Concourse: Narratives

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Showing posts with label Narratives. Show all posts
Showing posts with label Narratives. Show all posts

Tuesday, January 23, 2024

CFP: 58th Annual #Comparative #World #Literature Conference(#Hybrid) on #Writers of Extreme Situations: A #Multidisciplinary Perspective-#California State University-April 2024



Family crises, exilic conditions, forced migrations, excessive poverty, armed conflicts, political warfare, environmental calamities, workers’ exploitation, pandemics, and all manner of natural or man-made disasters have been rising to unprecedented levels over the last decades. How are extreme situations or situations so extraordinary as to defy imagination represented? What are the poetics underlying them?

We welcome conversations about how extreme conditions and situations, (individual, collective, or global) are expressed, analyzed, and engaged from a multidisciplinary perspective, including but not limited to: Literature, Journalism, Geography, Anthropology, Political Science, Criminology, Linguistics, Ethnic Studies, Women and Gender Studies, Disability Studies, Media Studies, Geology, Human Development, and more.

This conference invites paper and panel proposals on all aspects of extreme situations. Possible topics can include but are not limited to:

-Literature of extreme situations

-Investigative Journalism

-Trauma literature

-Literatures of genocide

-Holocaust memoirs

-Feats of survival

-Crime narratives

-Narratives of addiction

-Natural and man-made disasters

-Innocent Project LA

-Victims speak up: truth to power

-The rise against femicide

-Wars and exilic narratives

-Refugee narratives

-Pandemic narratives

-Medical malpractice and botched surgeries

-Ethics of survival and survivors’ guilt

-The Family Secret and the wounded individual

-Dementia and violence: nursing homes

-Perpetrators and victims

-Asylum seekers and their fate in the US

-Ethical ordeals: surviving the unimaginable

-Memory as a repository of horror

-Collapse of ethical systems in a digital world

-Institutional responses to catastrophes

-Crossing the Mediterranean: the Syrian refugee crisis

-Extreme geo-political conflicts

-Journalism at work: covering extreme conditions

-“The Banality of Evil” in urban settings.

-State terrorism and extreme-isms

-Millennial fatigue and extremist stances

-Monuments of shame

-The Kafkaesque in our daily lives

-Systemic risks in the 21st Century

-Extreme environments

-Soft White Underbelly: Mark Laita interviews

–The Trials of Frank Carson Podcast (Christopher Goffard)

-Deaths in the Grand Canyon and Other National Parks.

We are thrilled to announce that the plenary talk will be delivered by Christopher Goffard, Pulitzer Prize winner, journalist for the LA Times, novelist and podcaster, on Wednesday, April 17th, at 2PM (PDT). The title of his talk is:

“Crossing the Impossible Bridge in a Dynamite Truck: Observations on Film, Friendship and Collaboration”

In “Crossing the Impossible Bridge in a Dynamite Truck,” Goffard will reflect on his friendship and collaboration with one of cinema’s great poets of desperation and obsession, William Friedkin, and of their efforts to bring some of Goffard’s riskier stories to the screen. As a crystallization of Friedkin’s danger-courting artistry—and as a metaphor for their quest to get controversial projects made— Goffard invokes an image from the filmmaker’s 1977 masterpiece Sorcerer, in which a truck laden with nitroglycerin attempts to cross a crumbling suspension bridge in the South American jungle.



Submissions for individual presentations and 90-minute sessions are welcome from all disciplines and global / historical contexts that engage with historical, personal, or social instances of extreme conditions and situations.



Proposals for 15-20 minute presentations should clearly explain the relationship of the paper to the conference theme, describe the evidence to be examined, and offer tentative conclusions. Abstracts of no more than 300 words (not including optional bibliography) should be submitted by March 1, 2024. Please submit abstracts as a Word document in an email attachment to comparativeworldliterature@gmail.com



NB: Please do not embed proposals in the text of the email. Make sure to indicate your mode of preference (Zoom on April 18 and in person only on April 16 and 17) for planning purposes

While the conference will be hybrid, all Zoom presentations will take place only on Thursday, April 18, and in-person presentations will take place on Tuesday-Wednesday, April 16-17 (and will be Zoom-projected). We cannot accommodate pre-recorded presentations.



The conference committee will review all proposals, with accepted papers receiving notification by March 15, 2024.





Dr. Kathryn Chew

Thursday, November 30, 2023

CFP: Edited Volume on Deconstructing the #Gender-Based #Violence in #South #Asian #Literature and #Popular #Culture







Gender-based violence is a worldwide issue with an extended past that is predominantly an outcome of social norms and power disparities. In countries as different as Bangladesh, Cambodia, India, Mexico, Nigeria, Pakistan, Papua New Guinea, Nicaragua, Tanzania, and Zimbabwe, studies find that violence is frequently viewed as physical chastisement—the husband’s right to ‘correct’ an erring wife (Heise 1999). Unfortunately, it is one of many societal concerns that literature has long addressed. According to the analysis of a report by CARE and International Rescue, gender-based violence has arisen amid the pandemic and quarantines (Haneef and Kalyanpur 2020). Authors from different corners of the world have examined the complexities of violence and its effects on individuals and society in everything from classic works to modern novels. Some worth mentioning examples would be Lolita (1955) by Vladimir Nabokov, I Know Why the Caged Bird Sings (1969) by Maya Angelou, Kindred (1979) by Octavia E. Butler, Milk and Honey (2014) by Rupi Kaur, Hunger: A Memoir of (My) Body (2017) by Roxane Gay, Speak: The Graphic Novel (2018) by Laurie Halse Anderson, My Dark Vanessa (2020) by Kate Elizabeth Russell, Ducks: Two Years in the Oil Sands (2022) by Kate Beaton, When I Hit You: Or, A Portrait of the Writer as a Young Wife by Meena Kandasamy. Reading literature offers readers an opportunity to empathise with characters’ experiences and gain a deeper, more nuanced understanding of the emotional and psychological aspects of gender-based violence often in the forms of ‘slow violence’ (Nixon 2011). Literature can aid readers in developing empathy for survivors through fictional narratives and in understanding the value of services and support for victims. Additionally, literature frequently offers a voice to marginalised people, highlighting their experiences and encouraging societal change. Gavey’s study Just Sex? The Cultural Scaffolding of Rape (2005) argues that cultural scaffolding continues to make rape not only possible but probable and that this support provides an alibi for minimalizing rape and creating a norm for masculine sex. (Zare 3). Hence, in a way, the intertwined relationship between violence and its impacts passes through lopsided twists and turns.

 

Apart from literature, popular culture has also played a pivotal role in necessitating the trajectories of violence and perpetrations. Through films, television shows, and online media, gender-based violence is frequently portrayed in popular culture. A recent graphic anthology Drawing the Line: Indian Women Fight Back! (2014) depicts the various ways of violence in fourteen provocative sketch-stories. Scenes of sexual, emotional, and physical abuse might be shown, feeding false narratives and diminishing viewers' awareness of how severe these behaviours are.

 

This edited collection will examine how gender-based violence has been portrayed in literature and popular culture in the South Asian Context, emphasising the adverse impacts on society as well as its possibility to be changed. We are looking for chapters that deepen our understanding of different dimensions of Gender-based Violence.

 

Possible topics may include, but not are not limited to:

• Violence in South Asian Autobiographies

• Trauma Narratives in South Asian Narratives

• Domestic Violence in South Asian Comics

• Trafficking, Trauma, and Torment in South Asian Web-series

• Physical and Psychological Abuse in South Asian Popular Culture

• Pain, Paranoia, and Partner Violence in South Asian Movies

• Film and Fiction: Perpetrators and Victims

• Mini-narratives on Facebook and Instagram




Last Date of Submission of Full Manuscript: 31st December 2023

Decision on Submission: 1st March 2024

Scan the QR Code or Click on the Submission Portal: https://forms.gle/mcGbygpvaXTqhknN7

Full papers should be no longer than 8000 words.

Authors are requested to follow MLA 8th Edition. All submissions will be peer-reviewed.

We will publish the Edited Volume with a reputed publication house.