Concourse: capitalism

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Showing posts with label capitalism. Show all posts
Showing posts with label capitalism. Show all posts

Tuesday, January 2, 2024

CFP: Free #Virtual International #Conference on #Capitalism and #Literature -Istanbul Topkapi University- May 10-11, 2024.

 Call for Papers

            Capitalism has developed historically out of systems of feudalism and mercantilism in Europe, and dramatically expanded industrialization and the large-scale availability of mass-market consumer goods. Capitalist industrialization has led to the expansion of wage labour, grand-scale bureaucratization and increasing rationalization of the everyday life. The most distinguishing feature--in fact, the intrinsic rationale of capitalism—is, however, the relentless urge to make profit. As Adam Smith, the 18th century philosopher and father of modern economics, said: “It is not from the benevolence of the butcher, the brewer, or the baker that we expect our dinner, but from their regard to their own interest.” Smith points to the fact that butcher, brewer, baker, and their customers participate in a voluntary exchange transaction and have their own interest in the outcome. The exchange transaction takes place only and only if neither can obtain what they want without addressing what the other wants. The theorists of capitalism have always advocated that it is this rational self-interest that leads nations to economic prosperity. Studying literary works in conjunction with capitalism may enable us to discern literary take on the rational self-interest and desire for prosperity; the relationship between rational and acquisitive aspects of capitalism; the ways in which capitalist urge for profit governs human behavior; economic and social inequalities produced by such urge; capitalist exploitation and working class.

            Literary criticism provides theoretical contexts and discursive tools through which we may evaluate literary perceptions of the workings of capitalism and the ways in which literary texts engage with social reality governed by pure self-interest. A consideration of the critical perspectives further helps us investigate the literary representations of the identities and values shaped by capitalism. The engagements of literature with the political, psychological, and social consequences of capitalism have produced illustrious representations of alienation and disenchantment. Literary works have provided unique perspectives on the rationalization of everyday life, the psychology of consumption, and many other ethical issues relating to the tension between economic self-interest and basic human values. Such issues may be considered in critical addresses to literature and capitalism. We, therefore, invite critical inquiries into literary perspectives on capitalism and those who are interested in presenting their research at the 2024 Topkapi University Literature and Capitalism Conference. The scope of our conference is inclusive and is open to all research that contributes to the ongoing discussions of

  • Capitalism and class conflict
  • Anti-capitalism
  • Reification
  • Alienation
  • Social corruption
  • Exploitation of the working class
  • Working class movements
  • Exploitation of women
  • Marxism and literature
  • Social realism
  • Capitalism and war
  • Late capitalism and postmodern literature
  • Capitalism and ecological issues
  • Capitalism, technology and posthumanism

 

Research with a focus on the socio-political and psychological repercussions of globalization and neoliberalism is especially welcome. 

Abstract Submissions

Please submit an abstract, not exceeding 250 words, by March 11, 2024, to literaryconference@topkapi.edu.tr. Ensure to include the author’s full name and a concise biographical note (30 words or less) in your submission.

The event is scheduled to take place entirely online on May 10-11, 2024.

Attendance is free of charge for all participants.

https://t-litcon.topkapi.edu.tr/

Thursday, November 2, 2023

Call for Papers: Academic Conference on Terminator @40: Origins and Legacies

 An academic conference hosted by The Centre for Film, Television and Screen Studies, Bangor University, Wales 

18 & 19 June 2024 

The Terminator franchise has left an indelible mark on popular culture. In 1984, James Cameron’s dark vision of the future created a cultural shock that continues to resonate to this day not only in cinema but also in literature, art, design, gaming, and critical theory and is even credited with having spawned several aesthetic trends, such as tech-noir. What started as a film has now become a multi-media universe consisting of sequels, a television series, web series, comics, video games, board games, novels and theme park rides. The franchise is also frequently cited in debates related to multinational corporations, robotics, biopolitics, post- and transhumanism, artificial intelligence, and nuclear apocalypse. 

Hosted by the Centre for Film, Television and Screen Studies at Bangor University in North Wales, this symposium proposes to bring together scholars from diverse disciplinary backgrounds – such as cultural and screen studies; the history of art, design, fashion and architecture; musicology; philosophy; political sciences; computer science and robotics; literature; urban and ecological studies; and race, gender, queer and sexuality studies - to explore The Terminator forty years after its release, explore its origins and legacies and consider its position within wider visual culture.  

We welcome contributions from any perspective such as (but not limited to) the following: 

Terminator and its origins, influences, production, publicity, reception and afterlife 

Terminator and aesthetics  

Terminator and biopolitics, posthumanism and urban planning. 

Terminator and capitalism, neoliberalism, post-industrialism and multinational corporations 

Terminator and design 

Terminator and ecological studies 

Terminator and fandom and ‘cult’ 

Terminator and gender 

Terminator and James Cameron 

Terminator’s multi-media franchise (sequels, television, web series, comic books, video games, board games, novels and theme park rides) 

Terminator and psychoanalysis 

Terminator and race, ethnicity and/or the “Other” 

Terminator and robotics, artificial intelligence, cybernetic organisms, the transhuman and post-human 

Terminator and sci-fi 

Terminator and sexuality 

Terminator and stardom 

Terminator and tech noir, retrofuturism, future noir, and cyberpunk.  

 

We are applying for funding to facilitate postgraduate and unwaged participation. 

 

Please submit an abstract here by 1 March 2024.  

 

For further information, please contact the organisers Professor Nathan Abrams (Bangor University) and Dr Elizabeth Miller (Bangor University) at TerminatorConference@gmail.com 

 

Best,

Contact Email
TerminatorConference@gmail.com