD University

Amelia Jones. Robert A. Day Professor of Art and Design, Vice Dean of Faculty and Research, Roski School of Art and Design, University of Southern California

Louis Kaplan. Professor of History and Theory of Photography and New Media, Graduate Department of Art History, University of Toronto

Tavia Nyong’o. Professor and Chair of Theater and Performance Studies, Professor of American Studies, Professor of African American Studies, Yale University

John Rajchman. Adjunct Professor in Art History and Archaeology, Columbia University

T’ai Smith. Associate Professor of Art History, Visual Art, and Theory, University of British Columbia

Kyla Wazana Tompkins. Professor and Chair of Global Gender and Sexuality Studies, State University of New York at Buffalo

Contact Information

Anton Lee. Assistant Professor of Art History, Theory, and Philosophy, NSCAD University

Contact Email
alee@nscad.ca

Monday, October 30, 2023

CFP: #Funded International #Conference : #Culture and the Mind: Voices, Sites and Practices- Denmark-May 2024

 CULTMIND will hold its first annual conference 15-17 May 2024 in central Copenhagen.

We invite scholars from a variety of disciplinary backgrounds and career stages to discuss the current state of research on the entanglement of culture and the mind, and to outline new paths for future exploration.

The conference will present a forum for discussing the cultural and social specificity of psychological distress, trauma and healing; for exploring the distinct cultural traditions in which ideas of mental health and treatment take shape.

The conference will address the following topics and questions:

  • The social and cultural variety of ideas about mental disorder, trauma and treatment:

How do conceptions of mental health and therapeutic modalities reflect distinct cultural traditions and social contexts? How have definitions of the mind responded to major historical changes?

  • The entanglement of the arts and the human sciences:

How have medical and scientific explorations of the mind presented a resource for cultural producers, and how have clinicians drawn on the insights and techniques of film, literature, theatre and art?

  • Languages of illness and healing:

How do medical and scientific understandings of the mind travel outside the clinical setting? How do patient narratives and voices expand psychiatric discourses and diagnoses?

  • The intersection of expert knowledge and political ideology:

How have medical and scientific ideas about the human mind overlapped with political agendas and imperatives?

  • Cross-cultural encounters in mental healthcare settings:

How do medical professionals account for cultural factors in the course of diagnostic and therapeutic processes? How have the psy-disciplines engaged with the consequences of cultural change and migration?

  • The place of the medical humanities:

What role can the medical humanities play in uncovering the cultural dimensions of mental health, illness and treatment?

We encourage early career researchers, tenured researchers, and clinical professionals to send us an abstract for a short oral presentation or poster to be presented on the conference.

Funding is available to assist presenters with travel and accommodation costs.

Please send proposals for oral presentations or posters (including a paper/poster title, an abstract of 300 words and a brief academic biography of 200 words) to: CULTMIND@hum.ku.dk by the 15th of January 2024.

Contact Information

The Centre for Culture and the Mind, University of Copenhagen

Contact Email: cultmind@hum.ku.dk

Thursday, October 26, 2023

Call for Publications: Special Issue on #Indian #Aesthetics

 






The Aesthetix Journal of Indian Studies (http://www.indianstudies.net) is seeking scholarly articles for its themed issue on Indian Aesthetics. The themed issue aims to discuss Indian Aesthetics from different perspectives. Authors from any discipline can submit papers. We will publish papers that are interdisciplinary in nature engaging in discussion relevant to humanities and social sciences.

The issue will cover the following suggestive but not exclusive areas:

  • History of Indian Aesthetics
  • Aestheticism in Indian Art and Architecture
  • Indian Aesthetics and Cosmic Reality
  • Religion and Aestheticism in India
  • Impact of Indian Aesthetics on the West
  • Comparative study between the Indian Aestheticism and Non-Indian Aestheticism
  • The unknown aesthetes of India
  • Study of Indian art: from the past to the present
  • Indian Aesthetics of the Ugly
  • Body and Soul in Indian Aesthetics
  • Rasa in Indian Aesthetics
  • Aesthetics of Indian Narratology
  • Colonialism and Indian Aestheticism
  • Aesthetics of the Marginalized Indians
  • The mathematics of Indian aesthetics
  • Indian Aesthetics and Orality
  • Indian Aesthetics and Literature
  • Science and Technology and Indian Aestheticism



Time Line

CFP opens: October 20, 2023
Submission closes: December 31, 2023

The publication will start in January 2024 in Continuous Mode.

Submission Guidelines, Terms and Conditions, and Publication Policies




Contact Information

 Mail ID: editor@indianstudies.net

For any query, please text us to our WhatsApp No: +91- 7047598085

Contact Email : editor@indianstudies.net

Wednesday, October 11, 2023

Call For Publications: "Online Hate Speech: Impacts, Prevention, and Intervention" -Rotura - Journal of Communication, Culture & Arts

 In the last decade, the increase in visibility and exposure of online hate speech has raised cultural, social, and academic concerns. This issue encompasses topics such as social, political, and religious polarization, the dissemination of hate ideologies, the promotion of violence through online propaganda and recruitment, and the impact on the well-being of individuals involved, with implications for the construction of a pluralistic discourse in peaceful, just, and inclusive societies.

With the aim of deepening knowledge on the subject and addressing effective ways to prevent and intervene in online hate speech, we invite the scientific community to submit studies and theoretical and empirical approaches that contribute to understanding the following topics:

Topics of Interest:


  • Impact of online hate speech on society.

  • Influence of the digital environment on the behavior and development of children, youth, and adolescents.

  • Interactions of online gamers and digital gaming communities as conducive spaces for the spread of hate speech.

  • Analysis of effective strategies and initiatives for preventing and intervening in online hate speech.

  • The role of social media in promoting a culture of peace, justice, and strong institutions.

  • Impact of the pandemic and distance learning on children's exposure to online hate speech and risky behaviors.

  • Public policies and regulatory frameworks to address online hate speech and violence.

  • Other studies related to hate speech.

Rotura is indexed on RCAAP, DOAJ, Scielo, Google Scholar, Latindex, ERIHPLUS, SUDOC, ROAD, Jisc and INDEXAR.

Contact Information

Editors:

Anthony Brooks (Aalborg University)
Ana Filipa Martins (CIAC, Universidade do Algarve)
Janice Richardson (Digital Citizenship Expert, Council of Europe)
Susana Costa (CIAC, Universidade do Algarve, Universidade Aberta)

Contact Email
rotura@publicacoes.ciac.pt

Wednesday, May 31, 2023

Call for Chapters for an Edited Volume Human Rights in the Age of Drones: Critical Perspectives on Post-9/11 Literature, Film and Art

 Call for Chapters for an Edited Volume

Human Rights in the Age of Drones: Critical Perspectives on Post-9/11 Literature, Film and Art

Editor: Muhammad Waqar Azeem, PhD (Binghamton University)

Email: mazeem1@binghamton.edu

Abstract Deadline: June 15, 2023

This edited volume titled Human Rights in the Age of Drones: Critical Perspectives on Post-9/11 Literature, Film and Art is under an advanced contract with a major publisher and aims to produce critical, theoretical, and analytical debates on the literary and cultural representations of the weaponized drones. We seek chapters on the intersections between human rights and the representation of drone warfare in post-9/11 visual and graffiti art, film and documentaries, plays and stage performances, and poetry, memoirs and fiction. Within the broader context of war on terror, the chapters may contemplate: how do drones complicate the conceptualization of human rights and war both in national and international discourses? How, and with what consequences, do UAVs bypass juridical procedures and normalize target-killing? What challenges do surveillance drones pose to the notions of privacy and biopolitics? How does drone aesthetics produce a counter-archive against the power and hegemonic control of the Empire? How do cultural artefacts capture and resist the violence from above? A strong engagement with the recent critical and theoretical debates on human rights and literature/art is encouraged.

If interested, please email your abstract (150-200 words) and a brief bio to mazeem1@binghamton.edu by June 15, 2023. You will hear about your abstract by the end of June and polished drafts of the chapters (7000-9000 words) will be due on September 30, 2023.

 

Contact Email: