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Monday, December 18, 2023

CFP: #Virtual Graduate Conference on #Lawrence & Ecology: D. H. Lawrence Studies (May 18, 2024)




  

The D.H. Lawrence Society of North America is pleased to share the CFP for the next Virtual Graduate Conference in D.H. Lawrence Studies. It is scheduled for Saturday, 18 May 2024 and will take place over Zoom. The theme for the event is “Lawrence & Ecology.” Please circulate the poster (attached) and the information below widely. 




The DHLSNA welcomes abstracts on approaches to the theme of "Lawrence & Ecology." Papers may address any "ecological" aspect of D.H. Lawrence's fiction, poetry, essays, travels, and place in the wider discourses on modernism and/or ecology. We are especially interested in papers that address Lawrence's work in the contexts of the Anthropocene, human/animal difference, resource extraction, theories of relation or interconnection, new formalisms, the history of science, and new materialism.



Please email abstracts of 200-300 words (plus bio of 100 words) by 29 February 2024 to Benjamin Hagen, Associate Professor of English at the University of South Dakota and Vice President of the DHLSNA (Benjamin.Hagen@usd.edu). Notices of acceptance will be sent by 15 March 2024. There is no conference fee, but DHLSNA membership is required for presenters ($10 USD student rate). 

Learn more about how to join the society here: https://dhlsna.bravesites.com/join.


CFP: Symposium on #Medieval Studies Conference on #Manuscript Studies -2024-St. Louis University at St. Louis, Missouri

Theme: 

Is that a Word or Not? The Odd Words found in #Beowulf. A Re-Examination of the Old English Dictionary, Using Spaces and Letter Runes, Reflects the Before and After of Epiphany.

 



Up for a challenge? An Open Call to all Old English Scholars—

 

Join us in June at “The Odd Words in Beowulf” Roundtable in St. Louis at the “Symposium on Medieval Studies.” The ivory halls will heat up with a groundbreaking discussion that fundamentally will change our current understanding of Beowulf.

 

Why are there so many odd words in Beowulf? Those one-time example words, found nowhere else in the Old English corpus. Each roundtable will examine five example words found in An Anglo-Saxon Dictionary (https://lrc.la.utexas.edu/books/asd/index-introduction) that give just one citation line for each word.

 

Those first five words are: lārena (269), unhār (357), werhðo (589), mān-fordǣdlan (563) and icge (1107) or another one-time word of your choosing from Beowulf. No duplications, so first-come, first-served.

 

Re-examine your word choice(s) in context.

 

Are the spaces in the right places? The Beowulf manuscript is infamous for inconsistent or missing spaces.

 

Are there words inside of a word?

 

Are there letter rune(s) inside the word?

[Letter runes are the letter(s) for the phonetic beginning letter of the runic word from the Elder Futhark and/or the Anglo-Saxon Futhorc alphabets, e.g.: i is for īs/ice, etc.]

 

Is there a scribal error and/or a variant?

 

In 250-words, break down your odd word into its actual words. Provide a bilingual translation of that line along with the lines before and after. At the Roundtable, explain your methods and your epiphany in 10-minutes. [Letter Rune Charts provided to all Presenters.]

 

For questions or guidance, contact Jim Buckingham at wibuck50@gmail.com

 

Send your 250-word abstract and a 50-word bio to Jim Buckingham at wibuck50@gmail.com

Before the Deadline: December 31, 2023

Conference Website: https://www.smrs-slu.org/

CFP: International #Conference on The Future of #Masculinities: #Theory and #Praxis-#IIT #Dhanbad- June 2024

 CFP: THE FUTURE OF MASCULINITIES: THEORY & PRAXIS


 
 “Masculinities” refers to the numerous and diverse ways that masculinity is expressed and experienced in various cultural, social, and geographic contexts, as well as the ways it is created, enacted, and understood in response to shifting social, cultural, and economic factors. However, the notion of masculinity is dramatically altering as society drastically alters gender roles, expectations, and standards. The traditional idea of masculinity—one that is marked by traits like stoicism, dominance, and emotional restraint—has been challenged and deconstructed more and more recently. The increased awareness of the negative aspects of traditional masculinity has brought forth a major push for more inclusive and varied definitions of masculinity that accommodate a wider range of gender expressions and behaviours. Moreover, the advancements in gender equality and women’s empowerment will have a major impact on future masculinities. Today the inflexible conceptions of traditional masculinity are being challenged as more and more women achieve success and shatter stereotypes in industries that have traditionally been controlled by men, for instance, mining. In an effort to disprove the idea that men should only be providers and breadwinners, men are taking up roles as nurturers, carers, and partners in domestic activities.
Next, the debate of masculinity has intensified as a result of the growing visibility and acceptance of LGBTQ+ people. Men of all sexual orientations and gender identities are paving the way for more flexible and inclusive ideas of what it means to be a man by challenging conventional norms and embracing their actual masculinity and displaying it in ways that are congruent with their unique traits.
Furthermore, emotional and mental health of individuals are being reevaluated as the world evolves, which has a significant impact on masculinities. Men are urged to communicate their emotions honestly, cultivate emotional intelligence, and seek treatment for mental health issues. This defies the idea that being vulnerable indicates weakness and fosters more robust, rounded male emotions. In the future, it is likely that we will continue to see the diversification and redefinition of masculinities. Men will have more freedom to express their gender identity and personal preferences without conforming to rigid stereotypes. This evolution may lead to a society where individuals are judged based on their character and values rather than their adherence to traditional gender roles. However, challenges remain: the pressure to conform to traditional masculinity still exists in many parts of the world, and gender inequality persists in various forms. Thus efforts to redefine masculinity must continue to address these issues and promote a more inclusive and equitable society.
The future of masculinities in a changing world is a complex and dynamic subject with numerous cultural, social, and psychological facets. The future of masculinities in a changing world will be defined by a shift away from rigid, traditional norms and towards more inclusive, diverse, and emotionally conscious representations of masculinity. As society continues to evolve, so too will our understanding of gender and the roles and expectations associated with it. The way forward involves challenging harmful stereotypes, advancing gender equality, and fostering a society where men can authentically express their masculinity while respecting the autonomy and diversity of others.
This proposed book volume will examine the debates surrounding masculinities in both the global north and south. It is crucial to examine the scattered hegemonies/ masculinities because the historical world-system is rife with injustices, racism, and colonialism, and because discourses on masculinities that focus on the global north and south fall short in addressing the complexities of masculinities. This book volume will investigate the prominent masculinity constructs of the global north and the south in order to understand how feminism, globalisation, and shifting gender roles have affected masculinities currently and speculate on where masculinities may go in the future. We invite articles that broaden perspectives on the future of masculinities in a changing world. The topics may cover, but are not limited to:
• Masculinity as a concept
• Masculinity vs. biological maleness
• Being a man: a way of life/ a cause/ an idea
• Construction of masculinity/ies in global north & global south
• Impact of colonialism, post-colonialism, cultural diversity, globalization, feminism, and changing gender norms on masculinities
• Masculinities under nationalism
• Case studies from specific regions illustrating shifts in masculinities
• Masculinities & the intersections of race, caste, class, religion, and other factors
• Implications of scattered masculinities for gender equality and social justice
• Inclusive and positive masculinities: role of education, media, and advocacy in reshaping masculinity norms
• Male violence or masculine violence
• Masculinities & Environment
• Female masculinity
• Future masculinities: evolving gender norms & diversity of identities

Deadline for proposals: February 10, 2024

This call for papers is open to scholars, graduate students, and independent researchers from all disciplines. Original submissions reflecting the global spectrum of masculinities are encouraged.
Send a 200 word maximum abstract of your theoretical or empirical research along with a short biographical note to the editors by February 10, 2024. A paper that has been published previously may not be included.
For further questions or to submit your proposal, you can email Debapriya Ganguly (debopriyaganguly6@gmail.com).
Selected abstracts will be notified by the end of February 2024. The deadline for full submissions (6000– 8000 words) is June 2024. The style guide and additional information will be emailed individually to the contributors.
Selected papers (subject to double blind peer review) may appear in an edited volume with a reputed international press.


Editors
Rajni Singh is Professor of English at the Dept. of Humanities and Social Sciences, IIT Dhanbad. Rajni’s research focuses on women’s writings and gender studies, with particular interests in histories of gender, sexuality, and selfhood. rajnisingh18@iitism.ac.in

Debapriya Ganguly is a Doctoral researcher at the Dept. of Humanities and Social Sciences, IIT Dhanbad. Debapriya’s research focuses on masculinities, sexualities and selfhood in popular culture. debopriyaganguly6@gmail.com

Friday, December 15, 2023

CFA:Special issue of Women’s Writing (Taylor & Francis) on Unveiling Untold Narratives: Rediscovering the Literary Legacy of Jewish Female Writers and Representations of Jewish Women by Female Writers from the 1700s to the 1920s








Guest Edited by Irina Rabinovich and Brygida Gasztold



Description: This compilation seeks to shed light on the often-overlooked voices and hidden gems within the vast tapestry of Jewish women’s writing, as crafted by female authors during a transformative period in history.

Delving into the rich and diverse literary landscape spanning the 18th to the early 20th centuries, this special issue aims to rectify the historical oversight of significant contributions made by Jewish women writers. From the Enlightenment era through the Victorian age and into the early waves of feminism, these women defied societal expectations and challenged the status quo, using the power of the written word to articulate their experiences, dreams, and challenges.

One of the primary goals of this special issue is not only to highlight neglected voices but also to critically examine the representations of Jewish women by female writers during this pivotal period. By doing so, we aim to foster a nuanced understanding of how these representations have shaped and been shaped by cultural, social, and historical contexts. Through a careful exploration of the ways in which Jewish women writers portrayed their own identities, as well as the characters they created, we seek to unravel the complexities of gender, religion, and ethnicity in the literary landscape.

This special issue serves as a scholarly platform to reexamine familiar texts and to unearth hidden treasures, fostering a renewed appreciation for the resilience, creativity, and intellectual prowess of Jewish women writers. We aim to challenge conventional literary canons and invite our readers to join us in reevaluating the historical and cultural significance of these works. As we embark on this exploration, “Unveiling Untold Narratives” becomes a catalyst for reshaping our understanding of the literary contributions of Jewish women, both as authors and as the subjects of representation. Join us in this intellectual excavation, as we illuminate the pages that, for too long, have remained in the shadows, and celebrate the voices that deserve their rightful place in the literary canon.

We welcome essays on:

· Periodical Culture

· Poetry

· All types of fiction and non-fiction

We also welcome suggestions for reviews and reviewers for this special issue of the journal.



Please submit 300-400-word abstracts + up to 6 keywords, and a brief biography for consideration to Irina Rabinovich (Holon Institute of Technology, Israel) irener@hit.ac.il and Brygida Gasztold (Koszalin University of Technology, Poland) bgasztold@gmail.com by 28 February 2024. Completed articles are expected to be between 6500­–8000 words and will be due 31 October 2024.



· Contributors should follow the journal’s house style details of which are to be found on the Women’s Writing web site

http://www.tandf.co.uk/journals/titles/0999082.asp. This is the new MLA. Do note that instead of footnotes, we use endnotes with NO bibliography. All bibliographical information is included in the endnotes i.e., place of publication, publisher, and date of publication in brackets on first citation of a book.





Call For Articles: Urdu Studies-(ISSN: 2583-8784)

 






Call for Papers

(Vol. 4 Issue 1, 2024)

Urdu Studies (ISSN: 2583-8784) is an online open-access bilingual (Urdu and English) journal bringing together academics, scholars, and researchers engaged in areas of theoretical, comparative, and cultural research and criticism in Urdu language, literature, film, and theatre studies. We focus on original and innovative research and exploration and encourage interdisciplinary studies. We accept translations and book reviews.

We are now accepting submissions for the 2024 issue.

Our Thrust Areas include:

  • Postcolonial debates on Urdu language, literature, and culture
  • Contemporary Eastern and Western critical theories, and their reception in Urdu
  • South Asian cultural and historical studies
  • Urdu and contemporary Western scholarship
  • Intercultural & Comparative Studies
  • Urdu theatre & cinema
  • Translation Studies

Note: Urdu Research papers; book reviews; and translations from any language into Urdu; may be emailed to the Chief Editor (hashmiam68@gmail.com). Research papers in English; book reviews; and Urdu-English translations; may be emailed to the Guest Editor (rizvifatima67@gmail.com). Authors are requested to submit research papers/ translations/ book reviews in Urdu or English by 30th May 2024. They will be notified about acceptance/ revision/ rejection by 30th June 2024. Revised papers should be emailed by 30th July 2024. The journal, included in the UGC-CARE List, will be published online in August 2024.

Please visit the following link for the submission guidelines.

https://urdustudies.in/call-for-papers-submission-guidelines/

Contact Information

Arshad Masood Hashmi, Professor, Department of Urdu, jai Prakash University, Chapra 841302 (India) hashmiam68@gmail.com

Fatima Rizvi, Professor, Department of English and Modern European Languages, University of Lucknow 226007 (India) rizvifatima67@gmail.com

Contact Email
hashmiam68@gmail.com

Thursday, December 14, 2023

CFP: Panel on Family, Memory and Genealogy: Engaging Vernacular Modernities in South Asia on "Modernity Redefined' Conference Gitam University Feb 22-23, 2024





   

 We are organising a panel at the conference 'Modernity Redefined' at Gitam University Bangalore in February 22-23, 2024. This panel looks at ideas of genealogy, memory and family as they refracted through colonial modernity in South Asia. These ideas have been used by various communities for diverse purposes, from imagining a unified political identity, a glorious cultural past and for signifying status differences. A key aspect that lies at the heart of these imaginations is the views of sexual ordering and the reconfiguration of family relationships inaugurated by colonial modernity. Scholars like Kaviraj (2012), Udayakumar (2016) and Arunima (2003) have looked at novels, autobiographies and poetry which acted as discursive accompaniments and great archives of these transformations. Keeping these themes at the background, this panel probes into the ways in which various social groups in colonial South Asia imagined and sought to reformulate their own sense of selves and identities. The panel aims to move into the historical details as well as ethnographic impressions on changes to family histories, memories and genealogies retold from the colonial to post- colonial times in the Vernaculars of South Asia, including both established as well as spoken languages.

Contact Information

Please send a 150 words abstract to P.C. Saidalavi (saidalavi.pc@snu.edu.in) and Shaheen K. (shaheenkt@protonmail.com) by 19 December 2023.

Contact Email
saidalavi.pc@snu.edu.in

Monday, December 11, 2023

CFP: Contemporary Theatres of the Indian Sub-Continent: Perspectives and Prospects-Thespian Magazine(ISSN 2321-4805)

 In the introduction to her edited anthology, Modern Indian Theatre (2009), Nandi Bhatia pointed to the increasing number of critical works devoted to the history and development of modern Indian theatre. Such works, Bhatia argued, were crucial in reconstructing an Indian theatrical past and in dispelling oriental myths about modern Indian theatre. According to Bhatia, “. . . it indicates a growing interest in Indian theatre history and points towards the need for more work that subjects this highly pluralistic diverse field to critical scrutiny” (xii). The first decade of the twenty-first century saw the publication of crucial critical works on the historiography of Indian theatre which included Nandi Bhatia’s Acts of Authority/ Acts of Resistance(2004), Aparna Dharwadker’s monumental Theatres of Independence (2005), Vasudha Dalmia’s Poetics Plays and Performances: The Politics of Modern Indian Theatre (2006) and Erin B Mee’s Theatre of Roots: Redirecting the Modern Indian Stage (2008). Around the same time appeared Syed Jamil Ahmed’s Achinpakhi Infinity (2000), a major work in studying the indigenous theatre traditions of Bangladesh. These signposts have inspired theatre scholarship in diverse fields in the next decade leading to works that have addressed the plurality of theatre in the Indian sub-continent. The richness of theatrical and performative forms in the Indian sub-continent have expanded considerably in the contemporary times, manifesting a plural and vibrant theatrical culture that awaits further interpretation. 

While contemporary theatres and performances in the Indian sub-continent have been exploring the proscenium space in diverse ways, they have also moved out of the proscenium into alternative spaces, into the experimental realms of installation art and performance. These have resulted in greater engagement with immersive, intimate and interactive theatre practices where the ‘fourth wall’ has come down and the audience have been immersed into the play itself. What have been the ways in which audience reception has transformed in new experimental performance forms? How have contemporary theatres explored the proscenium space? How has alternative theatre spaces emerged? Did the widespread pandemic of Covid-19 foster the search for new spaces of performance? What emergent social and political issues are being addressed by the contemporary theatres? How ‘political’ is today’s theatre? How far do marginalised groups represent themselves and/or are being represented in contemporary theatre? How have the legacies of traditional and classical theatre been carried on in contemporary theatres? How far can the theatre discourse centring around Natyasastra be applied as a critical/theoretical context in today’s theatre? What are our theatrical ‘futures’ and ‘prospects’?                     

Premised on the above thoughts and questions, the proposed title invites scholarly articles on various issues related to contemporary theatre and performance in the Indian sub-continent. While we consider the phenomenon of performance as an inclusive concept ranging from daily life’s performance observations through indigenous tradition and classical to avant-garde initiatives, there are innumerable areas to be explored in the realm of the sub-continental performance tradition with the support of diverse theoretical tools from Natyasastra to recent theories. Once we see theatre and performance as a product of social process and its craft as a product of extensive enquiries to discover new expressive idioms, immense potential for further research and enquiry emerges. The frequent crossover of Indian theatre with various international criticism and streams of writing from the second half of the twentieth century onwards has also considerably impacted the contemporary scenario, which is a subject of intensive study. The call for papers and articles thus aims to address the plurality of Indian Sub-Continental theatre and drama, and its multiple streams that have variously contributed to the rich repository of Indian Sub-Continental performance practices.

 

Papers are invited (but not limited to) the following sub themes/ topics:

  • Current trends in research on Indian Sub-Continental theatre, performance and drama
  • Historiography and Post-Independence Indian theatre and drama
  • Women in the theatre, performance and drama of the Indian sub-continent
  • Queer identities in the theatre and drama of the Indian sub-continent
  • Gender inclusivity in the theatre and drama of the Indian sub-continent
  • Theatres of Protest
  • Theatre In Education
  • Political theatre
  • Theatres of Alternative spaces: Immersive, interactive and intimate theatre experiences
  • Relevance of Indigenous performance practices in Contemporary Theatre
  • Beliefs and motifs of Tribal theatrical traditions and its relevance in contemporary practices  
  • Urban-Folk theatre
  • Theatres of Ritual/Ritual Theatre
  • Covid-19 and the theatre and drama of the Indian sub-continent
  • Theatre of Roots
  • Environmental theatre
  • Theatre from the Margins
  • Contemporary Indian theatre and Drama
  • Post-Independence Indian theatre and Pedagogy
  • Regional theatre and criticism
  • Playwrights and Theatre Directors of the Indian sub-continent.
  • Wide practices of Amateur Theatre/Mobile Theatre in the Sub-Continent

 

Full articles within 5000 words (approx.) conforming to the latest MLA style guidelines should be sent along with a short bio-note (within 250 words) to thespian.articles@gmail.com.

Last Date of Submission

20 December 2023

 

For details, please strictly follow the guidelines provided on the website.

http://www.thespianmagazine.com/guidelines

 

Work Cited

Bhatia, Nandi, editor. Modern Indian Theatre: A Reader. Oxford UP, 2009.