ABOUT CONFERENCE:
Scientific Committee:
Professor Wojciech Owczarski – University of Gdańsk, Poland
Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology
ABOUT CONFERENCE:
Scientific Committee:
Professor Wojciech Owczarski – University of Gdańsk, Poland
Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology
The French philosopher Michel Foucault’s (1926–84) work has had a major effect on scholars of art and visuality since Les Mots et les choses (1966) appeared in English in 1970 as The Order of Things. His radical ideas galvanized artists and art writers into many different directions: to insert ruptures and incoherence into history; to reimagine the subject, subjectivity, and identity; to politicize the realms of vision, visuality, and visibility; to formulate critical approaches to technology and media; and to scrutinize the inner workings of art institutions, including museums, schools, and archives. The versatility of Foucault’s thought greatly contributed to major shifts across disciplines, including the interventions of the “new art history” in the 1970s, multiculturalism and identity politics in the 1980s, visual and cultural studies in the 1990s, the questions of contemporaneity and globalization in this century. Owing to the posthumous publications of his lectures and the papers deposited at archives internationally, Foucault’s oeuvre continues to shape current discussions on methodological, political, and ethical assumptions regarding visualities and art histories forty years after his death.
Drawing from four decades of research in the arts, humanities, and social sciences, this two-day symposium proposes a critical assessment of the ways that Foucault’s influence intersects with current inquiries into art, visual culture, and their technologies. The organizers invite thirty-minute paper proposals that historicize and challenge the established patterns of Foucault’s reception in art history, archaeology, museology, visual anthropology, philosophy of art, aesthetics, film and media studies, visual culture, art education, and research-creation. We hope to form an eclectic lineup of speakers who have been engaging with the French thinker’s legacies from critical perspectives informed by the urgent issues of today, such as global inequity, decolonization, Indigenous sovereignty, race and ethnicity, post-truth, artificial intelligence, gender identities, environmental crisis, immigration, and diaspora. We will ask: How has Foucault’s thinking—ultimately concerned with human existence in a time of crisis—emerged from and contributed to the visual arts and material culture in the twenty-first century?
The symposium is part of the World Congress “Foucault: 40 Years After,” a global series of events commemorating the fortieth anniversary of the philosopher’s death (https://foucault40.info). In efforts to reduce environmental impact and to prevent duplication with other events, we solicit proposals from researchers and artists based in North America. We welcome proposals that are international in the scope of research as well as those anchored in specific regional contexts, including Canada, for example. Please send a one-page, single-spaced proposal and a short biography to foucault2024@gmail.com by January 22, 2024. The organizers are working on securing funding, which, if successful, would allow financial support for participants. We thank the peoples of the Mississaugas of the Credit, the Haudenosaunee, the Anishinaabe, and the Huron-Wendat, on whose unceded lands the event will be held.
Organizers:
Anton Lee. Assistant Professor of Art History, Theory, and Philosophy, NSCAD (Nova Scotia College of Art and Design) University
Catherine M. Soussloff. Professor Emerita of Art History, Visual Art, and Theory, University of British Columbia, and History of Art and Visual Culture, University of California, Santa Cruz
Collaborator/Local Host:
Charles Reeve. Professor of Visual and Critical Studies, Associate Dean of Arts and Science, OCAD University
Confirmed Speakers:
Andrew Gayed. Assistant Professor of Art History and Visual Culture, OCAD University
Amelia Jones. Robert A. Day Professor of Art and Design, Vice Dean of Faculty and Research, Roski School of Art and Design, University of Southern California
Louis Kaplan. Professor of History and Theory of Photography and New Media, Graduate Department of Art History, University of Toronto
Tavia Nyong’o. Professor and Chair of Theater and Performance Studies, Professor of American Studies, Professor of African American Studies, Yale University
John Rajchman. Adjunct Professor in Art History and Archaeology, Columbia University
T’ai Smith. Associate Professor of Art History, Visual Art, and Theory, University of British Columbia
Kyla Wazana Tompkins. Professor and Chair of Global Gender and Sexuality Studies, State University of New York at Buffalo
Anton Lee. Assistant Professor of Art History, Theory, and Philosophy, NSCAD University
The Anthropocene refers to a proposed epoch that recognizes the significant and lasting impact of human activities on the Earth's geology and ecosystems. This concept has gained prominence in discussions about environmental change and serves as a framework for understanding the profound alterations humans have made to the planet. Postcolonial perspectives often highlight the role of colonial powers in exploiting natural resources from colonized territories. The Anthropocene can be seen as an extension of this historical exploitation, with the environmental consequences affecting not only the colonized regions but the entire planet. Postcolonial discussions emphasize the disproportionate impact of environmental changes on marginalized communities, particularly those in the Global South. Climate fiction within this context may explore how vulnerable populations bear the brunt of ecological disruptions caused by human activities.
Postcolonial thinkers often explore the concept of hybridity, wherein cultural and ecological systems blend and adapt. Climate fiction set in the Anthropocene could envision new hybrid ecosystems and cultures emerging as a response to environmental challenges. Climate fiction within a postcolonial framework may also depict narratives of resistance and decolonization, where communities strive to regain control over their environments and challenge the systems that perpetuate ecological exploitation. Postcolonial perspectives will help to examine how historical global power structures contribute to the environmental issues and how collaborative efforts are needed for sustainable futures.
Climate fiction, as a genre, allows authors to speculate on future scenarios shaped by climate change. In the context of postcolonial discourses, these narratives can serve as a platform for envisioning alternative futures and challenging existing power dynamics. Both postcolonial discourses and climate fiction can recognize the intersectionality of environmental issues, considering how factors such as race, class, and gender intersect with ecological challenges in the Anthropocene. In exploring the Anthropocene through postcolonial discourses and climate fiction, it's essential to consider the diverse perspectives and voices that contribute to a comprehensive understanding of the complex interplay between human activities, historical legacies, and the environment.
When exploring the Anthropocene within postcolonial discourses and climate fiction, several sub themes emerge. We invite scholars to submit abstracts/paper proposals that addresses the following (but not limited to) issues contextualised in the narratives and discourses:
Climate Change Narratives and the Reader
Climate change narratives within a postcolonial framework often highlight the role of colonial histories in shaping environmental degradation. Readers need to engage with narratives that explore how past exploitation continues to impact vulnerable communities, contributing to a broader understanding of environmental injustice. Readers, particularly those from more privileged backgrounds, need to recognize their own positionality and engage empathetically with characters and communities affected by climate change in postcolonial narratives. This encourages a deeper understanding of the intersecting issues of climate justice and social inequality.
Postcolonialism and Ecojustice
The intersection of postcolonialism and ecojustice involves exploring how colonial histories, structures, and power dynamics contribute to environmental injustices and how postcolonial perspectives can inform efforts toward a more equitable and sustainable world. Ecojustice discussions within this framework delve into how colonial practices, such as resource extraction and land dispossession, have lasting ecological consequences, leading to environmental degradation and imbalances. The intersection of postcolonialism and ecojustice offers a critical lens to examine and address environmental injustices rooted in colonial histories
Intersection Of Gender, Class and Ethnicity and the Anthropocene
The intersection of gender, class, and ethnicity within the Anthropocene involves examining how environmental changes, human activities, and the impacts of climate change intersect with and exacerbate existing social inequalities. The Anthropocene, marked by significant human-induced environmental changes, disproportionately affects marginalized communities. Exploring the intersection of gender, class, and ethnicity within the Anthropocene is essential for understanding how environmental changes interact with existing social structures and inequalities.
Ecological Language for Sustainability
In a postcolonial framework, adopting ecological language for sustainability involves recognizing the importance of diverse cultural perspectives, respecting traditional ecological knowledge, and challenging colonial legacies that contribute to environmental degradation. Using ecological language that aligns with postcolonial principles ensures a more inclusive and culturally sensitive approach to sustainability.
Role of History in Promoting Sustainability
History plays a multifaceted role in promoting sustainability by offering valuable insights, guiding decision-making, and fostering a deeper appreciation for the interconnectedness of human societies and the environment. Examining historical practices can reveal sustainable traditions and lifestyles that were in harmony with the environment. Incorporating these practices into contemporary approaches fosters a connection with nature and promotes sustainable living.
AI And Bioethics
Stories often depict complex relationships between humans and AI entities. Ethical questions arise about the rights and treatment of these artificial beings, exploring themes of empathy, exploitation, and the blurring of the line between the artificial and the human. AI and bioethics in literature raise profound existential questions about the nature of consciousness, identity, and what it means to be human. Narratives explore the ethical considerations of using AI and biotechnology in medical contexts, including genetic engineering, personalized medicine, and the implications of manipulating the human genome.
The Anthropocene and The Posthuman Condition
As humans alter the planet on a global scale, the concept of the posthuman condition explores how evolving technologies, environmental changes, and societal shifts shape the future of humanity. The integration of AI into daily life prompts reflections on human identity, consciousness, and the implications of coexisting with intelligent machines. The posthuman condition explores developments such as bioengineering, genetic modifications, and the integration of digital technologies into the human body, leading to new forms of existence.
Representation of Natural Spaces and Landscapes
Postcolonial literature may explore how cultural ecologies and the meaning of landscapes are shaped by colonial histories. The representation of natural spaces might delve into the ways in which cultural identities and connections to the land are impacted by colonial interventions.Narratives within a postcolonial framework may address the displacement and loss of land experienced by indigenous and local communities. Discussions about restoration and conservation can be framed within the context of reclaiming or preserving indigenous and local ecological knowledge.
Important Information:
Last date for receiving abstracts within 250-300 words with 4-5 keywords: 20.12.2023
Information about acceptance of abstracts: 22.12.2023
Last Date for Full Papers(2500-3500 words): 31.12.2023
Submission must be made only in MS Word Document attached to the email.
MLA 9th Edition must be followed strictly for in-text citation and Documentation.
Selected Papers will be peer reviewed and published in the Conference Proceedings bearing ISBN Number.
Registration details:
All co-authors should register as delegates.
Last date for Registration: 01.01.2024
Registration Fee: 1500 INR
(Registration fees entitles you for a Conference Kit, Tea & Snacks, Two working lunches
No TA/DA or Accommodation will be provided
Research Scholar: Rs1200/-
Kindly send abstracts to and seek information from: engdept.scs@gmail.com
contact email:
Patron
Prof. Mihir Prasad Mishra, Principal
Convenor
Smt. Sasmita Pramanik, H.O.D. English
Co-Convenor
Dr Rabindra Kumar Pradhan, Asst. Prof of English
17th ESSE Conference 2024 Lausanne 26-30 August 2024
(please note, only members of one of the European Association for English Studies or similar can present papers at the Conference, so you should consider applying for one before sending a proposal)
Recent debates in so-called Commonwealth nations have raised issues about the representation of others and the way in which an Other is o;en defined through a distorted vision stemming from the sustaining of imperial/nationalistic practices that may been even more significant in the late 20th and the 21st Centuries at a global level. The place of Europe in former colonies is still paramount with the binary centre/margin, locating the non-European Other in a liminal space and, in fact, conveying a nostalgia for an imperial past.
Please send your proposals to both:
The D.H. Lawrence Society of North America is pleased to share the CFP for the next Virtual Graduate Conference in D.H. Lawrence Studies. It is scheduled for Saturday, 18 May 2024 and will take place over Zoom. The theme for the event is “Lawrence & Ecology.” Please circulate the poster (attached) and the information below widely.
The DHLSNA welcomes abstracts on approaches to the theme of "Lawrence & Ecology." Papers may address any "ecological" aspect of D.H. Lawrence's fiction, poetry, essays, travels, and place in the wider discourses on modernism and/or ecology. We are especially interested in papers that address Lawrence's work in the contexts of the Anthropocene, human/animal difference, resource extraction, theories of relation or interconnection, new formalisms, the history of science, and new materialism.
Please email abstracts of 200-300 words (plus bio of 100 words) by 29 February 2024 to Benjamin Hagen, Associate Professor of English at the University of South Dakota and Vice President of the DHLSNA (Benjamin.Hagen@usd.edu). Notices of acceptance will be sent by 15 March 2024. There is no conference fee, but DHLSNA membership is required for presenters ($10 USD student rate).
Learn more about how to join the society here: https://dhlsna.bravesites.com/join.
Theme:
Up for a challenge? An Open Call to all Old English Scholars—
Join us in June at “The Odd Words in Beowulf” Roundtable in St. Louis at the “Symposium on Medieval Studies.” The ivory halls will heat up with a groundbreaking discussion that fundamentally will change our current understanding of Beowulf.
Why are there so many odd words in Beowulf? Those one-time example words, found nowhere else in the Old English corpus. Each roundtable will examine five example words found in An Anglo-Saxon Dictionary (https://lrc.la.utexas.edu/books/asd/index-introduction) that give just one citation line for each word.
Those first five words are: lārena (269), unhār (357), werhðo (589), mān-fordǣdlan (563) and icge (1107) or another one-time word of your choosing from Beowulf. No duplications, so first-come, first-served.
Re-examine your word choice(s) in context.
Are the spaces in the right places? The Beowulf manuscript is infamous for inconsistent or missing spaces.
Are there words inside of a word?
Are there letter rune(s) inside the word?
[Letter runes are the letter(s) for the phonetic beginning letter of the runic word from the Elder Futhark and/or the Anglo-Saxon Futhorc alphabets, e.g.: i is for īs/ice, etc.]
Is there a scribal error and/or a variant?
In 250-words, break down your odd word into its actual words. Provide a bilingual translation of that line along with the lines before and after. At the Roundtable, explain your methods and your epiphany in 10-minutes. [Letter Rune Charts provided to all Presenters.]
For questions or guidance, contact Jim Buckingham at wibuck50@gmail.com
Send your 250-word abstract and a 50-word bio to Jim Buckingham at wibuck50@gmail.com
Before the Deadline: December 31, 2023
Conference Website: https://www.smrs-slu.org/