Concourse: performing arts

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Showing posts with label performing arts. Show all posts
Showing posts with label performing arts. Show all posts

Thursday, January 4, 2024

CFP: Two Day Symposium on #Routes beyond #Roots: #Indian #Performing #Arts and Virtual Culture(s) Dublin, Ireland- June 2024



Over the last number of years, Indian classical dance traditions have seen major shifts in terms of practice, pedagogy, and performance, both ‘at home’ in India and in diaspora contexts. These changes have been intensified most recently by two primary and co-related phenomena; the global adoption of specific algorithmic social media and streaming platforms, and lockdown restrictions imposed in response to the Covid-19 pandemic. What happens to the embodied physical presence on virtual platforms? How has the format of the art form been modified to fit in digital spaces? What do these transformations mean for the future of the dance forms? How are socio-political issues embedded and addressed in such spaces?

Recognising these mediations on digital dancing bodies and the scope of such largely unexplored digital interventions in Indian classical dance, we call for a symposium to contribute to a growing body of dance research. This two-day symposium to be held on the 13th and 14th of June 2024 and hosted by University College Dublin (Ireland), aims to bring scholar-practitioners, artists, and researchers working with Indian dance together in order to explore these recent transformations. Dr Prarthana Purkayastha (Royal Holloway University of London), whose crucial work revolves around the intersections of Indian dance studies and transnationalism, identity, diaspora, and decoloniality, will deliver the keynote address.


We invite presentations, performances, and discussions that will help us to (re)imagine and (re)interpret Indian dance as it exists in digital cultures, both in India and in the diaspora. While we are particularly interested in the critical evaluation of Indian dance traditions transformed by or with social media platforms, our definition of digital culture is intentionally broad and we call for scholars working across disciplines to explore movement from various methodological perspectives. By facilitating multiple modes of thinking and learning together, we hope to encourage new pathways of engagement with an ever-growing and transnational Indian culturalscape. We invite proposals for one hour panels or roundtables (3-4 people), or single 30-minute presentations, film screenings, lecture-demonstration and/or workshops from scholar-practitioners, artists, and researchers. 



Topics include (and need not be limited to):


  • Digital Dance Histories, Archives, and Documentation
  • Post-Pandemic Dance Discourse
  • Online Embodiment and New Ethnographic Approaches
  • Practice-Research and Collaborative Research
  • Technology and Digital Platforms in Dance making Processes
  • Social Media, Trends, and Challenges
  • Virtual Dance Festivals
  • Digital Placemaking and Dance Communities
  • Dance and AI
  • Gender, Caste, Ethnicity, Nationality, and Race (Online and Offline)
  • Dance and the Diaspora
  • Pedagogical Transformations and Challenges

The deadline for proposals is 10 January 2024. Please send in your proposals with the following information to digitalroutes2024@gmail.com:


Name

Institutional Affiliation (if any)

Type of Presentation

Abstract (Max. 300 Words)

Biography (Max. 100 Words)

Please note that this is an in-person event at University College Dublin, Ireland. Details on accommodation will be provided after proposals are accepted.



Monday, October 9, 2023

ISTR INTERNATIONAL CONFERENCE 8-10 FEBRUARY 2024 Redefining the Stage: Exploring Digital Transformation in Performance Cultures


It is proposed to have a dynamic exploration of the theme 'Redefining the Stage: Exploring Digital Transformation in Performance Cultures” amongst researchers and theatre practitioners from all over the World. This interdisciplinary conference aims to examine the implications of growing digital intervention in various forms of performance, including cinema, theatre, television, and other digital platforms. It also aims to address the recent debates surrounding the ethical use of Artificial Intelligence and other tools in the performing arts.
Growing digital intervention in various cinematic and stage performing arts is defining a new paradigm in performance culture. Digital intervention in performance culture refers to the incorporation of knowledge based systems and cognitive technologies into various aspects of cultural performances, including theatre, dance, music, and other forms of artistic expression. This integration enables content creators and artists to blend traditional artistic practices with advanced computing tools such as Virtual Reality, Augmented Reality, and Interactive Experience for the viewer, and more. By doing so, entertainment shifts from being a passive experience to being immersive and interactive for audiences, breaking down the boundaries between the performer and the viewer.
This approach opens up new avenues for creative exploration, allowing artists to experiment with novel forms of storytelling, visual effects, and audience engagement. Immersive Technology interventions can transform the spatial dynamics of performances, enabling artists to manipulate the environment, lighting, and visuals in real time. This dynamic interaction between technology and performance fosters a symbiotic relationship that enhances the overall artistic impact, thereby creating an environment of Extended Reality.
However, new challenges like maintaining the authenticity of live performances, addressing technical glitches, and ensuring inclusivity in digital experiences must be navigated. Also, Artificial Intelligence is already threatening to take over many jobs in the performing art domain, making several writers, editors and craftsmen redundant. The changing scenario throws up questions that workers of the creative world never faced in the past, namely, ‘Has the time come when the machines that we have made have become smarter than mankind?’ Nevertheless, the fusion of digital technology with performance culture offers a transformative and evolving landscape that continues to redefine how cultural expressions are conceived, executed, and shared in the digital age.





We welcome abstracts addressing a wide range of themes and areas, including but not limited to:
  1. Technological advancement and evolution of performance art
  2. Reality, Virtual Reality, and Augmented Reality in performance arts
  3. Digitalization and its impact on live performance practices
  4. Immersive experience and audience engagement in art.
  5. Hybridity and syncretism in digitally created/altered performances
  6. Copyright and Intellectual Property Rights of artists in the digital era
  7. Customized ambience in performance arts: Intelligent Sound and Light design
  8. Technological collaboration in digital restoration of art archives
  9. The changing landscape of Marketing and Distribution of Art
  10. Ethical issues in AI assisted performance cultures
  11. Multimedia transgression in live performance practices
  12. Personalized digital entertainment and alienation in Society


Deadline for abstract submission: 21 October 2023

Prof. Vikas Kapoor
Conference Coordinator
istr.str@gmail.com
For Registration and other detail see the website: www.istr.in