Concourse: aesthetics

Amazon

Showing posts with label aesthetics. Show all posts
Showing posts with label aesthetics. Show all posts

Thursday, January 4, 2024

CFP: Two Day Symposium on #Routes beyond #Roots: #Indian #Performing #Arts and Virtual Culture(s) Dublin, Ireland- June 2024



Over the last number of years, Indian classical dance traditions have seen major shifts in terms of practice, pedagogy, and performance, both ‘at home’ in India and in diaspora contexts. These changes have been intensified most recently by two primary and co-related phenomena; the global adoption of specific algorithmic social media and streaming platforms, and lockdown restrictions imposed in response to the Covid-19 pandemic. What happens to the embodied physical presence on virtual platforms? How has the format of the art form been modified to fit in digital spaces? What do these transformations mean for the future of the dance forms? How are socio-political issues embedded and addressed in such spaces?

Recognising these mediations on digital dancing bodies and the scope of such largely unexplored digital interventions in Indian classical dance, we call for a symposium to contribute to a growing body of dance research. This two-day symposium to be held on the 13th and 14th of June 2024 and hosted by University College Dublin (Ireland), aims to bring scholar-practitioners, artists, and researchers working with Indian dance together in order to explore these recent transformations. Dr Prarthana Purkayastha (Royal Holloway University of London), whose crucial work revolves around the intersections of Indian dance studies and transnationalism, identity, diaspora, and decoloniality, will deliver the keynote address.


We invite presentations, performances, and discussions that will help us to (re)imagine and (re)interpret Indian dance as it exists in digital cultures, both in India and in the diaspora. While we are particularly interested in the critical evaluation of Indian dance traditions transformed by or with social media platforms, our definition of digital culture is intentionally broad and we call for scholars working across disciplines to explore movement from various methodological perspectives. By facilitating multiple modes of thinking and learning together, we hope to encourage new pathways of engagement with an ever-growing and transnational Indian culturalscape. We invite proposals for one hour panels or roundtables (3-4 people), or single 30-minute presentations, film screenings, lecture-demonstration and/or workshops from scholar-practitioners, artists, and researchers. 



Topics include (and need not be limited to):


  • Digital Dance Histories, Archives, and Documentation
  • Post-Pandemic Dance Discourse
  • Online Embodiment and New Ethnographic Approaches
  • Practice-Research and Collaborative Research
  • Technology and Digital Platforms in Dance making Processes
  • Social Media, Trends, and Challenges
  • Virtual Dance Festivals
  • Digital Placemaking and Dance Communities
  • Dance and AI
  • Gender, Caste, Ethnicity, Nationality, and Race (Online and Offline)
  • Dance and the Diaspora
  • Pedagogical Transformations and Challenges

The deadline for proposals is 10 January 2024. Please send in your proposals with the following information to digitalroutes2024@gmail.com:


Name

Institutional Affiliation (if any)

Type of Presentation

Abstract (Max. 300 Words)

Biography (Max. 100 Words)

Please note that this is an in-person event at University College Dublin, Ireland. Details on accommodation will be provided after proposals are accepted.



CFP: Virtual International Conference on "Narrating Lives"- Storytelling, (Auto)Biography and (Auto)Ethnography: Rome- May 2024.



Life-history approach occupies the central place in conducting and producing (auto)biographical and (auto)ethnographic studies through the understanding of self, other, and culture. We construct and develop conceptions and practices by engaging with memory through narrative, in order to negotiate ambivalences and uncertainties of the world and to represent (often traumatic) experiences.

The “Narrating Lives” conference will focus on reading and interpreting (auto)biographical texts and methods across the humanities, social sciences, and visual and performing arts. It will analyse theoretical and practical approaches to life writing and the components of (auto)biographical acts, including memory, experience, identity, embodiment, space, and agency. We will attempt to identify key concerns and considerations that led to the development of the methods and to outline the purposes and ethics of (auto)biographical and (auto)ethnographic research.

We aim to explore a variety of techniques for gathering data on the self-from diaries to interviews to social media and to promote understanding of multicultural others, qualitative inquiry, and narrative writing.

Conference panels will be related, but not limited, to:

  • Life Narrative in Historical Perspective
  • Qualitative Research Methods
  • Oral History, Memory and Written Tradition
  • Journalism and Literary Studies
  • Creative Writing and Performing Arts
  • (Auto)Biographical Element in Film Studies, Media and Communication
  • Psychoanalysis and Psychotherapy
  • Narrative Medicine
  • Storytelling in Education
  • Ethics and Politics of Research
Submissions may be proposed in various formats, including:

Individually submitted papers (organised into panels by the committee)
Panels (3-4 individual papers)
Posters
Proposals should be sent to: life-history@lcir.co.uk.

Deadline for Abstracts: March 01, 2024.



Dr. Elena Nistor

Friday, December 29, 2023

CFP: #Environmental #Racism and #Environmental #Casteism: A Reading of #African #American and #Indian #Dalit #Literature- #Springer Publications




Environmental injustice or Environmental discrimination or Environmental inequality occurs when a certain powerful and dominant group of people has a hold of environmental resources and the marginalized community is deliberately left to live on the leftovers or scarcity. This scarcity is a marker of the status of the marginalized groups/communities in the world. Nature never discriminates among its individuals because of race, caste, creed, class, gender, skin color, etc. However, power politics in the ‘world-society’ set-up leads to injustice and inequality of resources. The articulation of environmental injustice finds its articulation in literary spaces which forms an imperative focus of the various organizations and institutions and thus cannot be ignored. The present work explores and investigates the expression and articulation of environmental inequality in literature in the context of environmental racism and environmental casteism. Environmental racism and environmental casteism is a form of ‘institutional discrimination’ which leads to the domination of white/upper castes on the environmental resources and disposal of harmful waste in communities of colour and low castes.

Everyone has the right to enjoy the bounties of nature. One should not be distanced from fresh water and air because of skin colour, race, caste, class, gender or creed. Every government must take care of the basic needs of the citizens without being biased. Unfortunately, since they arrived in the New World, blacks have not only been exposed to political and social exclusion but also to environmental threats. Racist policies of the dominant white society ensured that blacks stayed in vulnerable neighbourhoods and localities from slavery till the present. On the other hand, whites have been enjoying more healthy and clean surroundings thereby giving birth to the idea of white being clean and black being dirty, as Carl Zimring puts it. Subsequently, blacks succumb to diseases, death, and disintegration, both physically and psychologically. After the enactment of civil rights, one comes across a new agitation rampant in American streets. This movement was largely organized by blacks along with other marginalized groups such as native Indians, Hispanics, and Asian Americans. These groups were demanding Environmental Justice. They argued that white America had not treated them well. Their neighbourhoods were converted into junkyards of industrial waste; consequently, their existence was at stake. They were fighting for political representation so that they could decide their fate. The protest aimed to stop the dumping of industrial waste due to which they and their children had become vulnerable to diseases and death.

African American writers demonstrate through their writings blacks struggle for the basic amenities of life which were not possible because of dirty and unhygienic environment. They, at times covertly and at other times overtly, demand and plead for Environmental Justice for their characters, thereby for the entire black community. They highlight how blacks thrive physically, materially, and spiritually once their vicinity is changed to a neat and clean surrounding.

The environmental movements that are popular at present are mostly Eurocentric and/or dominated by the concerns of whites. All the major environmental movements have somewhat marginalized the communities and people on the fringes of society, like blacks, Hispanics, and other ethnic groups, by focusing only on the mainstream Western culture. In recent times, there has been an attempt to provide a counter-narrative to Eurocentric environmental movements by writers and researchers like Carl Zimring, Robert Bullard, Luke Cole and Sheila Foster, Carolyn Finney, Dorceta Taylor, Harriet Washington, etc. Similarly, African American writers like Alice Walker, Toni Morrison, Richard Wright, Zora Neale Hurston, James Baldwin, Ishmael Reed, Fredric Doughlas, Alex Haley, etc., have also challenged the mainstream environmental movements through their writing—by unveiling the acts of environmental racism perpetrated against black communities. 

Dalits in India form the most neglected and marginalized section in India because of ‘casteism’ and ‘caste system’. ‘Dalit’ is a Sanskrit word which means crushed, broken, oppressed, etc.  It is a self-adopted term by the scheduled castes of India as this marginalized section of Indian society feels that terms like ‘Ati[1]Shudra’, ‘Scheduled Castes’ or ‘depressed classes,’ etc., connote ‘derogation’. According to Sukhadeo Thorat, the problem of Dalits is socio-cultural-political as: “they occupy a low position in the Hindu social structure; their representation in government services is inadequate; they are inadequately represented in the fields of trade, commerce and industry; they suffer from social and physical isolation from the rest of the community, and there is general lack of education development amongst the major section of this community” (Dalits in India 2). However, this social, cultural, and political marginalization forms an undeniable link with environmental casteism. Manual scavenging, cleaning the dirt and menial jobs are forced on Dalits due to caste divisions. Access to natural resources such as clean air, clean water, healthy living, etc., is denied to them which results in environmental casteism. Hence, the issue of Dalits is socio-cultural-political-ecological in nature. Many Dalits writers like Baby Kamble, Urmila Pawar, Bama, Viramma, Om Prakash Valmiki, Balbir Madhopuri, Sharankumar Limbale, Kancha Illaiah, Daya Pawar, Jyoti Lanjewar, Hira Bansode, etc., in their writings, have represented the Dalits’ socio-ecological derogation and lived experiences of discrimination because of environmental casteism. Many prominent Dalit leaders and reformers like Jyotirao Phule, Dr. B.R. Ambedkar, Periyar, etc., have found that caste ideology and caste structures give rise to environmental casteism and domination by the few. They worked towards better living conditions for Dalits persistently and relentlessly. Many critics like Joel Lee, Mukul Sharma, etc., have affirmed that Indian environmental movements and academic environmental histories are dominated by mainstream and are fixed in casteism which has overlooked the unfair distribution of natural resources. This results in environmental casteism faced by Dalits unaddressed both in literary as well as public discourse.

 

 The edited book will be divided into two parts:

Part one will have the following sub-categories (The possible topics might include but are not limited to)

  • African American environmentalism
  • African American aesthetics and the environment
  • Environment as African American solace
  • African Americans and environmental injustice
  • African Americans and the environmental crisis
  • African American identity and the environment
  • African Americans and eco-racism
  • African American poverty and the environment
  • African Americans, religion, and the environment
  • African Americans, culture, and the environment
  • African Americans and democratization of environmental resources
  • African American leaders’ legacy and the environment
  • African American women and the environment

Part two will have the following sub-categories (The possible topics might include but are not limited to):

  • Dalit environmentalism
  • Dalit aesthetics and the environment
  • Environment as Dalit solace
  • Dalits and environmental injustice
  • Dalits and the environmental crisis
  • Dalit identity and the environment
  • Dalits and eco-casteism
  • Dalit poverty and the environment
  • Dalits, religion, and the environment
  • Dalits, culture, and the environment
  • Dalits and democratization of environmental resources
  • Dalits leaders’ legacy and the environment
  • Dalit women and the environment

 The book aims to chart out the literary discourse around the sub-themes. Therefore, all these sub-themes are to be addressed through literature.

The work will be an edited book. Writers and activists, scholars, and academicians are invited to contribute their papers/articles for the project.

Abstracts (250-300 words) in English with a short bio note (50 words) as a Word document or pdf must be emailed to: shubhankukochar@outlook.com, by January 05, 2024.

 

The date has been extended to January 05, 2023

  -Note:  Springer has shown interest in publishing this book 

Editors:

  1. 1.      Name : Shubhanku Kochar (Ph. D)

Affiliation: Department of English, Guru Gobind Singh Indraprastha University, Dwarka, India.

 

  1. 2.       Name : Parveen Kumari (Ph.D)
    Affiliation: Department of English, Central University of Jammu, Jammu, India.

Wednesday, December 27, 2023

CFP: International Conference on #Radical Thought in the #Anthropocene – #Theories & #Concepts of #Critical #Theory - University of Graz








 CALL FOR PAPERS

What is critique? What can Critical Theory do for society? Which forms of critique may claim any relevance in late capitalism? How can a critical public opinion manifest itself in the 21st century? How can we distinguish critique from political ideologies and conspiracy theories? (see Fridays for Future, Querdenker, etc.) What characterises critical thinking? How can radical thought be rendered practically relevant?

The conference Theories and Concepts of Critical Theory takes place between 26 and 28 June 2025 at the University of Graz, and it approaches its main theme from various theoretical and practical perspectives. Based at the Faculty of Humanities, this interdisciplinary conference constitutes the second stage of the interdepartmental research project Radical Thought in the Anthropocene. The conference follows on from a first event that took place in 2023 and which was dedicated to different disciplinary approaches to Critical Theory.
We will bring the concept and idea of critique into productive constellations with a variety of concepts and categories pertaining to social and cultural theory. In doing so, and by highlighting fundamental societal and existential challenges of the 21st century, we will reflect upon the possibilities and potentials of a productive critique of society, especially concerning its implications for academic theory and lived practice. In view of the great global, societal, ecological and economic challenges, we will put to the test the social significance and practical relevance of cultural and social theory in the 21st century.

Keynotes
Rodrigo Duarte,
Belo Horizonte, Brazil
Lydia Goehr,
New York City, USA
Sven Kramer,
Lüneburg, Germany
Michael Thompson,
New York City, USA


Conference Board (University of Graz)
Stefan Baumgarten,
Department of Translation Studies
Stefan Brandt,
Department of American Studies
Juliane Jarke,
BANDAS Center & Department of Sociology
Susanne Kogler,
Department of Art and Musicology
Sonja Rinofner-Kreidl,
Department of Philosophy

Format
The conference is held in a workshop format. Incoming abstracts will be assigned to the following three corresponding themes:

Workshop I: Language, Translation, Society
This workshop compares and contrasts diverse forms and concepts of critique and communication, examining their viability in view of current societal challenges such as multiculturalism, multilingualism, migration and modern communication technologies. Amongst other things, we will address cultural readings and language-specific receptions of the first generation of the Frankfurt School, especially concerning their historicity, timeliness and their ‘afterlife’. We will also pay special attention to ideology critique and to critical approaches on technology. Further relevant categories include phenomena such as inter- and transculturality, deconstruction and text, medialisation and multimodality, globalisation and (digital) cultures as well as gender-specific issues.
Workshop II: Materialism, Aesthetics, Politics
The question surrounding (artistic) ‘material’ concerns one of the key themes associated with Theodor W. Adorno’s aesthetic theory. It is also of central importance regarding the current reception of Critical Theory. Such questions surrounding the status, nature and conceptualisation of the material world not only challenge the Marxist origins of Critical Theory but also its concrete political and practical relevance. In this workshop, we will compare and contrast approaches in Critical Philosophy and Critical Social Theory, as well as approaches pertaining to (Historical) Materialism and (Neo-)Idealism. Of particular interest here is the relationship between New Materialisms and Critical Theory. Further relevant topics include (world) literature, digitalization and mediatisation, art and freedom (from ideology), (artistic) activism and politics.
Workshop III: Humans, Spirit, World Relation
This workshop deals with the relationship between science and critique. Here, the role of the Humanities for critical thinking and the role of lived practice with positive future implications will be debated from self-reflexive and self-critical standpoints. Among other things, we will discuss in what ways scientific and academic thought echoes conceptualisations, theories and arguments from Critical Theory, and how science might be able to adapt them for a better life, for a radical “wild thinking” that may generate alternative realities, art worlds, even anarchist constellations. Dichotomous thinking, post- and transhumanist ontologies as well as Anthropology and History are further possible themes. The relationship between critique, reason and unreason, as well as between critique, indignation and resistance about the state of (world) social affairs will also be up for discussion.


We look forward to receiving abstracts (max. 300 words) for 20-minute presentations on the above-mentioned topics and themes by 20 February 2024 under radikalesdenken(at)uni-graz.at. We are particularly looking forward to receiving contributions from doctoral candidates and early-career researchers! The abstracts must be submitted in anonymised form in English including a mini-biography (approx. 100 words).

The Conference Board will accept abstracts based on an anonymous selection procedure. Acceptance letters will be sent out in spring 2024. The conference will be streamed online. Selected contributions are expected to be published in English by Palgrave Macmillan.

Contact Information

radikalesdenken@uni-graz.at

Contact Email
stefan.brandt@uni-graz.at

Wednesday, December 6, 2023

Call For Papers: #Virtual #Conference with Publication -International Conference on Indian Arts and Literature-2024


(March 9- 10, 2024)

Organized by

Aesthetix Journal of Indian Studies

In Collaboration With

California Institute of Integral Studies, USA

Government Brajalal College, Bangladesh

Venue: Virtual

Online Platform: ZOOM

Key Features

  • Open Access
  • Double-Blind Peer Review
  • Plagiarism Check
  • Systematic Archival and Preservation
  • Standard Publication
  • Aims and Scope of the Conference

Theme of the Conference

The rich heritage of Indian Arts and Literature from the prehistoric age to the present era is engraved on the geography and cultural landscape in entire South Asia and South-East Asia and it has influenced scholars from around the world as is evident from the scholarly contributions from well-known scholars like Max Muller and Sir William Jones to the contemporary scholars. However, the long duration of colonial rule infused an inferiority complex among the scholars back home, they stayed away from significant research, and Western Classics dominated Indian academic spaces. The First Aesthetix International Conference is aimed at motivating Indian academicians and scholars to take interest in the Indian Arts and Literature and take up research in this henceforth-neglected area. It is also aimed at providing a platform for interaction among the Indian Scholars and the International Scholars working in the field of Indology. The Conference invites original, unpublished research articles and scholarly papers from teachers, professionals, research scholars, independent researchers, and students studying at the postgraduate level on the following areas, but not limited to:

  • Indian Classical Literature
  • Indian Classical Theory
  • Sanskrit Aesthetics
  • Tamil Literature
  • Shavite Literature
  • Vaishnavite Literature
  • Indian Architecture
  • Indian Fine Arts
  • Pali Literature
  • Prakrit Literature
  • Interdisciplinary Studies of Indian Arts and Literature
  • Indigenous Arts and Literature of India
  • Indian Theatre and Performances
  • Paintings of India
  • Literature and other Art forms in contemporary India

Important Dates

Conference Date: March 9-10, 2024
CFP opens: 5th December 2023

Abstract/ Full Paper Submission closes: December 25, 2024
Notification of Acceptance: 5th January, 2024
Full Paper Submission Deadline: 20th February 2024
Registration Period: 20th – 27th February, 2024

Publication of proceedings: The publication will start in June 2024 in Continuous Mode.

Registration Fee + Publication Fee: Rs 1000 (India). Foreign: USD 30


(Entire proceedings to be published in the Aesthetix Journal of Indian Studies)

Author’s Guidelines

Submit the abstract of your paper in about 200-300 words (Times New Roman, 12) with 5-6 Keywords. Use a separate attachment for this and do not include any personal data for double-blind peer review,

Include your personal details (name, affiliation, address, phone number, email id) in the body of the email.

Once your abstract is accepted you must submit the full paper before the last date for submission of full paper.

Finally, after the conference, you will have to submit full-length papers. Use the same email and do not use separate emails.

Articles should be written in an MS Word file following the latest edition of MLA style

Word Limits for the full paper: 3000-4500 words

Authors’ bio-note of around 50-60 words should be added at the end of the draft/full paper.

Send your scholarly articles to editor@indianstudies.net

Contact Information

For any query contact the Managing Editor at editor [AT] indianstudies.net or our WhatsApp no. +91-7047598085

Contact Email
editor@indianstudies.net

Thursday, November 2, 2023

Call for Papers: Academic Conference on Terminator @40: Origins and Legacies

 An academic conference hosted by The Centre for Film, Television and Screen Studies, Bangor University, Wales 

18 & 19 June 2024 

The Terminator franchise has left an indelible mark on popular culture. In 1984, James Cameron’s dark vision of the future created a cultural shock that continues to resonate to this day not only in cinema but also in literature, art, design, gaming, and critical theory and is even credited with having spawned several aesthetic trends, such as tech-noir. What started as a film has now become a multi-media universe consisting of sequels, a television series, web series, comics, video games, board games, novels and theme park rides. The franchise is also frequently cited in debates related to multinational corporations, robotics, biopolitics, post- and transhumanism, artificial intelligence, and nuclear apocalypse. 

Hosted by the Centre for Film, Television and Screen Studies at Bangor University in North Wales, this symposium proposes to bring together scholars from diverse disciplinary backgrounds – such as cultural and screen studies; the history of art, design, fashion and architecture; musicology; philosophy; political sciences; computer science and robotics; literature; urban and ecological studies; and race, gender, queer and sexuality studies - to explore The Terminator forty years after its release, explore its origins and legacies and consider its position within wider visual culture.  

We welcome contributions from any perspective such as (but not limited to) the following: 

Terminator and its origins, influences, production, publicity, reception and afterlife 

Terminator and aesthetics  

Terminator and biopolitics, posthumanism and urban planning. 

Terminator and capitalism, neoliberalism, post-industrialism and multinational corporations 

Terminator and design 

Terminator and ecological studies 

Terminator and fandom and ‘cult’ 

Terminator and gender 

Terminator and James Cameron 

Terminator’s multi-media franchise (sequels, television, web series, comic books, video games, board games, novels and theme park rides) 

Terminator and psychoanalysis 

Terminator and race, ethnicity and/or the “Other” 

Terminator and robotics, artificial intelligence, cybernetic organisms, the transhuman and post-human 

Terminator and sci-fi 

Terminator and sexuality 

Terminator and stardom 

Terminator and tech noir, retrofuturism, future noir, and cyberpunk.  

 

We are applying for funding to facilitate postgraduate and unwaged participation. 

 

Please submit an abstract here by 1 March 2024.  

 

For further information, please contact the organisers Professor Nathan Abrams (Bangor University) and Dr Elizabeth Miller (Bangor University) at TerminatorConference@gmail.com 

 

Best,

Contact Email
TerminatorConference@gmail.com