Concourse

Amazon

Thursday, March 10, 2016

CFP
The 8th Asian Translation Traditions Conference at SOAS


Conflicting Ideologies and Cultural Mediation

– Hearing, Interpreting, Translating Global Voices

Date: 5-7 July, 2017
Venue: Russell Square Campus at SOAS, University of London
Host: Faculty of Languages and Cultures (FLCS, SOAS, University of London)
Co-host: SOAS Centre for Translation Studies (CTS)
Co-sponsors: SOAS Japan Research Centre (JRC) and Centre of Korean Studies (CKS)
For SOAS Organizers, please click here




Keynote Speakers
Paul Bandia
(Concordia University, Canada)
Presentation title
"Translation, Globalization, and the Orality-Literacy Interface"
Paul F. Bandia is Professor of French and Translation Studies in the Department of French at Concordia University, Montreal, Canada. He is currently a member of the Executive Council of the International Association for Translation and Intercultural Studies (IATIS) and a member of the Editorial Board of numerous international journals. ...read more
Sameh Hanna
(Leeds University, UK)
Presentation title
"Mediating the Sacred: Negotiating the Theo-logical
and the Ideo-logical in the Arabic Translations of the Bible."
Sameh Hanna is a lecturer in Arabic Literature and Translation at University of Leeds. After completing his PhD at University of Manchester on the sociological reading of the Arabic translations of Shakespeare’s tragedies, he joined University College London (UCL) as an Andrew Mellon postdoctoral fellow in the humanities where he further developed his research into Bourdieu’s sociology of cultural production and its implications for translation.
...read more
©KazuhikoWashio
Natsuki Ikezawa
(Novelist, poet and translator, Japan)
http://www.nippon.com/en/views/b02905/, http://www.impala.jp
Ikezwa Natsuki is a novelist, poet, and translator. He was born in Obihiro, Hokkaido in 1945 and grew up in Tokyo. He is well travelled, spending three years in Greece, five years in France and ten years in Okinawa, Japan. Now he lives in Sapporo, Japan. His novel "Still Lives" was awarded the Akutagawa prize in 1987.
...read more

Conference theme
Conflicting Ideologies and Cultural Mediation
– Hearing, Interpreting, Translating Global Voices
The Asian Translation Traditions series started at SOAS in 2004 as a workshop, since followed by regular conferences. It has greatly contributed to raising awareness of different views on translation theory and practice and to shaping non-Western Translation Studies.
After more than a decade it is time to take stock, to ask what has been achieved and where yet-untapped opportunities lie.
Recently we have witnessed increasing ideological conflict among and within societies. ATT8 asks whether and how translation can help mediate between ideologies and contribute to constructive dialogue among cultures.
Over two thousand languages are spoken in Asia, and its peoples have different value systems, beliefs and customs.Translation therefore plays a crucial role in letting people hear and understand each other’s voices and in making dialogue possible.
At the same time, it is now well established that translators manipulate the ‘original’ (including utterances) and intervene in translations for their own reasons. These can include conscious and internalized agendas relating to gender, post-colonial, or other political issues.
While discussing conflicting ideologies and cultural mediation at this conference, we also seek to promote development of translation theories based on Asian practices in order to contribute to the development of global Translation Studies.


Examples of indicative session themes
Localization vs globalization of translation theories and practices
Translation for mediation and dialogue
Translation of orality, oral narratives, or oral literature
Translation of endangered and minority languages
Gendered and subaltern voices in translation
Colonial and post-colonial contexts of translation
Circulation of translations within and beyond Asia
World literature and translation
Conflict and trauma as mediated through translation
Translation of ancient/modern religious texts
Current and historical translation and adaptation of performances
Asian popular culture in translation (e.g. Bollywood, video games, anime, manga)
Audiovisual translation
Translators as activists in past and present
Community interpreting
Professional interpreting of Asian languages
We welcome other inspiring topics and panel proposals!
How to submit
Individual Presentation
Please submit your abstract with no more than 350 words as an MS-Word file including your name, contact address and affiliation by 15 August 2016.
ATT8-SOAS-submission@translationstudies.net
The subject heading should be “ATT8 submission”.
Panel Presentation
Please submit your panel abstract of no more than 200 words with individual abstracts (no more than 350 words) an MS-Word file, including all participants’ names, contact addresses, and affiliations, to the following email address by 15 August 2016.
ATT8-SOAS-submission@translationstudies.net
The subject heading should be “ATT8 submission”.
Result
Successful applicants will be informed before 15 October 2016.
Enquiry
ATT8-SOAS-enquiry@translationstudies.net
We plan to publish selected papers as a book collection and/or journal special issue.
Conference Registration fee
Main affiliation in Band 1 country: GBP 100 (Students GBP 50).
Please click here to see all Band 1 countries
Note for Korean students: the SOAS Centre of Korean Studies offers a small scholarship for Korean students who come from Korea, covering travel expenses up to GBP 250!
Main affiliation in Band 2 country: GBP 50 (Students GBP 20).
Band 2 is given by all countries that are not Band 1.
Special thanks to the Kansai Translation Studies Research Group and Chisa Arai

Rethinking Interdisciplinarity: Bridging the Rift



Workshop on the Interface of the Sciences & the Humanities
When | 18-19 May 2016
Where | The National Institute of Technology, Silchar
With the increasing formalization of knowledge, higher education and pedagogy have inherited a separation between the study of the ‘natural worlds’ (Naturwissenchaften), which is material/biotic, and that of the ‘world of humans’ (Sozial/Geistes-wissenchaften). As a result, these two domains have developed as two insulated and divorced bodies of knowledge systems. Again, the ‘natural world’ is further separated into natural sciences and technology, while the ‘world of humans’ diverge into humanities and the social sciences. However, this natural/human science binary, and more generally speaking, the dyadic logic in the taxonomy of knowledge system are typical products of post-Enlightenment/ Rationalist Western modernity (cf. Descartes, Kant) and have no resonance whatsoever in the context of the ‘pre-modern’ non-West (say, for example, Greece, Persia, Arab, India). How we study our world is often grounded in systems of values and beliefs emergent from our dispositions. Family structure, religion, state politics, economics, social class etc. among other things shape these systems of value, the very ‘paradigms’ upon which choose our objects and frame our methods of inquiries. The point, therefore, is to re-visit and understand these separations, rather the premise upon which these separations are valued, and situate them in history and context, and in so doing, rethink how this new (interdisciplinary) understanding may contribute towards transforming how we perceive the world, not as a fractured entity but as an organic whole.
aldrovandi_vipers

Invoking ‘modern’ Science’s reliance on non-empirical/’fictional’ stuff – think of, say, the String Theory among others – the workshop questions the fundamental value system that renders possible the divorce between the Sciences & the Humanities based on dyadic values. The fact/value, analytical/perceptive, objective/subjective, nature/culture binaries retain the disciplinary separation, although these obscure a holistic vision toward an(y) ‘object of study’. The workshop intends to probe into issues of subjectivity and social constructivism in the Sciences (cf. Poincare), and in light of the separatist worldview in the realm of pedagogy, insist on the need for a genuinely integrationist model instead.
Prof. Sasheej Hegde, University of Hyderabad and Dr. Esha Shah, ex-faculty Maastricht University, Netherlands have generously agreed to serve as resource persons for the workshop. We invite submission of abstracts, not exceeding 300 words, relevant to the theme of the workshop. The following pointers, which are by no means exhaustive, might help you frame the abstract.
  • Scientific Fiction & Literary Reality (cf. Sundar Sarukkai)
  • Alternative Sciences (cf. Ashis Nandy)
  • Science, Technology & Augmented Reality
  • Historicism in Science & Techno-determinism
  • Science as Narrative
  • Science, State & Ideology
  • Mathematicization of Science/Technology
  • Models and Reductionism
  • Science/Technology & the Anthropocene
Abstracts should be sent to interdisciplinarity.nits@gmail.com by 28 March 2016 with the subject heading ‘Abstract for the Interdisciplinarity Workshop’. Authors of the selected abstracts ONLY will be notified by 5 April 2016. The venue for the workshop is NIT Silchar. The institute will not be able to offer accommodation for or travel support to the participants. However, select presenters may qualify for contributing to an edited anthology on the same theme. There is no registration fee for the workshop.
Non-presenters who want to participate/audit are very welcome and should send their expression of interest to interdisciplinarity.nits@gmail.com by 8 May 2016. Participation certificates will be issued to all participants (presenters and non-presenters alike).
Reaching NIT Silchar: NIT, Silchar, located on the Silchar-Hailakandi road, just 8 kms off the Silchar town. To reach NIT, Silchar campus, one has to first reach Silchar which has direct flight connections with Kolkata, Guwahati and Imphal; and direct train connections with Kolkata and Delhi via Guwahati. By road, Silchar is well connected with nearly all major cities in the North-east.

Skopos Confluence: The Asia Symposium on Culture, Policy and Educatio...

Skopos Confluence: The Asia Symposium on Culture, Policy and Educatio...: The Asia Symposium on Culture, Policy and Education  April 24-26, 2016 at the KKR Hiroshima Submissions Extended to  Friday, March 11, 2...

Wednesday, March 9, 2016


Call for papers-   Bangalore University March 2016

Call for Papers:  BANGALORE UNIVERSITY
Department of Performing Arts
Bangalore 560056
in Collaboration with
Association for Theatre Research
as part of University’s
Golden JubileeYear Celebrations
is organizing a
International Conference
On
Theatre and other Performing Arts: Aesthetics, Polity, Economy, History and Space
Date: 29th to 31st March, 2016

The Department
The Department of Performing Arts was started in the year 1973. The Department is located at Sneha Bhavana, Jnanbharathi Campus, Bangalore. The Department has well equipped class rooms and labs. It also has‘theatre on wheels’, a programme that provides a platformfor students to perform plays based on contemporary issues in different parts of Karnataka. The syllabi and the performances of the Department focus on modern trends and innovations in the field of Performing Arts. Along with this, the Department also has important outreach activities like the annual National and International conference, World Theatre Day, Drama productions and presentation of Ballets and Music concerts.
Call for papers
Theatre research is and alwayshas been an interdisciplinary area of research. The present conference continuing this tradition would like to place the theatrical performances along with other performing arts such as Dance, Music (both vocal and instrumental) and its aesthetics in an interdisciplinary perspective by exploring its inter-linkages with aesthetics, polity, society and economy in terms of both chronos and topos. This dual axis of time and space would reveal the dynamics of change across culture in performing arts and its aesthetics.The conference aims to bring together scholars from both humanities and social sciences to reflect on the changing dynamics of theatre across the globe.
Like any other social/aestheticphenomenon, performing arts arealso a part and parcel of social realities.It depicts/sustains the social inequalities as well as political resistance against such inequalities. It is in this context that the performing arts come alive to people. Thus, as a creative art, performing artspush towards social change and tries to find space to reinvent the civic aptitude for a better future. Responding to the society, polity and economy around it, performing practices too have undergone a lot of changes,sometimes leaving long lasting changes, sometimes vanishing after a mere experiment. A holistic understanding of these changes/experiments is possible only bydrawing on the methodologies of other disciplines. We invite academicians/scholars from the humanities and beyond, and artists and performers working in different genres and media, to contribute to an interdisciplinary exploration of the ways in which creative production—whether scripted, improvised, devised, choreographed, or spontaneous—expands/alters the civic imagination and summonsand configures new understandings of public spaces.
The broad themes for presentations could be as follows:
o Performing Arts and Linguistic Nationalism
o Performing Arts and Nation, Caste, Gender
o Performing Arts and Sexual-minorities
o Public Spaces and Performances
o Question of Representation in/through Performing Arts
o Performing Arts and Multi-culture
o Performing Arts and Social change
o Changes in Performing Arts
o Dance and Theatre
o Music and Theatre
o Musical Play
o Dance Drama
o Fine Arts and Theatre
o Fusion of Various Arts
o History through Performing Arts
o History of Drama, Dance and Music
o Economic Aspects of Performing Arts
o Political Aspects of Performing Arts
o Issues of patronage to Performing Arts in past and present
• 20 minutes will be given for each presentation
• There would be theatre and folk performances as part of the seminar in the evenings
Last date to send abstracts: 10thMarch 2016
Last date to send full papers: 20thMarch 2016
Last date for registration: 20th March 2016
Selected papers will be published with ISBN
Registration fee
General Conference: Rs. 2500/-
Research Scholars: Rs.1000/-
Send abstracts and full papers to buconference@gmail.com
For details contact
Prof.Nagesh V Bettakote
Conference Coordinator
Department of Performing Arts, Bangalore University,
Jnanabharathi Campus, BANGALURU-560056
Phone: (O) 080-22961708/1701,
Email:drvnb1965@gmail.com


CFP -URBAN IDENTITY, SPACE STUDIES


 AND CONTEMPORARY ARTS





CONTEMPART '16 is an annual multidisciplinary conference dedicated to study new approaches in contemporary arts worldwide. In 2015, contemporary arts will be focused on the basis of urban life and identities. Individual examples and tendencies dealing with urban identities will be discussed, while the transformation of cities and urban cultures will also be mentioned in terms of their share to shape the current scene of art in different places of the world.

CONTEMPART '16 Conference opens its doors to studies on contemporary arts related to urban identities representing different identities and tendencies and, of course, on theory of art since 1960s. 

PUBLICATION
All submitted papers are subject to double blind peer review. Conference proceedings are going to be available on DVD as e-book and DAKAM's digital library with an ISBN number before the conference and will be sent to be reviewed for inclusion in the "Thomson & Reuters Web of Science's Conference Proceedings Citation Index" (CPCI) and Google Scholars.

KEYNOTE SPEAKERS

TBA

AGENDA
Deadline for abstract submission: February 19, 2016
Deadline for registration: April 15, 2016
Deadline for full papers submission: April 22, 2016
Please control our website to see the last updates

THEMES
TRACK 01: SPACE, URBAN IDENTITY AND CONTEMPORARY ARTS
City as a Scene
- Forms of Urban Art
- Galleries, Museums and Art Market
- Citizens as Audience
- Space and Place in Contemporary Arts
- Artists’ biographies in the City

City as an Atelier
- Artist's Atelier
- Cafe as a Meeting Point
- Politics in the city: Rebellion & Oppression
- Technology and Art
- Art in the Digital Communication Age

City as a Subject
- City as a Source of Inspiration
- City versus Nature
- Psychology of Urban Living
- Architecture and Art
- Cities in the Transformation and Urban Culture
- Cities and Art throughout History

This track is connected to the Space Studies Research Direction of DAKAM

TRACK 02: NEW APPROACHES, NEW TECHNIQUES 
New Approaches
- Art and Everyday Life
- Non-traditional Forms of Exhibition
- Environmental Art
- Public Art and City
- Curatorship, Sponsorship and Art Criticism
- Multicultural and Interdisciplinary Issues and Sociological art
- The concept of "new" in Contemporary Art
- Ideology, Resistance and Art
- Affects of Political and Social Changes

New Techniques
- New media Art
- Interactivity in Art
- Computer-generated and Cybernetic Art
- Video Games as Works of Art
- Happenings and Performance Art
- Kinetic Art
- Experiments in Art and Technology
- Collaborative Art Projects


TRACK 03: BOUNDARIES BETWEEN ART AND EVERYDAY LIFE
- Spatial Order and Art
- The Art of Possibility
- Being a Flaneur/Flaneuse
- Cultural Politics of Everyday Life
- Design and Everyday Life
- Routine Practices: Arts of Doing
- Strategies vs. Tactics
- The Procedures of Everyday Creativity 
- Aesthetics in Everyday Life

This track is connected to the Everyday Life Research Direction of DAKAM

TRACK 04: GENDER, RACE, ETHNICITY AND CONTEMPORARY ARTS
- Ethnic Identity Representation in Arts
- Gender Studies and Arts
- Gender Roles in Arts 
- Feminist Theory and Feminist Art
- Multiculturalism and Art 
- Visualizing Racism
- Colonialism and Art
- Art Against Racism 
- Ethnographic Turn in Arts
- Social Justice and Inequality
- Violance and Arts

This track is connected to the Gender & Social Equality Studies Research Direction of DAKAM
http://www.contempartconference.org/p/themes.html 

TRACK 05: MATERIALS AND MEDIUM
- Different textures, surfaces, collage elements, papier collé and photomontage
- Electronic Media
- Animation and Video Art
- Installation Art
- Mixed Media
- The Body and New Forms of Performance Art
- Found Objects
- The Impact of Culture and Geography on Artists' Material Choices 

This track is connected to the Infrastructure Studies Research Direction of DAKAM

VENUE
The conference will be held at Cezayir Meeting Halls:
http://www.cezayir-istanbul.com/en/index.php
Cezayir building was built in 1901 as a school by the Italian Workers' Society. The building, with its 2005 renovation, has been transformed into a landmark establishment serving under the Cezayir Garden, Cezayir Lounge and Cezayir Rooms brands on its three floors. Housing a restaurant, a lounge, a bar and meeting rooms as well as providing a wide range of cultural events in its halls.

SCIENTIFIC COMMITTEE
António Gorgel Pinto / University of Lisbon
Milia Lorraine Khoury / Cape Peninsula University of Technology

ABSTRACT SUBMISSION
You can submit your abstract by entering the online registration system EASYCHAIR at 
https://www.easychair.org/conferences/?conf=contempart16 
You will receive a reply to your proposal within three weeks following a double-blind review process.

The Asia Symposium on Culture, Policy and Education 
April 24-26, 2016 at the KKR Hiroshima

Submissions Extended to Friday, March 11, 2016
Have a Question? secretariat(at)esdfocus.org

The 2016 Asian Symposium on Culture, Policy and Education »
In an increasingly globalized Asia, the impact of social change because of the economic, industrial and political developments among the nations that are located within it has been rapid and immense. Within a span of just over a century, Asia has been a major site of colonialism and decolonization; global warfare; political upheaval and regime change; the rise of new nations; ongoing ethnic and religious conflict; economic boom and recession; population explosion; cultural diasporas; viral epidemics; technological advancement; and severe environmental pollution and disasters.
While commentators and analysts have rightly recognized the vast changes that have shaped the Asian continent, it is also crucial to understand the continuities that are maintained even in the face of such impetus for change. Apart from change, what are the constants that are still resistant to change? In addition, what are the factors that have contributed to such ongoing resilience? Although it may be argued that the forces of globalization and development have set in motion a number of positive changes in the ways we live our lives, this has also been counterbalanced by the continuities of inequality and suffering for many others. More than often, the tide of change exists in a state of tension with the forces of continuity. Hence, in order for us to comprehend the forces of change, we must also engage the other forces that hold it back.
At the same time, attempts to mediate the tension between change and continuity have given rise to growing diversities. Driven partly by the forces of migration within a global economic order often guided by transnational markets of production or consumption, new political and social-cultural fragmentations and intersections within nation-states in Asia have emerged. In the face of such developments, the implications and challenges to efforts at sustainability are numerous. While it is increasing recognized that sustainability entails dimensions far beyond the ecological sphere, the next step is to examine and understand the impact of change and continuity and the resultant diversities that are contained within.
This inaugural 3-day symposium will provide an interdisciplinary platform for academics, researchers, policy makers, students and interested community members.  With the theme Culture, Education and Policy: Agents of Change, the symposium will be a wonderful opportunity to explore current research, trends, and insights about this phenomenon while expanding your professional networks.
  • Area Studies
  • Asian Studies
  • Cultural Studies
  • Cultural and Human Geography
  • Diaspora, Migration and Identity
  • Education
  • Educational Measurement and Evaluation
  • Education Technology and Globalization
  • Energy and Environmental Policy
  • Equity and Social Justice
  • ESL / EFL Education
  • Further / Higher Education
  • Gender and Sexuality
  • Healthcare and Social Support
  • Human Rights, Poverty and Hunger
  • Linguistics, Literature and Culture
  • New Social Movements
  • Politics and Conflict
  • Popular Culture
  • Population and Aging
  • Public Policy
  • Sociology and Social Work
  • Sustainable Development
  • Teacher Education
  • Urban Studies
  • Other Areas (please specify)

SYGMA 2016 will be held at the KKR Hotel
Hiroshima, Japan
April 24-26, 2016

Deadline for Abstracts Extended to Friday, March 11, 2016
Have a Question? secretariat(at)esdfocus.org



The International Symposium on Globalization and Media in Asia (SYGMA 2016)»
There is no term these days with greater salience and complexity to describe the modern world than “globalization.” Although it is most prevalent in discussions on economics, its manifestation and influence span political, social, cultural and ideological realms as well. But what does “globalization” actually mean? The sociologist Roland Robertson first defined it in 1992 as “the compression of the world and the intensification of the consciousness of the world as a whole,” clearly transforming our ideas of space through complex social relations and other processes.
Recent advances in information and communication technologies such as the digitalization of information coupled with sophisticated cable and satellite systems have helped the mass media advance the pace of globalization, shattering our notions of isolated societies by enabling unprecedented communication worldwide. This integration of societies has created an increased global interdependence or at least an interconnectedness whereby a nation’s actions have global effects, whether they are political, economical, cultural, etc. Furthermore, the mass media intensify this interconnectedness through the rapid flows and exchanges of information via radio, newspapers, television, film and the Internet, allowing media organizations to operate and distribute their products globally. In short the mass media are key agents in altering how humans think individually and collectively, transforming societies today.
Globalization and the proliferation of information and communication technologies by the mass media have brought many blessings; however, as these forces are sustained under the veil of desirable progress, inequality, conflict, poverty, and environmental/climate change, among other ill-effects, are often overshadowed and exacerbated. Moreover, the concentration of media firms in the hands of a few owners has serious consequences for the distribution of power and wealth both within and between countries.
As globalization and the role of the mass media intensify in the 21st century, it is crucial we deepen our understanding of them by challenging our assumptions and analyzing the changing dynamics they create. This inaugural 3-day symposium will provide an interdisciplinary platform for academics, researchers, policy makers, students and interested community members.  With the theme Globalization and the Mass Media: Agents of Change, the symposium will be a wonderful opportunity to explore current research, trends, and insights about this phenomenon while expanding your professional networks.
  • Advertising & Multimedia Campaigns
  • Business Communication
  • Communication Theory and Methodology
  • Corporate Identity and Branding
  • Critical and Cultural Studies of Communication
  • Film Studies
  • Gender and Communication
  • Global Issues and Public Policies
  • Globalization and Economic Policies
  • Globalization and Health Issues
  • Globalization and Social Issues
  • History
  • ICT, Telecommunications and Digital Media
  • International and Global Communication
  • Internet, Online News and Social Media
  • Mass Communication, Globalization and Society
  • Media and Democracy
  • Media and Sport
  • Media Education and Research
  • Media Ethics
  • Media Management
  • Media Regulation and Policy
  • Media, Climate Change and Environmental Studies
  • Media, Music and Entertainment
  • Media, Religion and Culture
  • Political Communication and Satire
  • Print Media (Newspaper, Magazines, Advertising)
  • Public Relations
  • Radio-TV Journalism
  • Scholastic Journalism
  • Visual Communication
  • Other Areas (please specify)