Call for Papers on #Edward #Said’s legacy in the context of current events-Edited Volume; MLA 2025 conference special session

Twenty years after his death and fifty years after the publication of Orientalism, Edward Said, the best-known Palestinian American public intellectual, seems more relevant and more controversial than ever before. As the middle-east is torn apart by the most horrific violence since the creation of Israel, Said has already been blamed for providing academic cover to Hamas’s murderous actions. Said, these critics say, was a rabid anti-Western, anti-Semitic, Arab extremist who legitimized the use of violence by terrorists calling themselves freedom fighters. But others have recalled the intellectual clarity and moral urgency Said brought to the Palestine question. Those who respect Said see him as a cosmopolitan, liberal, secular humanist who consistently critiqued colonialism, whether Western or Israeli. Both sides, however, acknowledge that something remarkable is happening in the West, particularly the United States: for the first time, a generational divide has opened up between the elders who stand steadfastly by Israel and the youth who are speaking up for Palestinians. This generational battle is being fought on elite college campuses where student protests against unconditional US aid for Israel’s war on Gaza have put college presidents in the crosshairs and upended careers. Articulated in a Saidian language of anti-colonialism and Orientalism, this youth protest is more aligned with the political position of the non-West/global South than the older West/global North which views the conflict largely in terms of its own troubled history of anti-Semitism and the holocaust. What should we make of Edward Said and his legacy at this global conjuncture? How have Said’s intellectual preoccupations and political commitments shaped today’s divided discourse about the middle-east? What is the long-term impact of Said’s literary preoccupations and cultural interventions within and beyond academia?

We invite original scholarly papers for a proposed edited volume that explores the legacy of Edward Said in the wake of the current Israel-Palestine war.

While we would like to include a wide range of topics and perspectives in the edited, the following areas will be of particular interest:Said, democracy, and decolonization in the context of (de)globalization, the rise of China, great power competition

Said, zionism, and the politics of Palestine today

Said’s influence on public opinion in America/the West/other regions about the Middle East

Said’s cosmopolitanism/secularism/humanism/liberalism: scope, relevance, limits

“Orientalism” today

Said’s influence on literary and cultural studies as practiced today

Please send abstracts of 300 words, a 100-word bio, and five keywords by March 15, 2024 to

revathi.krishnaswamy@sjsu.edu

or noelle.brada-williams@sjsu.edu

Let us also know if you’d like your abstract to be considered for inclusion in a proposed special session at the 2025 annual Modern Language Association conference scheduled for 9-12 Jan in New Orleans.

Full articles of 5000-8000 words should be submitted by November 30th, 2024.

revathi.krishnaswamy@sjsu.edu

CALL FOR PAPERS :National Conference on New National Allegories: Twenty-First Century India in the Indian English Novel from 1990s to the present 1st March 2024 -Zakir Husain Delhi College (Evening) University of Delhi

Since its earliest formative years, the Indian novel has been preoccupied with the thematic of the nation, its formation, its articulation and its narration. Early novels like Bankim Chandra Chattopadhyay’s Anandamath, Tagore’s Home and the World and Raja Rao’s Kanthapura set the initial trends in the modes of allegorizing the Indian nation. Along its long trajectory, over the twentieth century, the literary form managed to permeate almost all the languages of the Indian subcontinent, picking up other thematics such as the anti-colonial struggle, gender, caste and class concerns, communal, regional and ethnic questions. Even while being ostensibly focused on these concerns and questions, the Indian novel in English remained largely centred around the ideations and elaborations of the Indian nation. As the first nation-republic, installed in 1950, began to transform, irrevocably, in 1991 under global and domestic imperatives, the corollary cultural impacts and their cultural products, such as the Indian novel, were also bound to transform. The Indian nation emerged anew as an interesting subject where writers from various social, political and economic groups vied with each other to present and represent the ‘real’ and the ‘imaginary’ India. In other words, the post-1991 India which laid the foundations of twenty-first century India produced a newer version of the Jamesonian ‘national allegory’, as much as it had been produced pre- and post-1947. It is this post-1991 ‘national allegory’ that the proposed conference aims to investigate. Understanding the manners in which the post-1991 Indian novel addresses the issues and questions of Indian representations (to the home and the world), both from nationalist and decolonial as well as postcolonial points of departure is to form the anchor of the conference. To this end, the conference invites scholarly research papers in English on how the nation has been discussed, imagined, represented and narrated in the works of English language writers located within or outside India. Therefore, without placing a limitation, it is encouraged to bring the works of such writers to the fore who have followed the generation of Salman Rushdie, Amitav Ghosh, VS Naipaul, Vikram Seth, Rohinton Mistry, Jhumpa Lahiri and such others. This may include Arvind Adiga, Chetan Bhagat, Jeet Thayil, Amish Tripathi, Ashwin Sanghi, Manu Joseph and their contemporaries. The papers may include but may not be limited to the following topics:

Indian nation in the Indian novel in the twenty first century

Neo-nationalism/national self-assertion in the Indian novel

Postcolonialism versus decolonialism in the Indian novel

Return the white western gaze in the twenty-first century

Cognising neo-orientalisms and neo-imperialisms

Indian literary subjectivity in the twenty-first century

Abstracts of 300-350 words along with a brief bionote may be sent to zhceengconference@gmail.com by 18th February 2024.

The acceptance will be notified by 21st February 2024. Full papers may be submitted up to 5 days prior to the conference.

Registration fee and the payment process will be shared upon acceptance.