Concourse: postcolonial studies

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Showing posts with label postcolonial studies. Show all posts
Showing posts with label postcolonial studies. Show all posts

Thursday, April 11, 2024

Call for papers: "History and Memory: Epistemological Reinterpretation of #Africa's #Past in a #Post_Colonial Context" -Práticas da História: Journal on #Theory, #Historiography and Uses of the Past (#SCOPUS, Open Access)

 Call for papers for Práticas da História: Journal on Theory, Historiography and Uses of the Past (SCOPUS, Open Access)

 

Theme: History and Memory: Epistemological Reinterpretation of Africa's Past in a Post-Colonial Context

Editors: João Pedro Lourenço (Instituto Superior de Ciências da Educação de Luanda), Maria da Conceição Neto (Universidade Agostinho Neto)

 

The extraordinary advances in historiography on Africa and in Africa in the 60s and 70s of the twentieth century, running parallel to the contestation and end of colonial empires, were not accompanied by an equivalent pace of transformation in the teaching of history in African countries, in terms of theories, methods and organization of content to be transmitted. After several decades, the distance remains between the "decolonizing" effort in historiography, with some success, and the way history is taught to young Africans, still reflecting a Eurocentric vision of the history of humankind, whether in periodization or in selection of the most relevant themes. In general, the history of Africa continues to be studied in a fragmented way, with little emphasis on its connections with world history, in which it only appears fully integrated with (as a result of) European expansion and subsequent colonization. Despite the now classic reference to the continent as the "cradle of humankind", there are still narratives that do not take into account the temporal depth of African history, its ancient relationships with other spaces and the diversity of historical situations before, during and after European colonial exploitation. Inadequate and Eurocentric periodizations also prevail, whether for world history (the already much criticized division of the four "Ages") or for the history of Africa (a "pre-colonial period" for millennia of history). UNESCO's commendable efforts were important but insufficient to overcome Africa´s external dependence (mostly from former colonizing countries) in terms of the production of didactic content and means of teaching history, from basic to university level.

It is important to better understand what is happening in different African countries, at the level of the Academy but also in other spaces where social memory and history confront each other, and how political, ideological, economic and linguistic factors interfere in those situations. In the case of the former Portuguese colonies, which will soon celebrate 50 years of independence, there are additional factors, such as the later end of colonial rule and the delay in historiography about Africa that occurred until recent decades, both in Portugal and in Brazil. Despite current progress, most of the bibliography essential for the study of world history, and of the African continent in particular, is not available in Portuguese.

This special issue of Práticas da História is interested in receiving contributions, referring to colonial and post-colonial African contexts, that explore, question and/or reflect on aspects such as:

- The (im)possibility of epistemological autonomy of African Universities: debates and concerns around History Courses, Curricula and Programs.

- The relationship between historical discourse validated by scientific institutions and other forms of social and collective memory, generally ignored in educational institutions, despite their social importance.

- The way in which memory, history and contemporary policies of African national states intersect in spaces of debate and knowledge production, on the continent and beyond.

- The penetration and impact on the historiography of digital humanities - and the possibilities and difficulties, in the African context, of articulating the teaching of History with the world of digital information.

- The place and contribution of historiography and the teaching of History in the construction of memory in Africa, considering the multiple relationships between the constructions of historiographical discourses, public spaces and the public sphere.

- Policies for the construction of archives, public libraries and other infrastructures, as well as the constitution, dissemination and access of funds and collections, a condition for democratic processes in the construction of public memories.

- The relationships between African historiography and Africanist historiography - networks, internationalism, issues of power, publishing markets and their impacts.

- The construction and teaching of "national histories" in the face of the risk of teleological and anachronistic interpretations, projecting current borders into the past.

- The use of the past (known, imagined, manipulated) by different social actors (political parties, unions, churches, groups and social movements, individuals and collectives of citizens or others) as a place of confrontation, contradiction and legitimation.

 

Proposals (maximum 500 words) must be sent by 31 July to praticashistoria@gmail.com, accompanied by a short biographical note from the author(s). Your acceptance or refusal will be communicated by 10 September. Articles from accepted proposals must be submitted by 15 December. Contributions are accepted in Portuguese, English, Spanish and French.

 

Contact Email
praticashistoria@gmail.com

Tuesday, April 2, 2024

CFP: Call for Additional Chapters--Reiterating #Urbanisms: Staging the City in #Literature and #Media from the Global South

 





We are seeking additional chapters for our volume. Proposals for chapters discussing cities of Southeast Asia and Latin America are invited. Proposals for essays within 500 words and a short bio are to be submitted by April 30, 2024, with complete articles within 8,000 words (excluding works cited and endnotes), expected by June 15, 2024. We are using the MLA Handbook 8th Edition in this book. Submissions of abstracts, completed essays, and queries will be directed to citiesglobalsouth@gmail.com. For details regarding the scope of the volume, please refer to the original CFP below.

 




Original CFP below:

The Global South has become a representative of political, social, economic, and, to some extent, geographical markers of the countries that fall under the scaffolding of the term. However, the Global South is more than the sum of its parts: it has been gradually shaping up to be a cultural denominator that shapes national and cultural imaginaries into producing artefacts of literary and media consumption, sociopolitical/geopolitical commentaries that develop new narratives of and for the geographies that join together and form this Global South or the postcolony. For a term that has historically come to categorise nations with lower levels of industrialisation, lower per capita incomes, and a history of colonialism or dependence on the Global North, stretching across Africa, Latin America, Asia (barring Japan), and the Caribbean, the Global South is the site for massive upscaling in urbanisation as demographies strive to shift from areas of geographical disadvantage to urban centres that offer better amenities and economic prospect. Current urbanisation projections suggest that cities in the Global South, especially in East Asia, South Asia, and Africa, could be at the receiving end of 96% of an over three billion increase in urban population by 2050 (UN-Habitat 2020), while the global projections for net urban demography stand at growing from 55% presently to 68% by 2050. The growth in the urban population in the Global South far outpaces the growth of population, let alone urban demography growth in the Global North, which has started to show a decline in urbanisation over the past couple of decades (Quintero and Restrepo 2019). Starting with the postcolonial epoch beginning towards the end of the long nineteenth century and lasting till the later decades of the twentieth, the Global South has slowly and surely carved out an identity for itself and its population centres, urbanising in its own way, not resorting to the practices laid out by the Global North, but rather adapting the cities to the unique demographies that reside in them, the issues of resources, overpopulation, congestion, residual underdevelopment, disparities, deficits, and marginalisation. Due to the significant affiliation that urbanisation has had with the psyche of the Global South, these urban clusters are an intricate part of their cultural manifestations.




Whether it is the postcolonial city itself (Mumbai, Delhi, Rio De Janeiro, Manila, Shanghai, Hong Kong, Jakarta, Cairo, Lagos, and many others) or the postcolonial subject in a city of the Global North, manoeuvring the politics of the colonial geography with their postcolonial identity, literature, and media from the Global South has interacted heavily with the city. These interactions have also, in turn, produced new historiographies of the city, new hagiographies, geographies, radical politics, social and cultural paradigms, and polarisations, and the affectations of overlapping media, languages, religions, and practices in a boiler pot often found missing in their counterparts from the Global North. Cities are not merely historical or cultural but simultaneously ahistorical and influential characters in these artefacts. As such, it is often difficult to isolate the idea of the urban from the works of literature and visual media that conform to these standards. Whether it is in the fiction, poetry, and theatre of Rushdie or Achebe, Garcia Márquez, Emecheta, Naipaul, Mistry, Anita and Kiran Desai, Ondaatje, Karnad, Davis, Fugard, Suleri, Césaire, Walcott or Adichie, or the cinema of Mrinal Sen, Satyajit Ray, Apichatpong Weerasethakul, Wong Kar-wai, Ann Hui, Lav Diaz, Tsai Ming-Liang, Hou Hsiao-Hsien, Eric Khoo, Fernando Meirelles, Alejandro Amenábar, Alejandro González Iñárritu, Alfonso Cuarón, Neill Blomkamp, Garin Nugroho, Moufida Tlatli, Djibril Diop Mambéty, and Mohammed Lakhdar-Hamina among several others, the city has been a staple that has either been the staging ground for the narrative, part of the ecology, stood in contrast or as an opposition to the focus of the narrative. 

The proposed edited volume seeks to look at this dynamic relationship between cities and their cultural artefacts, the literary and other medial production that emerges out of the interactions between the geography and the writer/director, and acts as a performative agent or actant towards developing a new consciousness for the cultural manifestations of the Global South. We seek essays looking at authors, poets, playwrights, directors, and artists whose works have explored the dynamism between the population and the urban centres, directly or tangentially. Essays could focus on multiple works by the same creator, their entire oeuvre, or individual pieces, or even offer comparative studies between the works of diverse creators, but must seek to unravel the urban ethos contained within these narratives or how the city functions within the narrative paradigms laid out by their creators.

Deadline for Submissions: 
April 30, 2024
Full name / Name of organization: 
Subashish Bhattacharjee and Indrajit Mukherjee


Saturday, December 23, 2023

CFP: Virtual International Interdisciplinary Conference on "MEMORY, FORGETTING AND CREATING" 18-19 January 2024








 

ABOUT CONFERENCE: 


In our increasingly fast-paced societies, where information is abundant and its reception is superficial, human memory appears to be an endangered phenomenon. This is why we would like to take a closer look at the complex processes of memory. These include forgetting, neglecting, negation, and detachment, along with creating, recollecting, remembering, regaining memories, and reconstructing one’s relationship with the past. We are deeply interested in examples and consequences of altered memories: invention, fabrication, deception, indoctrination or propaganda. We invite reflection on mutual relations between memory and imagination, fantasising and manipulating, forgetting and creating.
We would like all these problems to be contextualised as broadly as possible, with reference to historical, social, religious, cultural, psychological, artistic and other factors. Different forms of presentations are encouraged, including case studies, theoretical investigations, problem-oriented arguments, and comparative analyses.
The conference is intended as an interdisciplinary event. Hence, we invite researchers representing various academic disciplines: anthropology, history, sociology, philosophy, psychology, psychoanalysis, neurophysiology, literary studies, theatre studies, film studies, memory studies, consciousness studies, dream studies, gender studies, postcolonial studies, animal studies, medical sciences, psychiatry, social policy, cognitive sciences and others.
We will be happy to hear from both experienced scholars and young academics at the start of their careers, as well as doctoral and graduate students. We also invite all persons interested in participating in the conference as listeners, without giving a presentation. We hope that due to its interdisciplinary nature, the conference will bring many interesting observations on and discussions about the role of memory in the past and in the present-day world.
Our repertoire of suggested topics includes but is not restricted to:

1. Lost Memory:

- forgotten history
- forgotten nations
- forgotten heroes
- forgotten legacy
- forgotten times
- forgotten revolutions
- forgotten identity
- forgotten authors
- forgotten texts
- forgotten languages

2. Memory Loss:
- amnesia
- Alzheimer’s disease
- dementia
- sclerosis
- selective memory
- repression
- psychopathology of everyday life

3. Stolen Memory:
- denationalisation
- eradication
- expulsion
- disinheritance
- exclusion
- manipulation
- propaganda
- indoctrination
- Holocaust (and other genocide) denial
-“historical politics”
-“cultural revolution”

4. Abandoned Memory:
- non-action
- negligence
- indifference
- insouciance
- decline of attachment
- emotional atrophy
- disownment
- betrayal

5. Memory as a Trap:
- the terror of memory
- trauma
- post-memory
- memory and mourning
- nostalgia
- fixation
- the return of the repressed
- “primal scenes”
- compulsions
- stereotypes

6. Memory Regained:
- recollection
- anamnesis
- insight
- epiphany
- “time regained”

7. Dubious Memory:
- déjà vu
- confabulation
- fabrication
- rumour
- apocryph
- parallel histories

8. Memory and Imagination:
- facts and phantasms
- political phantasms
- historiography and fantasizing
- the realness of memories
- national mythologies
- reconstructions and narrations
- memory and representation
- memory and fiction
- non-fiction
- autobiography
- para-documentary film
- imagination in mnemonics
- collective memory and collective imagination

9. Memory and Art:
- literature, art, film, theatre as memory “media”
- socially engaged art: artists in defense of memory
- Joseph Conrad and Heart of Darkness
- Marcel Proust and In Search of Lost Time
- Thomas Mann and The Magic Mountain
- Gabriel Garcia Marquez and One Hundred Years of Solitude
- Tadeusz Kantor and the “cliches of memory”

10. Memory and Science
- mirror Neurons
- diseases and syndromes of memory
- “creating memory” in the lab
- memory of matter (inorganic memory)
- memory processing in technology

Please submit abstracts (no longer than 300 words) of your proposed 20-minute presentations, together with a short biographical note, by 31 December 2023 to: conferencememory@gmail.com  or by REGISTRATION FORM
Notification of acceptance will be sent by 3 January 2024.

The conference language is English.

Note:
As our online conference will be international, we will consider the different time zones of our Participants.
The conference will be held virtually via Zoom. Different forms of presentations (also posters) are available


REGISTRATION :
In order to participate in the conference (as a speaker or an audience member) you need to pay a REGISTRATION FEE via bank transfer or PayPal:

PRESENTERS: EUR 35 or USD 40 or GBP 35 or PLN 120 - by 11 January 2024
AUDIENCE MEMBERS: EUR 25 or USD 30 or GBP 25 or PLN 70 - by 17 January 2024

NOTE: We offer a discount for our returning Participants.

THE FEE COVERS:
- LIVE access via individual link to all conference sessions (without installing any additional applications)
- the conference programme in PDF
- certificate of attendance  for Presenters and Audience Members (sent by email or/and by post)
- online community gathering
- easy access on any device (phone, tablet and computer) with the possibility to join or leave the conference at any time


Banking details:
Beneficiary name: InMind Support Beneficiary Address: Jelitkowski Dwor 4
Beneficiary Bank name: SANTANDER   
The SANTANDER Swift code is:  WBKPPLPP
Beneficiary Bank account numbers (IBAN):
Payment in PLN:           
95 1090 2590 0000 0001 4259 8763   
Payment in EUR:           
PL58 1090 2590 0000 0001 4259 8847     
Payment in USD: via PayPal - please ask for a special link     

In the description field, please quote your first and last name and a note " memory conference".
All banking charges are to be covered by the Sender.                                                                                                                                                                                                                                                                                                                                            
NOTE: PAYPAL PAYMENTS (USD, GBP or EUR) ARE ALSO ACCEPTED (on request) - Please ask for a  link.
 
CANCELLATION FEES:
3 months before the conference and more - 50%
from 3 months to 1 month - 75%             
1 month before the conference and less - 100%                 
 

Scientific Committee:
Professor Wojciech Owczarski – University of Gdańsk, Poland
Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology